<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-21281143</id><updated>2012-02-13T14:05:59.613-08:00</updated><title type='text'>IN GALATEA'S PURSE</title><subtitle type='html'>Stuff related to GALATEA RESURRECTS (A POETRY REVIEW)</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://grarchives.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21281143/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://grarchives.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>4</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-21281143.post-114045815509810015</id><published>2012-01-19T01:43:00.000-08:00</published><updated>2012-01-20T09:48:57.911-08:00</updated><title type='text'>REVIEW SUBMISSION DEADLINES</title><content type='html'>&lt;a href="http://galatearesurrects.blogspot.com"&gt;&lt;strong&gt;Click HERE &lt;/strong&gt;&lt;/a&gt;for links to the individual issues of &lt;em&gt;Galatea Resurrects (GR)&lt;/em&gt;! &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NEW:&lt;/strong&gt; The deadline for &lt;em&gt;GR's &lt;/em&gt;EIGHTEENTH issue has been EXTENDED to &lt;strong&gt;April 15, 2012&lt;/strong&gt;.&lt;br /&gt;&lt;br /&gt;Please email me at GalateaTen@aol.com if you're interested in doing a review! &lt;br /&gt;&lt;br /&gt;Please also see prior post for more information (note that the list of available review copies is frequently updated).  Thanks for your interest!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/21281143-114045815509810015?l=grarchives.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grarchives.blogspot.com/feeds/114045815509810015/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=21281143&amp;postID=114045815509810015&amp;isPopup=true' title='17 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21281143/posts/default/114045815509810015'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21281143/posts/default/114045815509810015'/><link rel='alternate' type='text/html' href='http://grarchives.blogspot.com/2007/08/review-submission-deadlines.html' title='REVIEW SUBMISSION DEADLINES'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>17</thr:total></entry><entry><id>tag:blogger.com,1999:blog-21281143.post-113780988623812373</id><published>2012-01-18T23:01:00.001-08:00</published><updated>2012-02-13T14:05:59.656-08:00</updated><title type='text'>AVAILABLE FOR REVIEW</title><content type='html'>Dear Poetry Reviewer, &lt;br /&gt;If you would like to review a poetry publication for &lt;a href="http://galatearesurrects.blogspot.com/"&gt;&lt;em&gt;GALATEA RESURRECTS (A POETRY ENGAGEMENT), &lt;/em&gt;&lt;/a&gt;you can choose what to review from your sources or from list of review copies sent to us.  All reviewing styles are acceptable; in general, I suggest that you excerpt from poems to exemplify whatever points you make in your review. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;To Publishers/Authors Sending Review Copies -- I prefer to receive 2 copies of each title; but 1 copy is fine, too, if your supply is low. Send to: &lt;br /&gt;&lt;br /&gt;Eileen Tabios&lt;br /&gt;Galatea&lt;br /&gt;256 North Fork Crystal Springs Road &lt;br /&gt;St. Helena, CA 94574&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GR's Review Copies Available to Interested Reviewers:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Publications (books, chaps, broadsides, journals et al) eligible for review are not just recent releases; all are available (preference given to publications still in print). So you can review, say, a book(s) from your bookshelf that you've long appreciated, or choose from below (this list is continuously updated). Note, too, that e-publications are available for review. [If you've sent a review copy and don't see it below, it may be because I've "placed" it.]&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BOOKS, CHAPS &amp; OTHER PROJECTS AVAILABLE FOR REVIEW&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;(in author/editor's last name alphabetical order)&lt;/em&gt; &lt;br /&gt;&lt;br /&gt;&lt;em&gt;ASHES GIFTED &lt;/em&gt;(chap) by Joshua Abelow+ (Sacrifice Press, Corvallis, OR, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NOT BLESSED &lt;/em&gt;by Harold Abramowitz (Les Figues Press/TrenchArt Maneuvers Series, Los Angeles, 2010) -- REVIEWED (#15) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THREE COLUMN TABLE &lt;/em&gt;(chap) by Harold Abramowitz (Insert Press, Los Angeles, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt; &lt;strong&gt;)  &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;)  &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;) &lt;/strong&gt;&lt;/em&gt; (chap) by Samar Abulhassan+ (Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MY LOVE IS A DEAD ARCTIC EXPLORER&lt;/em&gt; by Paige Ackerson-Kiely+ (Ahsahta Press, Boise, ID, 2012)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CHINESE NOTEBOOK&lt;/em&gt; by Demosthenes Agrafiotis, Trans. by John Sakkis and Angelos Sakkis+ (Ugly Duckling Presse, Brooklyn, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;VOLUME ONE (SELECTED ANONYMOUS MARGINALIA&lt;/em&gt;, Ed. Liam Agrani (BlazeVOX Books, Buffalo, N.Y., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE DOORS OF THE BODY &lt;/em&gt;by Mary Alexandra Agner+ (Mayapple Press, Bay City, Minn., 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RHYMES FOR ADULTS&lt;/em&gt;, chap anthology edited by Mary Alexandra Agner++ featuring F.J. Bergmann, Peg Duthie, Moira Egan, Annie Finch, Jeannine Hall Gailey, Larry Hammer, Bill Knott, Amy Lemmon, K.A. Markee, Steven D. Schroeder, Mike Snider, A.E. Stallings, William Stuckey, Marilyn Taylor, Daniel Tobin, Patricia Valdata and Kathrine Varnes (Virginia Reals Press, 2006. 2-0)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TONTO'S REVENGE&lt;/em&gt; by Adam Aitken (chap, Tinfish Press, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE LOST COUNTRY OF SIGHT &lt;/em&gt;by Neil Aitken+ (Anhinga Press, Tallahassee, FLA, 2008)-- REVIEWED (#13) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SOR JUANA'S SECOND DREAM&lt;/em&gt; (novel of this 17th century poet mystic) by Alicia Gaspar de Alba+ (University of New Mexico Press, Albuquerque, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;UNDOCUMENTARIES &lt;/em&gt;by Rosa Alcalá+ (Shearsman Books, Exeter, U.K., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PANDA &lt;/em&gt;by Chris Alexander (Truck Books, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;POEMS IN CONVERSATION AND A CONVERSATION &lt;/em&gt;(chap) by Elizabeth Alexander &amp; Lyrae Van Clief-Stefanon+ (Sleepy Hollow Chapbook Series/Slapering Hol Press, Sleepy Hollow, N.Y. 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DENSITIES, APPARITIONS&lt;/em&gt; by William Allegrezza (Otoliths, Rockhampton, Australia, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;COLLECTIVE INSTANT &lt;/em&gt;by William Allegrezza+ (Otoliths, 2008. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FILAMENT SENSE &lt;/em&gt;(chap) by William Allegrezza (ypolita press, Jan. 1, 2008. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FRAGILE REPLACEMENTS &lt;/em&gt;by William Allegrezza (Meritage Press, 2007) -- REVIEWED (#8, #12 and #17) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IN THE WEAVER'S VALLEY &lt;/em&gt;by William Allegrezza (Blue Lion Books, 2006)-- REVIEWED (#3) BUT AVAILABLE FOR MORE &lt;br /&gt;&lt;br /&gt;&lt;em&gt;SONOLUMINESCENCE &lt;/em&gt;(chap) by William Allegrezza and Simone Muench+ (dusie, 2007. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE CITY VISIBLE: CHICAGO POETRY FOR THE NEW CENTURY&lt;/em&gt;, Edited by William Allegrezza and Raymond Bianchi+ (Cracked Slab Books, Chicago, 2007)-- REVIEWED (#10) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE CHAINED HAY(NA)KU PROJECT&lt;/em&gt;, Eds. Ivy Alvarez, John Bloomberg-Rissman, Ernesto Priego and Eileen Tabios* (Meritage Press and xPress(ed), San Francisco &amp; St. Helena as well as Puhos, Finland, 2010)-- REVIEWED (#15 and #16) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;EACH H by Samuel Amadon (chap, Ugly Duckling Presse, Brooklyn, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LIKE A SEA &lt;/em&gt;by Samuel Amadon (University of Iowa Press, Iowa City, IA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;YES WE ARE STILL DANCING &lt;/em&gt;by Susan Amstater, Connie Dillman and Jacquelyn Stroud Spier, collaboration between a poet and two painters+ (Fresco Fine Art Publications, Albuquerque, NM, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MOVING BLANKET &lt;/em&gt;by Kostas Anagnopoulos (Ugly Duckling Presse, New York, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ANTHOLOGY SPIDERTANGLE&lt;/em&gt;, Edited by mIEKAL aND+ (Xexoxial Editions, West Lima, Wisconsin, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MATCHING SKIN&lt;/em&gt;, featuring the musical EP &lt;em&gt;JOHN ANONYMOUS &lt;/em&gt;by Shirlette Ammons (Carolina Wren Press, Durham, NC, 2008. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LIGHT FILLING MY BONES&lt;/em&gt;, poems by Dorothy B. Anderson with cut-paper illustrations by Donna Bruhl+ (Hobblebush Books, Brookline, NH, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MICROGRAMS &lt;/em&gt;by Jorge Carrera Andrade, Trans. by Alejandro de Acosta and Joshua Beckman+ (Wave Books, Seattle and New York, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HOME AMONG THE SWINGING STARS: COLLECTED POEMS OF JAIME DE ANGULO&lt;/em&gt;, Ed. Stefan Hyner w/ essay by Andrew Schelling (La Alameda Press, 2006)-- REVIEWED (#9) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;“identity / crisis”&lt;/em&gt; by _____ (anonymous) (chap, Dusie, 2006) &lt;br /&gt;&lt;br /&gt;&lt;em&gt;MAKE LONELINESS &lt;/em&gt;by J. Reuben Appelman+ (Otis Books/Seismicity Editions, Los Angeles, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PRINCESS OF THE WORLD IN LOVE &lt;/em&gt;(chap) by Stan Apps (Cy Press, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;GLOW OF OUR SWEAT &lt;/em&gt;by Francisco Aragon (Scapegoat Press, Kansas City, MO, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE BEDSIDE GUIDE TO NO TELL MOTEL: SECOND FLOOR&lt;/em&gt;, Edited by Molly Arden &amp; Reb Livingston (No Tell Books, Roanoke, VA, 2007)-- REVIEWED (#9) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BURN PIT&lt;/em&gt; by Mary Armstrong (chap, Slapering Hol Press, Sleepy Hollow, N.Y., 2011. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TRISKELIION, TIGER MOTH, TANGRAM, THYME &lt;/em&gt;by Marcia Arrieta (Otoliths, Rockhampton, Australia, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE PORTABLE FAMINE &lt;/em&gt;by Rane Arroyo (BkMk Press, Univ. of Missouri, Kansas City, 2006)-- REVIEWED (#11) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A WOMAN'S GUIDE TO MOUNTAIN CLIMBING &lt;/em&gt;by Jane Augustine+ (Marsh Hawk Press, New York, 2008) -- REVIEWED (#11) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TRANSITORY &lt;/em&gt;by Jane Augustine (Spuyten Duyvil) -- REVIEWED (#1) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SIGHTLINE&lt;/em&gt;, book-length compilation of four poets' chaps, by Elizabeth Austen, Andrea Bates, Carol Stevens Kner and Sarah Suzor (Toadlily Press, Chappaqua, N.Y., 2010. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;INTO THE SNOW: SELECTED POEMS OF GENNADY AYGI&lt;/em&gt;, Trans. by Sarah Valentine+ (Wave Books, Seattle and New York, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DELIBERATE PROOF &lt;/em&gt;by Vyt Bakaitis (Lunar Chandelier, Brooklyn, N.Y., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;VARIATIONS ON PAINTING A ROOM: POEMS 2000-2010&lt;/em&gt; by Alan Baker (Skysill Press, NOttingham, U.K., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RESTORATION POEMS &lt;/em&gt;by Ed Baker (Country Valley Press, Gardnerville, Nevada, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SOMEONE STRUGGLES &lt;/em&gt;by Jonathan Ball (ungovernable press, 2009 review copy via .pdf &lt;a href="http://ungovernablepress.weebly.com/"&gt;HERE&lt;/a&gt; )&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EASY EDEN &lt;/em&gt;(chap) by Micah Ballard and Patrick Dunagan+ (Push, San Francisco, 2009)-- REVIEWED (#14) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DAYS LIKE THIS ARE NECESSARY: NEW &amp; SELECTED POEMS &lt;/em&gt;by Walter Bargen (BkMk Press, Kansas City, MO, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TONGUE OF WAR &lt;/em&gt;by Tony Barnstone (BkMk Press/University of Missouri-Kansas City, Kansas City, MO, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IN COMPANY: AN ANTHOLOGY OF NEW MEXICO POETS AFTER 1960&lt;/em&gt; (University of New Mexico Press, Albuquerque, 2004) Edited by Lee Bartlett, V.B. Price and Dianne Edenfield Edwards -- REVIEWED (#11) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LETTERS FROM ROOM 27 OF THE GRAND MIDWAY HOTEL &lt;/em&gt;by Margaret Bashaar with photographic ephemera by Kevin Ross (chap, Blood Pudding Press, Medina, OH, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SCARED TEXT&lt;/em&gt; by Eric Baus (Colorado State University, Fort Collins, CO, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;KALI'S BLADE&lt;/em&gt; by Michelle Bautista+ (Meritage Press, 2006)* -- REVIEWED (#5, #7, #11 and #12) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CHANCE &lt;/em&gt;(chap) by Daniel Becker+ (H_NGM_N Chapbook Series #2) -- REVIEWED (#6) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;E-X-C-H-A-N-G-E-V-A-L-U-E-S: The Second XV Interviews&lt;/em&gt;, Curated by Tom Beckett+ (Otoliths, 2007. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;UNPROTECTED TEXTS: SELECTED POEMS (1978~2006)&lt;/em&gt; by Tom Beckett++ (Meritage Press) -- REVIEWED (#4, #5 and #8) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DAYS OF UNWILLING &lt;/em&gt;by Cal Bedient (Saturnalia Books, Philadelphia, PA, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A BOOK OF DAYS, PT. 1: SORCERY, FEBRUARY 1-MAY 31, 2007 &lt;/em&gt;(chap) with text by Hugh Behm-Steinberg and design by Mary Behm-Steinberg (Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SHY GREEN FIELDS &lt;/em&gt;by Hugh Behm-Steinberg (No Tell Books, Reston, VA, 2007)-- REVIEWED (#11) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PETALS, EMBLEMS &lt;/em&gt;by Lynn Behrendt (Lunar Chandelier, Brooklyn, N.Y., 2010) -- REVIEWED (#16) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MILLENIAL HARVEST: The Life &amp; Collected Poems of Charles Greenleaf Bell &lt;/em&gt;(Helen Lane Editions/Lumen Books, Santa Fe, New Mexico, 2006. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PREDICTIONS &lt;/em&gt;with Paul Raskin, Bart Bridger Woodstrup, Julie Sadler, David Zuzga, Jason Zuzga and Monica de la Torre, Ed. by Cara Benson (Chain Links, Oakland and Philadelphia, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE GIFT THAT ARRIVES BROKEN &lt;/em&gt;by Jacqueline Berger (Autumn House Press, Pittsburgh, PA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PORTRAIT AND DREAM: NEW AND SELECTED POEMS&lt;/em&gt; by Bill Berkson (Coffee House Press, Minneapolis, 2009)-- REVIEWED (#12) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SECRET WOUNDS&lt;/em&gt; by Richard M. Berlin (BkMk Press, Kansas City, Miss., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NOTES FROM IRRELEVANCE&lt;/em&gt; by Anselm Berrigan (Wave Books, Seattle, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;KEEPERS OF SILENCE &lt;/em&gt;by Luis Cuahtemoc Berriozabal+ (chap, Kendra Steiner Editions, San Antonio, Texas, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WITHOUT PEACE&lt;/em&gt; (chap) by Luis Cuauhtemoc Berriozabal+ (Kendra Steiner Editions, San Antonio, TX, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;OUTSIDE VOICES: AN EMAIL CORRESPONDENCE &lt;/em&gt;by Jake Berry &amp; Jeffrey Side (Otoliths, Rockhampton, Australia, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BODY OF WATER &lt;/em&gt;by Erin M. Bertram (chap, Thorngate Road, Kennesaw, GA, 2007. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ALLUVIUM &lt;/em&gt;by Erin M. Bertram (chap, dancing girl press, 2007. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE SILVER BOOK&lt;/em&gt; by Jen Bervin (chap, Ugly Duckling Presse, Brooklyn, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TRACK THIS: A BOOK OF RELATIONSHIP &lt;/em&gt;by Stephen Bett (BlazeVOX [books], Buffalo, N.Y., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BOUGH BREAKS&lt;/em&gt; by Tamiko Beyer+ (Meritage Press, St. Helena &amp; San Francisco, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IMMEDIATE EMPIRE &lt;/em&gt;by Ray Bianchi (i.e. Press, 2007. review copy available as a .pdf advance galley)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LITTLE RICHARD THE SECOND&lt;/em&gt; by Gregg Biglieri (chap, Ugly Duckling Presse, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE WHITE MUSEUM &lt;/em&gt;by George Bilgere (Autumn House Press, Pittsburgh, PA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;USELYSSES &lt;/em&gt;by Noel Black (Ugly Duckling Presse, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;VELLEITY'S SHADE&lt;/em&gt;, poetry by Star Black &amp; paintings by Bill Knott (Saturnalia Books, Ardmore, PA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE SELECTED POEMS OF HAMSTER &lt;/em&gt;(chap) by Carlos Blackburn (Ugly Duckling Presse, Brooklyn, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FARANG &lt;/em&gt;by Peter Blair (Autumn House Press, Pittsburgh, PA, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE DIVINE SALT &lt;/em&gt;by Peter Blair (Autumn House Press, Pittsburgh, PA, 2003)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BLOOD HONEY&lt;/em&gt; by Chana Bloch (Autumn House Press, Pittsburgh, PA, 2009) -- REVIEWED (#16) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FLUX, CLOT &amp; FROTH, Vol. 1 and 2&lt;/em&gt; by John Bloomberg-Rissman* (Meritage Press, St. Helena and San Francisco, 2010) &lt;br /&gt;&lt;br /&gt;&lt;em&gt;2ND NOTICE OF MODIFICATIONS TO TEXT OF PROPOSED REGULATIONS&lt;/em&gt; by John Bloomberg-Rissman (Laughing Ouch Cube Publications / Leafe Press, Notingham, U.K. and Claremont, CA, 2010)--REVIEWED (#15) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;KINGS OF THE F**KING SEA&lt;/em&gt; by Dan Boehl (Birds, LLC, Austin / Minneapolis / New York / Raleigh, 2011. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE ECSTASY OF CAPITULATION &lt;/em&gt;by Daniel Borzutzky+ (BlazeVox Books, Buffalo, N.Y., 2007) -- REVIEWED (#8) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;POETRY KANTO 2006&lt;/em&gt;, English Poetry Editor Alan Botsford (Kanto Poetry Center, Kanto Gakuin University, Yokohama, Japan, 2006)&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.tarpaulinsky.com/Press/index.html"&gt;&lt;em&gt;[one love affair] &lt;/em&gt;&lt;/a&gt;by Jenny Boully+ (Tarpaulin Sky Press, 2006)-- REVIEWED (#7) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BRIEF HISTORY OF GIRL AS MATCH &lt;/em&gt;(chap) by Kristy Bowen, Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FEIGN &lt;/em&gt;(chap) by Kristy Bowen (New Michigan Press, 2006. 2) -- REVIEWED (#9) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IF NOTHING ELSE&lt;/em&gt; by Harold Bowes (Ravenna Press, Washington, 2004)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;COR-RE-SPON-DENCE &lt;/em&gt;(chap) by Jessica Bozek / Eli Queen+ (Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE STARS ON THE 7:18 TO PENN&lt;/em&gt; (chap) by Ana Bozicevic (ellectriquepress.com as part of the latest dusi/e-chap kollektiv, 2009)--  REVIEWED (#12) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MORNING NEWS&lt;/em&gt; (chap) by Ana Bozicevic-Bowling+ (Kitchen Press Chapbooks, N.Y., 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;YOU DON'T KNOW WHAT YOU DON'T KNOW &lt;/em&gt;by John Bradley (Cleveland State University Poetry Center, Cleveland, OH, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WALDEN BOOK &lt;/em&gt;by Allen Bramhall (chap, The Greying Ghost, Mass., 2008)--  REVIEWED (#11) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DAYS POEM, Volume I and Volume II &lt;/em&gt;by Allen Bramhall (Meritage Press, 2007) -- REVIEWED (#8, #9 and #16) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE UNSWEPT PATH: CONTEMPORARY AMERICAN HAIKU&lt;/em&gt;, Ed. by John Brandi and Dennis Maloney+ (White Pine Press, Buffalo, 2005)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SMILES OF THE UNSTOPPABLE&lt;/em&gt; by Jason Bredle (Magic Helicopter Press, Northampton, Mass., 2010. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;JUNE &lt;/em&gt;by Daniel Brenner (Fence Books, Albany, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PIONEERS IN THE STUDY OF MOTION &lt;/em&gt;by Susan Briante+ (Ahsahta Press, Boise, ID, 2007)-- REVIEWED (#8) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;GOWANUS ATROPOLIS &lt;/em&gt;by Julian T. Brolaski (Ugly Duckling Presse, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A STRANGER'S TABLE &lt;/em&gt;by Anne Brooke (Lulu, 2008. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;908 - 1078&lt;/em&gt; (chap) by Brandon Brown+ (Transmission Press, 2006)-- REVIEWED (#17) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RUST OR GO MISSING &lt;/em&gt;by Lily Brown (Cleveland State University Poetry Center, Cleveland, OH, 2011) &lt;br /&gt;&lt;br /&gt;&lt;em&gt;PEEL ME A ZIBIBBO &lt;/em&gt;(chap) by Pam Brown (Never-Never Books, 2006)-- REVIEWED (#6) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE DESIRES OF LETTERS &lt;/em&gt;by Laynie Browne (Counterpath Press, Denver, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EITHER WAY I'M CELEBRATING &lt;/em&gt;(poems &amp; comics) by Sommer Browning+ (Birds, LLC, Austin / Minneapolis / New York / Raleigh, 2011)-- REVIEWED (#18) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE RED WINDOW &lt;/em&gt;by Marianne Aweagon Broyles (West End Press, Albuquerque, NM, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NDAKINNA (OUR LAND): NEW AND SELECTED POEMS &lt;/em&gt;by Joseph Bruchac (West End Press, University of New Mexico, Albuquerque, NM, 2003)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WASTE &lt;/em&gt;by Thierry Brunet (BlazeVOX Books, Buffalo, N.Y., 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AGAINST THE FORGETTING; FRANCES FROST AND PAUL BLACKBURN&lt;/em&gt; (chap bio) by Robert Buckeye+ (Quarry Books, East Middlebury, VT, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WOMAN IN THE PAINTING&lt;/em&gt; by Andrea Hollander Budy (Autumn House Press, Pittsburgh, PA, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WHEN SHE NAMED FIRE: AN ANTHOLOGY OF CONTEMPORARY POETRY BY AMERICAN WOMEN&lt;/em&gt; Edited by Andrea Hollander Budy (Autumn House Press, Pittsburgh, PA, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;GRAFFITO &lt;/em&gt;by John Burgess (Ravenna Press, Washington, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PUNK POEMS&lt;/em&gt; by John Burgess (Ravenna Press, Washington, 2005) -- REVIEWED (#7) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE SHUNT &lt;/em&gt;by David Buuck (Palm Press, Long Beach, CA, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SONG OF A LIVING ROOM &lt;/em&gt;by Brigitte Byrd+ (Ahsahta Press, Boise, ID, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BRIDGEABLE SHORES: SELECTED POEMS (1969-2001)&lt;/em&gt; by Luis Cabalquinto (Galatea Speaks/Kaya Press)**-- REVIEWED (#7 and #11) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE GILLES POEM: WINTER 2006 COLLECTION &lt;/em&gt;(chap) by Sabrina Calle (Transmission Press, 2007. 3)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RARER AND MORE WONDERFUL&lt;/em&gt; by Trevor Calvert (Scrambler Books, Davis, CA, 2008. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DIRTY AUGUST &lt;/em&gt;by Edip Cansever, Trans. by Julia Clare Tillinghast &amp; Richard Tillinghast (Talisman House, Jersey City, N.J., 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SALU-SALO: IN CONVERSATION WITH FILIPINOS, AN ANTHOLOGY OF PHILIPPINE-AUSTRALIAN WRITINGS&lt;/em&gt;, Ed. by Jose Wendell P. Capili and John Cheeseman+ ((Casula Powerhouse &amp; Blacktown Arts Centre, Australia, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;COMPLICATIONS &lt;/em&gt;by Garrett Caples* (Meritage Press, 2007)-- REVIEWED (#11, #12 and #16) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SECRET ASIAN MAN &lt;/em&gt;by Nick Carbo -- REVIEWED (#3) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ANDALUSIAN DAWN &lt;/em&gt;by Nick Carbo&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EL GRUPO MCDONALD'S &lt;/em&gt;by Nick Carbo+ (Tia Chucha Press, Chicago, 1995)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BABAYLAN: AN ANTHOLOGY OF FILIPINA AND FILIPINA AMERICAN WRITERS&lt;/em&gt;, edited by Nick Carbo and Eileen Tabios (Aunt Lute Press, San Francisco, 2000)** -- REVIEWED (#16) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PINOY POETICS&lt;/em&gt;, anthology edited by Nick Carbo (Meritage Press)*+ -- REVIEWED (GR #1, #2, #10 and #11) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BOOMERANG &lt;/em&gt;by Brenda Cardenas (Bilingual Press/Editorial Bilingue, Tempe, AZ, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE CURVATURE OF THE EARTH &lt;/em&gt;by Alvaro Cardona-Hine and Gene Frumkin (Univeristy of New Mexico Press, Albuquerque, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&amp; PERSONA &lt;/em&gt;(chap of) poems by Mackenzie Carignan and photographs by Felicia Ohnmacht (Dusie, 2007)-- REVIEWED (GR #10) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE LISTENING LOST &lt;/em&gt;by Mackenzie Carignan (chap, Dusie, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SURFACE TENSION &lt;/em&gt;(chap) by Mackenzie Carignan and Scott Glassman (Dusie, 2006)-- REVIEWED (#5) BUT AVAILABLE FOR MORE REVIEW&lt;br /&gt;&lt;br /&gt;&lt;em&gt;QUANTUM JITTERS &lt;/em&gt;by Patricia Carlin (Marsh Hawk Press, New York, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ORIGINAL GREEN &lt;/em&gt;by Patricia Carlin+ (Marsh Hawk Press)-- REVIEWED (#6) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EDGE BY EDGE&lt;/em&gt;, chap collection of poetry chaps by Gladys Justin Carr, Heidi Hart, Emma Bolden, and Vivian Teter (Toadlily Press, Chappaqua, N.Y., 2007)-- REVIEWED (#15) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SARAH--OF FRAGMENTS AND LINES &lt;/em&gt;by Julie Carr (Coffee House Press, Minneapolis, Minn., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SITUATIONS &lt;/em&gt;by Laura Carter (ungovernable press, 2008  review copy via .pdf &lt;a href="http://ungovernablepress.weebly.com/"&gt;HERE&lt;/a&gt;) -- REVIEWED (#15) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;GREEN CAMMIE &lt;/em&gt;by Crysta Casey (Floating Bridge Press, Seattle, WA, 2010) -- REVIEWED (#14) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HANDLING DESTINY &lt;/em&gt;by Adrian Castro (Coffee House Press, Minneapolis, 2009. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE SYLLABLE THAT OPENED AN EYE&lt;/em&gt;, poems by Micah Cavaleri (Dead Man Publishing, Dollar Bay, MI, 2010. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ANNA NICOLE: POEMS&lt;/em&gt; by Grace Cavalieri (A Menendez Publication, 2008. Review copy available as a .pdf file)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HARPOON &lt;/em&gt;(chap) by Michael Cavendish (Woodrunner Chapbooks, Petaluma, CA, 2007. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ST. AGNES, PINK-SLIPPED&lt;/em&gt; by Ann Cefola (chap, Kattywompus Press, Cleveland Heights, OH, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BLAKE'S TREE&lt;/em&gt;(chap) by Joel Chace (Blue &amp; Yellow Dog Press, Ocala, FL, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A SCRIPT &lt;/em&gt;by Joel Chace (Otoliths, Rockhampton, Australia, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MATTER NO MATTER &lt;/em&gt;by Joel Chace (Paper Kite Press, 2008. Review copy available as .pdf)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NO MATTER&lt;/em&gt; (chap available online at &lt;a href="http://www.beardofbees.com/pubs/No_Matter.pdf"&gt;http://www.beardofbees.com/pubs/No_Matter.pdf&lt;/a&gt;) by Joel Chace (Beard of Bees, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TRANSLATIONS FROM AFTER &lt;/em&gt;(chap) by Joel Chace (anabasis.extant) -- REVIEWED (#5) BUT AVAILABLE FOR MORE REVIEW&lt;br /&gt;&lt;br /&gt;&lt;em&gt;UNEXPECTED LIGHT&lt;/em&gt; by C.E. Chaffin (Diminuendo Press / Cyberwizard Productions, Saginaw, TX, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;VISITATION &lt;/em&gt;by MK Chavez (chap, Kendra Steiner Editions, San Antonio, Texas)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PART: SHORT LIFE HOUSING &lt;/em&gt;by Cris Cheek (The Gig, Toronto, 2009. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE HEART'S TRAFFIC: A NOVEL IN POEMS &lt;/em&gt;by Ching-In Chen (Arktoi Books / Red Hen Press, Granada Hills, CA 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;POEMS FROM CHILDREN'S ISLAND&lt;/em&gt; by Sasha Chernyi, Trans. by Kevin Kinsella and Illustrated by Jessica Seamans (Lightful Press, Iowa City, IA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MOONCAKE VIXEN &lt;/em&gt;(novel) by Marilyn Chin+ (Norton &amp; Company, New York, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EVERYONE LOVES THE SITUATION &lt;/em&gt;by Michael Cirelli (Penmanship Books, Brooklyn, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;VACATIONS ON THE BLACK STAR LINE &lt;/em&gt;by Michael Cirelli (Hanging Loose, Brooklyn, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LOBSTER WITH A DIRTY BASTARD &lt;/em&gt;by Michael Cirelli (Hanging Loose, Brooklyn, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SOME COMMON WEAKNESSES ILLUSTRATED &lt;/em&gt;by Carson Cistulli (Casagrande Press, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CLOUD VIEW POETS: AN ANTHOLOGY: MASTER CLASSES WITH DAVID ST. JOHN&lt;/em&gt;, edited by Morley Clark, Jane Downs, CB Follett and Susan Terris (Arctos Press, 2005)-- REVIEWED (#10) BUT AVAILABLE FOR MORE REVIEW&lt;br /&gt;&lt;br /&gt;&lt;em&gt;JARGON &lt;/em&gt;by Brian Clements (Quale Press, Williamsburg, MA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AND HOW TO END IT &lt;/em&gt;by Brian Clements (Quale Press, Williamsburg, MA, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DISAPPOINTED PSALMS &lt;/em&gt;by Brian Clements* (Meritage Press, St. Helena and San Francisco, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;JEALOUS WITNESS &lt;/em&gt;by Andrei Codrescu (Coffee House, Minneapolis, Minn, 2008. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;VISITING DR. WILLIAMS: POEMS INSPIRED BY THE LIFE AND WORK OF WILLIAM CARLOS WILLIAMS&lt;/em&gt;, Eds. Sheila Coghill &amp; Thom Tammaro (University of Iowa Press, Iowa City, IA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE RETURN OF THE NATIVE &lt;/em&gt;by Kate Colby (Ugly Duckling Presse, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BEAUPORT &lt;/em&gt;by Kate Colby+ (Litmus Press, Brooklyn, N.Y., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FRASES TO OR&lt;/em&gt; by Gregory K. Cole (Ravenna Press, Washington, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HAIKU NOT BOMBS &lt;/em&gt;by Collectivo Haiku (Tom Gilroy, Jim McKay, Shin Yu Pai, Grant-Lee Phillips, Allison Roth, Rick Roth, Denise Siegel and Patrick So) (Brooklyn Artists Alliance, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FOR GIRLS (&amp; OTHERS)&lt;/em&gt; by Shanna Compton++ (Bloof Books, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PP/FF: AN ANTHOLOGY &lt;/em&gt;(of prose poetry &amp;/or flash fiction), Ed. Peter Conners+ (Starcherone Books, 2006. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THIRTEEN DESIGNER VAGINAS &lt;/em&gt;by Juliet Cook+ (chap, Hyacinth Girl Press, Pittsburgh, PA, 2011) &lt;br /&gt;&lt;br /&gt;&lt;em&gt;TONGUE LIKE A STINGER &lt;/em&gt;by Juliet Cook (Wheelhouse, 2009. Available viz &lt;a href="http://www.wheelhousemagazine.com/chapbook/cook.pdf"&gt;http://www.wheelhousemagazine.com/chapbook/cook.pdf&lt;/a&gt;)-- REVIEWED (#14) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MONDO CRAMPO &lt;/em&gt;(chap) by Juliet Cook (dusie kollektiv, 2008)-- REVIEWED (#14) BUT AVAILABLE FOR MORE REVIEWS &lt;br /&gt;&lt;br /&gt;&lt;em&gt;GINGERBREAD GIRL &lt;/em&gt;(chap) by Juliet Cook (Trainwreck Press, St. Johns NL Canada, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HORRIFIC CONFECTION &lt;/em&gt;by Juliet Cook (BlazeVOX Books, Buffalo, N.Y., 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;GIRL GANG &lt;/em&gt;(chap) by Juliet Cook (Blood Pudding Press, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PLANCHETTE &lt;/em&gt;(chap) by Juliet Cook (Blood Pudding Press, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE LAURA POEMS &lt;/em&gt;(chap) by Juliet Cook (Blood Pudding Press, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THIS TIME WE ARE BOTH &lt;/em&gt;by Clark Coolidge+ (Ugly Duckling Presse, Brooklyn, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RIMBAUD IN THE CITY: 10 SNAPSHOTS &lt;/em&gt;by Glenn W. Cooper  (chap, Kendra Steiner Editions, San Antonio, Texas)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;STILL &lt;/em&gt;by Matthew Cooperman (Counterpath Press, Denver, 2011)--REVIEWED (#17) BUT AVAILABLE FOR MORE REVIEWS)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NORTHERNMOST &lt;/em&gt;by Brooklyn Copeland (ungovernable press, 2008  review copy via .pdf &lt;a href="http://ungovernablepress.weebly.com/"&gt;HERE&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TEN WALKS / TWO TALKS &lt;/em&gt;by Jon Cotner and Andy Fitch (Ugly Duckling Presse, Brooklyn, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;GLASS IS REALLY A LIQUID &lt;/em&gt;by Bruce Covey (No Tell Books, Reston, VA, 2010. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PARCEL &lt;/em&gt;by Sarah Anne Cox (O Books, 2006)&lt;br /&gt;&lt;br /&gt;INFERRED FROM. TWO IDENTICAL DISTANCES. by Ray Craig+ (chap, Otoliths, Rockhampton, Australia, 2006. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THRONE &lt;/em&gt;by Michael Cross (chap w/ &lt;em&gt;A COINCIDENCE OF WANTS &lt;/em&gt;by Michelle Detorie, Dos Press, San Marcos, TX, 2007. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SHACK SIMPLE &lt;/em&gt;(chap) by Stuart Crutchfield (Kendra Steiner Editions, San Antonio, TX, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;STREAM (SALMON AND BLOOD) &lt;/em&gt;(chap) by Stuart Crutchfield &amp; Bill Shute (Kendra Steiner Editions, San Antonio, TX, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IN THE SHADOW OF AL-ANDALUS&lt;/em&gt; by Victor Hernandez Cruz (Coffee House Press, Minneapolis, 2011. 2) &lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE MOUNTAIN IN THE SEA &lt;/em&gt;by Victor Hernandez Cruz (Coffee House Press, Minneapolis, 2006) -- REVIEWED (#7) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SPEAKING OFF CENTRE &lt;/em&gt;(chap) by James Cummins (dusie and livestock, Cork, Ireland/Portland, Oregon/Wallisellen, Switzerland, 2009)-- REVIEWED (#17) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BODY LANGUAGE &lt;/em&gt;by Mark Cunningham (Tarpaulin Sky, Grafton, VT, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;80 BEETLES&lt;/em&gt; by Mark Cunningham (Otoliths, Australia, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;OUR CHROME ARMS OF GYMNASIUM &lt;/em&gt;by Chrystal Curry (Slope Editions, New Hampshire/New York/Massachusetts, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE FINAL NITE &amp; OTHER POEMS: Complete Notes from a Charles Gayle Notebook 1987-2006 &lt;/em&gt;by Steve Dalachinsky (Ugly Duckling Presse, 2006)-- REVIEWED (#9) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PLASMOS &lt;/em&gt;by Rachel Daley (3rdness Press/Fifth Planet Press, Atlanta, GA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ARMORED ELEVATOR &lt;/em&gt;by Ryan Daley (BlazeVOX Books, Buffalo, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;VAUXHALL &lt;/em&gt;by Catherine Daly+ (Shearsman Books, Exeter, U.K, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DADADA &lt;/em&gt;by Catherine Daly (Salt Publishing, 2003); review copy available in .pdf form&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PAPER CRAFT&lt;/em&gt; by Catherine Daly+ (Moria Poetry, 2006); review copy available as a downloadable pdf from &lt;a href="http://www.moriapoetry.com/dalypapercraft.pdf"&gt;http://www.moriapoetry.com/dalypapercraft.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LOCKET &lt;/em&gt;by Catherine Daly (Tupelo Press, 2005); review copy available in pdf form&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TO DELITE AND INSTRUCT &lt;/em&gt;by Catherine Daly+ (blue lion books). &lt;br /&gt;&lt;br /&gt;&lt;em&gt;SECRET KITTY&lt;/em&gt; by Catherine Daly+ (ahadada books). &lt;br /&gt;&lt;br /&gt;&lt;em&gt;POETRY AND CULTURAL STUDIES; A READER &lt;/em&gt;Edited by Maria Damon and Ira Livingston+ (University of Illinois Press, Champaign, IL, 2009))-- REVIEWED (#13) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE BODY IS A LITTLE GILDED CAGE: A STORY IN LETTERS &amp; FRAGMENTS&lt;/em&gt; by Kristina Marie Darling (Gold Wake Press, 2012)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NARRATIVE (DIS)CONTINUITIES: PROSE EXPERIMENTS BY YOUNGER AMERICAN WRITERS&lt;/em&gt;, prose poem anthology edited by Kristina Marie Darling (e-book, Recycled Karma Press, 2010. Review copy available as a .pdf at http://recycledkarmapress.synthasite.com/resources/NarrativeDiscontinuitiesAnthologyRecycledKarmaPress2010.pdf)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NIGHT SONGS &lt;/em&gt;by Kristina Marie Darling (Gold Wake Press, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NIGHT MUSIC &lt;/em&gt;by Kristina Marie Darling (e-book, BlazeVOX Books, 2008. Review copy available as .pdf at http://www.blazevox.org/ebk-kDarling%20REAL.pdf)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FIND THE GIRL &lt;/em&gt;by Lightsey Darst (Coffee House Press, Minneapolis, Minn., 2010, 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PLANTS &lt;/em&gt;by James Davies (Reality Street, E Sussex, U.K., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ABSOLUTE ELSEWHERE&lt;/em&gt;, poems by James Davies and photography by Simon Taylor (chap, Knives Forks and Spoons Press, Merseyside, WA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ROSE ALLEY &lt;/em&gt;by Jeremy M. Davies (Counterpath Press, Denver, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;POETRY! POETRY! POETRY!&lt;/em&gt; by Peter Davis (Bloof Books, New Jersey, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HITLER'S MUSTACHE &lt;/em&gt;by Peter Davis (Barnwood Press, 2006. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE CURVATURE OF BLUE &lt;/em&gt;by Lucille Lang Day (Cervena Barva Press, Somerville, MA, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THIRD BODY &lt;/em&gt;by Michel Delville, Trans. by Gian Lombardo (Quale Press, Williamsburg, MA, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NICK DEMSKE &lt;/em&gt;by Nick Demske+ (Fence Books, Albany, N.Y., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;em&gt;BLACK SEEDS ON A WHITE DISH &lt;/em&gt;&lt;/em&gt;by Shira Dentz+ (Shearsman Books, Exeter, U.K., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BLUE VELOUR &lt;/em&gt;by K.M. Dersley  (chap, Kendra Steiner Editions, San Antonio, Texas)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RETROSPECTIVE FORECASTS &lt;/em&gt;(chap) by K.M. Dersley+ (Kendra Steiner Editions, San Antonio, TX, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EXPANDING THE RADIUS &lt;/em&gt;by Mary Ellen Derwis &amp; Joe Balaz (Otoliths, Rockhampton, Australia, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A COINCIDENCE OF WANTS&lt;/em&gt; by Michelle Detorie (chap w/ &lt;em&gt;THRONE &lt;/em&gt;by Michael Cross, Dos Press, San Marcos, TX, 2007. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BELLUM LETTERS &lt;/em&gt;(chap) by Michelle Detorie+ (Dusie, 2007)-- REVIEWED (#7) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DO NOT AWAKEN THEM WITH HAMMERS &lt;/em&gt;by Lidija Dimkovska, Trans. from the Macedonian by Ljubica Arsovksa &amp; Peggy Reid (Ugly Duckling Presse) -- REVIEWED (#4) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WAVEFORM &lt;/em&gt;by Amber DiPietra and Denise Leto (Kenning Editions, Chicago, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;[BOND, JAMES]&lt;/em&gt; by Michelle Disler (Counterpath, Denver, CO, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;COLLECTED POEMS &lt;/em&gt;by Patricia Dobler (Autumn House Press, Pittsburgh, PA, 2005)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DEAD AHEAD &lt;/em&gt;by Ben Doller (Fence Books, Albany, N.Y., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FAQ:&lt;/em&gt; by Ben Doller (Ahsahta Press, Boise, ID, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CHORA &lt;/em&gt;by Sandra Doller (Ahsahta Press, Boise, ID, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DISSOLVES TERRA LUCIDA IV-VIII&lt;/em&gt; by Joseph Donahue (Talisman House, Greenfield, MA, 2012)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WEAVING THE LIGHT &lt;/em&gt;by Mary Ruth Donnelly (Cherry Pie Press, Glen Carbon, Illinois, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MAKE BELIEVE &lt;/em&gt;by Thom Donovan (Wheelhouse Press, 2009. Review copy available as .pdf at &lt;a href="http://www.wheelhousemagazine.com/chapbook/donovan.pdf"&gt;http://www.wheelhousemagazine.com/chapbook/donovan.pdf&lt;/a&gt;)-- REVIEWED (#14) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE FIELD IS LETHAL&lt;/em&gt; by Suzanne Doppelt, Trans. by Cole Swensen (Counterpath Press, Denver, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ANTIPHONIES: ESSAYS ON WOMEN'S EXPERIMENTAL POETRIES IN CANADA&lt;/em&gt;, Ed. Nate Dorward (The Gig, Ontario, 2008)-- REVIEWED (#17) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DARK BRANDON&lt;/em&gt;, a movie on DVD with production and editing by Brandon Downing, Music by Rahul Dev Burman - Pinky Shale, and starring Robert Bailey, Ron Casella, Jana Klenburg, The Flarf Collective, J.D. Rage, Emily Glen and Madhubala (Grievous Pictures, Astoria, 2008) &lt;br /&gt;&lt;br /&gt;&lt;em&gt;CHINESE SUN&lt;/em&gt; by Arkadii Dragomoschchenko, Trans. by Evgeny Pavlov, Ed. by Terry Myers (Ugly Duckling Presse, 2005. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NEXT EXIT: ONE &lt;/em&gt;(chap) by Doug Draime &amp; Bill Shute (Kendra Steiner Editions, San Antonio, TX, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NEXT EXIT: THREE &lt;/em&gt;(chap) by Doug Draime and Misti Rainwater-Lites (Kendra Steiner Editions, San Antonio, TX, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LITTLE VENUS &lt;/em&gt;by Carla Drysdale (Tightrope Books, Ontario, Canada, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE CROWD POEMS&lt;/em&gt; (chap) by Mark DuCharme (Potato Clock Editions, Boulder, CO, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ENJOY HOT OR ICED: POEMS IN CONVERSATION AND A CONVERSATION &lt;/em&gt;by Denise Duhamel &amp; Amy Lemmon+ (chap, Slapering Hol Press, Sleepy Hollow, N.Y., 2011. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;237 MORE REASONS TO HAVE SEX&lt;/em&gt; by Denise Duhamel and Sandy McIntosh (Otoliths, Australia, 2009) -- REVIEWED (#12) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FROM CHANSONNIERS &lt;/em&gt;(chap) by Patrick Dunagan+ (Blue Press, Santa Cruz, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE RAVENOUS AUDIENCE &lt;/em&gt;by Kate Durbin (Alashic Books / Black Goat, New York, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE ROUTE &lt;/em&gt;by Patrick Durgin and Jen Hofer (Atelos, 2008)&lt;br /&gt;&lt;br /&gt;THE PAIN ITSELF by Kevin McPherson Eckhoff (ungovernable press, 2008  review copy via .pdf &lt;a href="http://ungovernablepress.weebly.com/"&gt;HERE&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE EVOLUTION OF MIRRORS &lt;/em&gt;by Martin Edmond (Otoliths, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DISTANCE WITHOUT DISTANCE &lt;/em&gt;by Barbara Einzig+ (Kelsey St. Press)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE SPOKEN WORD REVOLUTION REMIX&lt;/em&gt;, (book and CD) Edited by Mark Eleveld (Sourcebooks, Naperville, IL, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HOMEWORK &lt;/em&gt;by Joe Elliot (Lunar Chandelier, Brooklyn, N.Y., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A BOOK OF SHADOWS &lt;/em&gt;by William I. Elliott and Alan Borsford Saitoh (Katydid Books, Santa Fe, 2003)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A NATURAL HISTORY OF SUCHNESS&lt;/em&gt;, chap by Stephen Ellis (Auguste Press, 2001)-- REVIEWED (#3) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AUDIO FROM FANTASIES IN PERMEABLE STRUCTURES&lt;/em&gt;, radio show featuring Laura Elrick's multivocal audio pieces, accumulated using language from her book &lt;em&gt;Fantasies in Permeable Structures&lt;/em&gt; (Factory School, 2005), available through &lt;a href="http://ceptuetics.blogspot.com/2008/04/anne-tardos-laura-elrick.html"&gt;http://ceptuetics.blogspot.com/2008/04/anne-tardos-laura-elrick.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CLICK AND CLONE &lt;/em&gt;by Elaine Equi+ (Coffee House Press, Minneapolis, Minn., 2011. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HARLOT &lt;/em&gt;by Jill Alexander Essbaum+ (in book and CD formats, No Tell Books, Reston, VA, 2007)-- REVIEWED (#9 AND #12) BUT AVAILABLE FOR MORE REVIEW&lt;br /&gt;&lt;br /&gt;&lt;em&gt;INFINITE DIFFERENCE: OTHER POETRIES BY U.K. WOMEN POETS &lt;/em&gt;Edited by Carrie Etter (Shearsman Books, Exeter, U.K., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DIALECT OF A SKIRT &lt;/em&gt;by Erica Miriam Fabri (Hanging Loose Press, Brooklyn, N.Y., 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AQUARIUS RISING&lt;/em&gt; by Ben Fama (chap, Ugly Duckling Presse, Brooklyn, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE RUSSIAN VERSION &lt;/em&gt;by Elene Fanailova, Trans. by Genya Turovskaya &amp; Stephanie Sandler+ (Ugly Duckling Presse, Brooklyn, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FEET FIRST &lt;/em&gt;by Dion N. Farquhar (Evening Street Press, Dublin, OH, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CLEAVING &lt;/em&gt;(chap) by Dion Farquhar (Poets Corner Press, 2007)-- REVIEWED (#9) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RIEN ICI &lt;/em&gt;by Raymond Farr (sp, 2010. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THOU SAND&lt;/em&gt; by Michael Farrell (chap, Tinfish, Hawai'i, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A RAIDERS GUIDE &lt;/em&gt;by Michael Farrell (Giramondo Publishing Company, Australia, 2008)&lt;br /&gt;&lt;br /&gt;THE WEARY WORLD REJOICES by Steve Fellner (Marsh Hawk Press, Rockaway, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CLAMOR &lt;/em&gt;by Elyse Fenton (Cleveland State University Poetry Center, Cleveland, OH, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;APPARITION POEMS &lt;/em&gt;by Adam Fieled (BlazeVOX Books, Buffalo, N.Y., 2010)-- REVIEWED (#15) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RUBBER SOUL &lt;/em&gt;by Adam Fieled  (ungovernable press, 2008  review copy via .pdf &lt;a href="http://ungovernablepress.weebly.com/"&gt;HERE&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE WHITE ALBUM &lt;/em&gt;by Adam Fieled (ungovernable press, 2009 review copy via .pdf &lt;a href="http://ungovernablepress.weebly.com/"&gt;HERE&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WHEN YOU BIT...&lt;/em&gt; by Adam Fieled (Otoliths, 2008. 3)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BEAMS &lt;/em&gt;by Adam Fieled+ (BlazeVOX Books, Buffalo, N.Y., 2007. Review copy available as a pdf at &lt;a href="http://www.blazevox.org/ebk-af.pdf"&gt;http://www.blazevox.org/ebk-af.pdf&lt;/a&gt;)-- REVIEWED (#9) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;OPERA BUFA&lt;/em&gt;, poems by Adam Fieled+ (Otoliths, 2007. 2)-- REVIEWED (#8) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;POSIT &lt;/em&gt;(chap) by Adam Fieled (Dusie, 2007) -- REVIEWED (#7) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PEACE CONFERENCE &lt;/em&gt;by Thomas Fink (Marsh Hawk Press, East Rockaway, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AUTOPSY TURVY &lt;/em&gt;by Thomas Fink and Maya Diablo Mason* (Meritage Press, St. Helena &amp; San Francisco, 2010)-- REVIEWED (#15) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;GENERIC WHISTLE-STOP &lt;/em&gt;(chap) by Thomas Fink (Portable Press at Yo-Yo Labs, Brooklyn, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CLARITY AND OTHER POEMS &lt;/em&gt;by Thomas Fink (Marsh Hawk Press, New York, 2008)-- REVIEWED (#12) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;GOSSIP &lt;/em&gt;by Thomas Fink (Marsh Hawk Press)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AFTER TAXES &lt;/em&gt;by Thomas Fink (Marsh Hawk Press) -- REVIEWED (#1) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NO APPOINTMENT NECESSARY&lt;/em&gt; by Thomas Fink+ (Moria, 2006) -- REVIEWED (#4 and #6) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE OBEDIENT DOOR&lt;/em&gt; by Sean Finney+ (Meritage Press)* -- REVIEWED (#1 and #4) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WORDS &amp; FLESH &lt;/em&gt;(short stories) by Carmen Firan (Talisman House, Jersey City, N.J., 2008. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HOLIDAY &lt;/em&gt;by Jennifer Firestone (Shearsman Books, Exeter, U.K., 2008. 2)&lt;br /&gt;&lt;br /&gt;MAYBE A PAINTER by Christina Fisher (Auguste Press, San Francisco, 2009. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FLOWER CART&lt;/em&gt; by Lisa Fishman (Ahsahta Press, Boise, ID, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NOW WE ARE FRIENDS.&lt;/em&gt; by Robert Fitterman (Truck Books, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SNITCH CULTURE &lt;/em&gt;(chap) by Wade Fletcher (Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NIGHT OF PURE BREATHING&lt;/em&gt; by Gerald Fleming (Hanging Loose Press, Brooklyn, N.Y., 2011&lt;br /&gt;&lt;br /&gt;&lt;em&gt;STRANGE TERRAIN: A POETRY HANDBOOK FOR THE RELUCTANT READER &lt;/em&gt;by Alice Fogel (Hobblebush Books, Bookline, NH, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ONE BIRD FALLING&lt;/em&gt; by CB Follett (Time Being Books, St. Louis, Missouri, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HOUSES&lt;/em&gt; by CB Follett (Tebot Bach Press, Huntington Beach, CA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AT THE TURNING OF THE LIGHT &lt;/em&gt;by CB Follett (Salmon Run Press, Chugiak, AK, 2001)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;VISIBLE BONES &lt;/em&gt;by CB Follett (Plain View Press, Austin, 1998)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE JANITOR AT RADIO CITY MUSIC HALL&lt;/em&gt;, chap anthology edited by CB Follet and Susan Terris (Conflu:x Press)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CARBON &lt;/em&gt;by Michael Ford+ (Ugly Duckling Presse, 2006. 2-1)&lt;br /&gt;&lt;br /&gt;THE BEGINNING OF SORROWS by Edward Foster (Marsh Hawk Press, New York, 2009.  &lt;em&gt;[Alaem no ada agdamag])&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TEN SONGS FROM BULGARIA &lt;/em&gt;(chap) by Linda Nemec Foster (Cervena Barva Press, W. Somerville, MA, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ALL THAT GORGEOUS PITILESS SONG &lt;/em&gt;by Rebecca Foust (Many Mountains Moving Press, Philadelphia, PA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MOM'S CANOE &lt;/em&gt;by Rebecca Foust (Texas Review Press, Huntsville, Texas, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE YEAR BOOK: A POEM SEQUENCE&lt;/em&gt; by Hugh Fox (Ravenna Press, Washington, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DEFIANCE &lt;/em&gt;by Hugh Fox (Higganum Hill Books, Higganum, Conn., 2007)-- REVIEWED (#10) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FINALMENTE / FINALLY &lt;/em&gt;(chap of) English poems by Hugh Fox translated into Portuguese by Glenna Luschei+ (Solo Press Chapbook Series, Carpinteria and North Wilkesboro, 2007. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FOR TO&lt;/em&gt; by Skip Fox (BlazeVOX Books, Buffalo, N.Y., 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ADVENTURES OF MAX &amp; MAXINE&lt;/em&gt;, chap by Skip Fox&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MUSEUM OF ABSENCES &lt;/em&gt;by Luis H. Francia* (Meritage Press &amp; University of the Philippines Press)-- REVIEWED (#1, #2, #4 and #11) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FLIPPIN': FILIPINOS ON AMERICA&lt;/em&gt;, poetry &amp; prose anthology co-edited by Luis Francia &amp; Eric Gamalinda (AAWW)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;POEMS &lt;/em&gt;(poetry album) by David Francis (New York, 2007. &lt;a href="http://www.cdbaby.com/all/davidfrancis"&gt;http://www.cdbaby.com/all/davidfrancis&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BODIED TONE &lt;/em&gt;by Vernon Frazer (Otoliths, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HOLIDAY IDYLLING &lt;/em&gt;by Vernon Frazer (Blazevox). Review copy available as a .pdf file downloadable at &lt;a href="http://www.blazevox.org/ebk-VF.pdf"&gt;http://www.blazevox.org/ebk-VF.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IMPROVISATIONS &lt;/em&gt;by Vernon Frazer (Beneath the Underground). REVIEWED (#1) BUT AVAILABLE FOR MORE REVIEWS viz a Review copy available as .pdf files&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SING ME ONE SONG OF EVOLUTION &lt;/em&gt;by Vernon Frazer-- REVIEWED (#3) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;STYLING SANPAKU &lt;/em&gt;by Vernon Frazer (Beaneath the Underground, Boynton Beach, FL, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THROUGH THE FUNERAL MOUNTAINS ON A BURRO &lt;/em&gt;by Charles Freeland (Otoliths, Australia, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IN CIVILITIES &lt;/em&gt;by Barbara Claire Freeman (Counterpath Press, Denver, CO, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NOSTALGIA'S THREAD: Ten Poems on Norman Rockwell Paintings &lt;/em&gt;by Randall R. Freisinger (Hol Art Books, Tucson, AZ, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE GRIEF PERFORMANCE &lt;/em&gt;by Emily Kendal Frey (Cleveland State University Poetry Center, Cleveland, OH, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE MARGARET THATCHER TRILOGY &lt;/em&gt;(chap) by Richard Froude (Catfish Press, Brevard, Seoul, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE CURVATURE OF THE EARTH &lt;/em&gt;by Gene Frumkin and Alvaro Cardona-Hine (University of New Mexico Press, Albuquerque, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MIND OVER MATTER&lt;/em&gt; by Gloria Frym (BlazeVOX Books, Buffalo, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MOVING PICTURES &lt;/em&gt;by Greg Fuchs (chap, Lew Gallery, San Francisco, 2010. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SHE RETURNS TO THE FLOATING WORLD&lt;/em&gt; by Jeannine Hall Gailey (Kitsune Books, Florida. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WE ARE HERE&lt;/em&gt; by Kristen Gallagher (Truck Books, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MYND MAP &lt;/em&gt;by Gaye Gambell-Peterson (Agog Press, St. Louis, MO, 2009. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PALE LEAF FLOATING &lt;/em&gt;by Gaye Gambell-Peterson (Cherry Pie Press, Carbondale, IL, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BOLITAS DE ORO / POEMS OF MY MARBLE-PLAYING DAYS &lt;/em&gt;by Nasario Garcia (University of New Mexico Press, Albuquerque, NM, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;STONE MUSIC: THE ART AND POETRY OF SUSAN GARDNER &lt;/em&gt;(Red Mountain Press, Santa Fe, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;From IDYLLS &amp; RUSHES&lt;/em&gt; by Susana Gardner (chap, Dusi/e, 2011. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HERSO AN HEIRSHIP IN WAVES&lt;/em&gt; by Susana Gardner (Black Radish Books, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EBB PORT &lt;/em&gt;by Susana Gardner (chap, book-art, Dusi/e, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SCRAWL &lt;/em&gt;by Susana Gardner (chap, Dusi/e, 2006) -- REVIEWED (#4) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HOUSECAT KUNG FU&lt;/em&gt; by Geoffrey Gatza*+ (Meritage Press, St. Helena &amp; San Francisco, 2009)-- REVIEWED (#12 and 13) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.xinxii.com/100-scenes-p-324876.html"&gt;&lt;em&gt;100 SCENES &lt;/em&gt;(abstract graphic novel)&lt;/a&gt; by Tim Gaze (Transgressor / Wider Screenings, 2010) -- REVIEWED (#16) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;Juan Gelman: &lt;em&gt;THE CAFE REVIEW: A TRIBUTE TO JUAN GELMAN&lt;/em&gt;, Edited by Paul Pines (Portland, Maine, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE PACKAGE INSERT OF SORROWS &lt;/em&gt;(chap) by Angela Genusa (2010)-- REVIEWED (#16) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WASPS IN A GOLDEN DREAM HUM A STRANGE MUSIC &lt;/em&gt;by Asher Ghaffar (ECW Press, Toronto, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WHAT THE HEART CAN BEAR: SELECTED AND UNCOLLECTED POEMS, 1979-1993&lt;/em&gt; by Robert Gibb (Autumn House Press, Pittsburgh, PA, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BEGIN ANYWHERE &lt;/em&gt;by Frank Giampietro (Alice Adams Books, Farmington, Maine, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A GUNLESS TEA&lt;/em&gt; (chap) by Marco Giovenale (Dusie, 2007. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;KINGDOM ANIMALIA&lt;/em&gt; by Aracelis Girmay+ (BOA Editions, Rochester, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;POETIC VOICES WITHOUT BORDERS &lt;/em&gt;Edited by Robert L. Giron (Gival Press, Arlington, VA, 2005)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TO AFTER THAT (TOAF)&lt;/em&gt; by Renee Gladman (Atelos, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NEWCOMER CAN'T SWIM &lt;/em&gt;by Renee Gladman (Kelsey St. Press, Berkeley, 2007. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;QUATERNITY &lt;/em&gt;by Scott Glassman and Sheila E. Murphy (Otoliths, Rockhampton, Australia, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A FIELD OF WHITE VIOLETS &lt;/em&gt;(chap) by Scott Glassman (2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EXERTIONS &lt;/em&gt;(chap) by Scott Glassman (Cy Gist Press, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ON TACT, &amp; THE MADE UP WORLD &lt;/em&gt;by Michele Glazer (University of Iowa Press, Iowa City, IA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE ELDER SERIES 2&lt;/em&gt; by Robert Gluck and Sarah Schulman (Belladonna Books, Brooklyn, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HEART FIRST INTO THE FOREST&lt;/em&gt; by Stacy Gnall (Alice James Books, Farmington, Maine, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BLOOD DESERT: WITNESSES 1820-1880&lt;/em&gt; by Renny Golden (University of New Mexico Press, Albuquerque, NM, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BEEN RAW DICTION &lt;/em&gt;by David B. Goldstein (chap, Dusi/e, 2006). Review copy available as a pdf file.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DENDROCHRONOLOGY &lt;/em&gt;by Greta Goetz (chap, Ugly Duckling Presse, Brooklyn, 2009&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DEJA VU DINER&lt;/em&gt; by Leonard Gontarek (Autumn House Press, Pittsburgh, PA, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LOVE IN A TIME OF PARANOIA&lt;/em&gt; (chap) by Howie Good (Diamond Point Press, Youngstown, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE BROTHER SWIMMING BENEATH ME &lt;/em&gt;by Brent Goodman (Black Lawrence Press, Brooklyn, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE BEST OF TOADLILY PRESS&lt;/em&gt;, Edited by Myrna Goodman &amp; Meredith Trede (Toadlily Press, Chappaqua, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;VIRGIL'S COW &lt;/em&gt;by Frederick Farryl Goodwin (Miami University Press, Oxford, OH, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ACOUSTIC EXPERIENCE &lt;/em&gt;(chap) by Noah Eli Gordon (Pavement Saw Press, Montpelier, OH, 2008)-- REVIEWED (#15) BUT AVAILABLE FOR MORE REVIEW&lt;br /&gt;&lt;br /&gt;&lt;em&gt;I-FORMATION BOOK 1&lt;/em&gt; by Anne Gorrick (Shearsman Books, Exeter, U.K., 2010. 2)REVIEWED (#15) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;KYOTOLOGIC: THE PILLOW BOOK POEMS &lt;/em&gt;by Anne Gorrick (Shearsman Books, Exeter, U.K., 2008)-- REVIEWED (#17) BUT AVAILABLE FOR MORE REVIEW&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RESURRECTION PARTY &lt;/em&gt;(chap) by Michelle Gould (Hex Presse, Goleta, CA, 2007. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CORRESPONDENCE &lt;/em&gt;by Kathleen Graber (Saturnalia Books, Philadelphia, 2005)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SANCTA &lt;/em&gt;by Andrew Grace (Ahsahta Press, Boise, ID, 2012)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AND SO FOR YOU THERE IS NO HEARTBREAK &lt;/em&gt;(chap) by K. Lorraine Graham+ (Dusie, 2007. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SAILING TO DALMATIA &lt;/em&gt;by Don Gralen (Hobblebush Books, Brookline, NH, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;URBAN PASTORAL: NATURAL CURRENTS IN THE NEW YORK SCHOOL &lt;/em&gt;by Timothy Gray (literary criticism/art history, University of Iowa Press, Iowa City, IA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE THEORY AND PRACTICE OF OLIGARCHIC COLLECTIVISM &lt;/em&gt;by graywyvern (sp, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LOVE &amp; DEATH: GREATEST HITS&lt;/em&gt; by Renee Gregorio, Joan Logghe and Miriam Sagan (Tres Chicas Books, El Rito, NM, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BREATH OF THE SONG: NEW AND SELECTED POEMS &lt;/em&gt;by Jaki Shelton Green+ (Carolina Wren Press, 2005. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CALLED &lt;/em&gt;by Kate Greenstreet+ (chap, Delete Press, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PART, PART EUPHRATES &lt;/em&gt;(chap) by Arpine Konyalian Grenier (NeO Pepper Press, Cleveland, OH, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HUMORESQUE &lt;/em&gt;(chap) by E. Tracy Grinnell (Blood Pudding Presse for Dusie Kollektive 3 , 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EXHIBIT OF FORKING PATHS&lt;/em&gt; by James Grinwis (Coffee House Press, Minneapolis, MN, 2011. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;APRIL TO THE POWER OF THE QUANTITY PYTHAGORAS TIMES NOW: A SELECTION OF MATHEMAKU &lt;/em&gt;by Bob Grumman (Otoliths, Australia, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IMAGES OF BEING&lt;/em&gt; by Diane Sahms-Guarnieri (Stonegarden.net Publishing, Danville, CA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BEST WESTERN AND OTHER POEMS &lt;/em&gt;by Eric Gudas (Silverfish Review Press, Eugene, OR, 2010. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;GEOMETRIES &lt;/em&gt; by Guillevic, Englished by Richard Sieburth+ (Ugly Duckling Presse, Brooklyn, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ONE PETAL ROW&lt;/em&gt; by Jaimie Gusman (chap, Tinfish Press, Hawai'i, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;GOTHENBURG FROM THE THREE GEOGAOPHIES: A MILKMAID'S GRIMOIRE &lt;/em&gt;by Arielle Guy (chap, ypolita press, 2007)-- REVIEWED (#15) BUT AVAILABLE FOR MORE REVIEW&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MESSAGES &lt;/em&gt;by Piotr Gwiazda (Pond Road Press, Washington D.C., 2012. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ONE AND TWENTY &lt;/em&gt;by Paavo Haavikko, Trans. by Anselm Hollo+ (Aspasia Books, Beaverton Ontario, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE LOGAN TOPOGRAPHIES &lt;/em&gt;by Alena Hairston (Persea, New York, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TO MAKE IT RIGHT &lt;/em&gt;by Corrinne Clegg Hales (Autumn House Press, Pittsburgh, PA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FUMBLING IN THE LIGHT &lt;/em&gt;by Sidney Hall, Jr. (Hobblebush Books, Brookline, NH, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CHEBEAGUE &lt;/em&gt;by Sidney Hall, Jr. (chap, Oyster River, Durham, NH, 2001)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WHAT WE WILL GIVE EACH OTHER &lt;/em&gt;by Sidney Hall, Jr. (Hobblebush Books, Brookline, NH, 1993)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A THIN TIME: AN ANTHOLOGY OF THE ALL SOULS' DAY POETS&lt;/em&gt;, Edited by Sidney Hall, Jr. and Joan Weddle (Hobblebush Books, Brookline, NH, 2004)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CESSATION COVERS &lt;/em&gt;(chap) by Steve Halle (Funtime Press, 2007. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE ANIMAL HUSBAND&lt;/em&gt; (chap) by Christine Hamm -- REVIEWED (#5) BUT AVAILABLE FOR MORE REVIEW&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MAPMAKING &lt;/em&gt;by Megan Harlan (BkMk Press, Kansas City, Missouri, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE HANDS OF STRANGERS: POEMS FROM THE NURSING HOME&lt;/em&gt; by Janice N. Harrington (BOA Editions, Rochester, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AMNESIAC &lt;/em&gt;by Duriel E. Harris (The Sheep Meadow Press, Clinton Corners, N.Y., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ANTWERP &lt;/em&gt;by Dylan Harris (corrupt press, no year)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NEW &amp; SELECTED POEMS &lt;/em&gt;by Charles O Hartman (Ahsahta Press, Boise, ID, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;67 MOGUL MINIATURES&lt;/em&gt; by Raza Ali Hasan (Autumn House Press, Pittsburgh, PA, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;JOKER &lt;/em&gt;by Arlo Haskell (Sand Paper Press, Key West, FLA, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NEW FORMS AND MEDITATIONS FOR THE PRESSURIZED LIBERTINE MONK&lt;/em&gt; by j/j hastain (Scrambler, 2012)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A WOMB-SHAPED WORMHOLE&lt;/em&gt; by j/j hastain (BlazeVOX Books, Buffalo, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LONG PAST THE PRESENCE OF COMMON&lt;/em&gt; by j/j hastain (Say It With Stones, Dallas, TX, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PRURIENT ANARCHIC OMNIBUS&lt;/em&gt; by j/j hastain (Meeting Eyes Bindery / Spuyten Duyvill, New York, 2011)--REVIEWED (#17) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;QUEER PHYLACTERY&lt;/em&gt; by j/j hastain (chap, Hank's Original Loose Gravel Press, Arroyo Grande, CA 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RESTITUTIONS FOR A NEWER BOUNTIFUL VERB &lt;/em&gt;by j/j hastain (chap,ypolita press, 2010)--REVIEWED (#17) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ASYMPTOTIC LOVER//THERMODYNAMIC VENTS&lt;/em&gt; by j/j hastain (BlazeVOX Books, Buffalo, N.Y., 2008)--REVIEWED (#17) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;VENTRAKL &lt;/em&gt;by Christian Hawkey (Ugly Duckling Presse, Brooklyn, 2010)-- REVIEWED (#16) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AFIELD &lt;/em&gt;by Anthony Hawley+ (Ugly Duckling Presse, 2004)-- REVIEWED (#9) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CAGED &lt;/em&gt;(chap) by Jared Hayes+ (Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RECOLLECTED &lt;/em&gt;(chap) by Jared Hayes+ (Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE SONG OF THE HORSE&lt;/em&gt; by Samuel Hazo (Autumn House Press, Pittsburgh, PA, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;10 MISSISSIPPI &lt;/em&gt;by Steve Healey (Coffee House Press, Minneapolis, Minn., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;--SACRED GROUNDS—&lt;/em&gt; by Michael Layne Heath  (chap, Kendra Steiner Editions, San Antonio, Texas)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AN INSTANT OF FLIGHT &lt;/em&gt;(chap) by Anne Heidi (Dusie, 2007. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE NEWS TODAY &lt;/em&gt;(chap) by George Held (Cervena Barva Press, W. Somerville, MA, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SEDNA &lt;/em&gt;by Michael Helsem (Lulu, 2005)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DOPPELGANGER &lt;/em&gt;by Brian Henry (Talisman Publishers, Greenfield, MA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LESSNESS &lt;/em&gt;by Brian Henry (Ahsahta Press, Boise, ID, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WINGS WITHOUT BIRDS &lt;/em&gt;by Brian Henry+ (Salt Publishing, London, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CROW CALL&lt;/em&gt; by Michael Henson (West End Press, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TOO OK&lt;/em&gt; by Colin Herd (BlazeVOX Books, Buffalo, N.Y., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CRASHBOOMLOVE: A NOVEL IN VERSE &lt;/em&gt;by Juan Felipe Herrera (University of New Mexico Press, Albuquerque, 1999)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DARKACRE &lt;/em&gt;by Greg Hewett (Coffee House Press, Minneapolis, Minn., 2010, 2.)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PLACE OF UNCERTAINTY &lt;/em&gt;by Tom Hibbard (Otolith, Rockhampton, Australia, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AND AENEAS STARES INTO HER HELMET &lt;/em&gt;by Tiffany Higgins (Carolina Wren Press, Durham, NC, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A BOOK OF UNKNOWING &lt;/em&gt;by John High  (Talisman House, Jersey City, N.J., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;7 X 7&lt;/em&gt; by Crag Hill (Otoliths, Rockhampton, Australia, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DICT &lt;/em&gt;by Crag Hill (Xexoxial Editions, West Lima, WI, 1989. 20th anniversary reprint)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A THEORY OF EVERYTHING&lt;/em&gt; by Mary Crockett Hill (Autumn House Press, Pittsburgh, PA, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LIVING WILL &lt;/em&gt;by David Hilton+ (Coffee House Press, 2007. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ONE &lt;/em&gt;by Jen Hofer (Palm Press, Long Beach, CA, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;GOING GOING &lt;/em&gt;by Jen Hofer (chap, Dusie, 2007)-- REVIEWED (#10) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt; &lt;br /&gt;&lt;em&gt;THE AMERICAN EYE&lt;/em&gt; by Eric Hoffman (Dos Madres Press, Loveland, OH, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LIFE AT BRAINTREE &lt;/em&gt;by Eric Hoffman (chap, Dos Madres, Loveland, OH, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THERE &lt;/em&gt;by Eric Hoffman (Rag and Bone Books, Manchester, Conn., 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THRENODY &lt;/em&gt;by Eric Hoffman (chap, Wordrunner Chapbooks, Petaluma, CA, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;OF LOVE AND WATER &lt;/em&gt;by Eric Hoffman (chap, Wordrunner Chapbooks, Petaluma, CA, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE LIFE OF AN UNFORTUNATE ARTIST &lt;/em&gt;by Eric Hoffman (Rag and Bone Books, Manchester, Conn., 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE VAST PRACTICAL ENGINE &lt;/em&gt;by Eric Hoffman+ (chap, Rag and Bone Books, Manchester, Conn., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ROUNDING THE HUMAN CORNERS &lt;/em&gt;by Linda Hogan (Coffee House Press, Minneapolis, 2008)-- REVIEWED (#11) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BODY OF CRIMSON LEAVES&lt;/em&gt;, poems by Celia Homesley (The Backwaters Press, 2006)-- REVIEWED (#5) BUT AVAILABLE FOR MORE REVIEW&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DANCE DANCE REVOLUTION &lt;/em&gt;by Cathy Park Hong+ (Norton, 2007)-- REVIEWED (#9) BUT AVAILABLE FOR MORE REVIEW&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EDGE AND FOLD &lt;/em&gt;by Paul Hoover+ (Apogee Press, Berkeley, 2006. 1-2 copies)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CURSIVISM &lt;/em&gt;by Will Hubbard (Ugly Duckling Presse, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ARCTIC POEMS &lt;/em&gt;by Vicente Huidobro, trans. by Nathan Hoks (chap, Toad Press, Claremont, CA, 2010. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SHOT &lt;/em&gt;by Christine Hume+ (Counterpath Press, Denver, CO, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;KINE(STA)SIS&lt;/em&gt; (chap) by Carrie Hunter (Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RADIATOR &lt;/em&gt;by NF Huth (Laughing/Ouch/Cube Publications, Notingham, U.K and Claremont, CA, 2011)-- REVIEWED (#17) BUT AVAILABLE FOR MORE REVIEWS.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TRAJE DE BODA &lt;/em&gt;by Aileen Ibardaloza* (Meritage Press, St. Helena &amp; San Francisco, 2010)-- REVIEWED (#15) BUT AVAILABLE FOR MORE REVIEWS.&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PRAYING TO THE BLACK CAT &lt;/em&gt;by Henry Israeli (Del Sol Press, Washington D.C., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;KILLING KANOKO: SELECTED POEMS OF HIROMI ITO&lt;/em&gt;, trans. by Jeffrey Angles+ (Action Books, Notre Dame, IN, 2009. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MY THOUSAND NOVEL &lt;/em&gt;(chap) by Lucy Ives (Losa Nostra Editions, Iowa City, undated)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HALF LIVES: PETRARCHAN POEMS &lt;/em&gt;by Richard Jackson+ (Autumn House Press, Pittsburgh, PA, 2004)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MOTH MOON &lt;/em&gt;by Matt Jasper (BlazeVOX Books, Buffalo, N.Y., 2009. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SECRET WEAPON: SELECTED LATE POEMS &lt;/em&gt;by Eugen Jebeleanu, Trans. from the Romanian by Matthew Zapruder and Radu Ioanid with an Introduction by Andrei Codrescu (Coffee House Press, Minneapolis, 2008. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;~ V = &gt;&lt;/em&gt; (sic) by Tom Jenks (if p then q classics, Manchester, England, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A PRIORI&lt;/em&gt; by Tom Jenks (if p then q classics, Manchester, England, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE STRANGE CASE OF MARIBEL DIXON &lt;/em&gt;(chap) by Charles Jensen (New Michigan Press, Grand Rapids, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE PLUM-STONE GAME &lt;/em&gt;by Kathleen Jesme (Ahsahta Press, Boise, ID, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SOMEDAY I'LL BE SITTING IN A DINGY BAR &lt;/em&gt;(chap) by Hwang Jiwoo, trans. by Scott Swaner and Young-Jun Lee+ (Tinfish Press, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;REBIRTH OF WONDER: POEMS OF THE COMMON LIFE &lt;/em&gt;by David M. Johnson (University of New Mexico Press, 2007) -- REVIEWED (#18) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;STUDY IN PAVILIONS AND SAFE ROOMS&lt;/em&gt; by Paul Foster Johnson (Portable Press at Yo-Yo Labs, Brooklyn, 2011. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SELFISH MONOLOGUES &lt;/em&gt;by Andrew J. Jones (Trafford Publishing, Victoria BC, Canada, 2007. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FOLD UNFOLD &lt;/em&gt;(chap) by Jill Jones (Vagabond Press, Sydney, 2005)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NOTATIONAL &lt;/em&gt;by Jane Joritz-Nakagawa (Otoliths, Rockhampton, Australia, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WHAT'S IN STORE &lt;/em&gt;by Trevor Joyce (New Writers Press &amp; The Gig, Dublin &amp; Toronto, 2007) -- REVIEWED (#9) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HAGAR BEFORE THE OCCUPATION / HAGAR AFTER THE OCCUPATION&lt;/em&gt; by Amal Al-Jubouri, Trans. by Rebecca Gayle Howell with Husam Qaisi (Alice James Books Translation Series, Farmington, Maine, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FOR US, WHAT MUSIC? THE LIFE AND POETRY OF DONALD JUSTICE&lt;/em&gt; by Jerry Harp (University of Iowa Press, Iowa City, IA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NEGRO LEAGUE BASEBALL&lt;/em&gt; by Harmony Holiday (Fence Books, Albany, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;POETRY OF THE LAW: FROM CHAUCER TO THE PRESENT&lt;/em&gt;, Eds. David Kader and Michael Stanford+ (University of Iowa Press, Iowa City, IA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FALLING INTO VELAZQUEZ &lt;/em&gt;(chap) by Mary Kaiser (Slapering Hol Press, New York, 2006)-- REVIEWED (#6) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;YOUR OWN OX-HEAD MASK AS PROOF &lt;/em&gt;by George Kalamaras+ (chap, Ugly Duckling Presse, Brooklyn, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MALILENAS &lt;/em&gt;by Garrett Kalleberg (Ugly Duckling Presse, Brooklyn, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HUMANIMAL: A PROJECT FOR FUTURE CHILDREN &lt;/em&gt;by Bhanu Kapil (Kelsey Street Press, Berkeley, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A BEAUTIFUL NAME FOR A GIRL &lt;/em&gt;by Kirsten Kaschock (Ahsahta Press, Boise, ID, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&amp; CRUEL RED&lt;/em&gt; by Mary Kasimor (Otoliths, Rockhampton, Australia, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;OPEN-BOOK &lt;/em&gt;by M. Kasper (Ugly Duckling Presse, Brooklyn, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CLAIMS OF HOME: POEMS 1984-2010&lt;/em&gt; by David M. Katz (Dos Madress Press, Loveland, OH, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TIME'S WALLET &lt;/em&gt;by Steve Katz (memoir, Counterpath Press, Denver, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CENSORY IMPULSE &lt;/em&gt;by Erica Kaufman (Big Game Books, Washington D.C., 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE BLACK AUTOMATON &lt;/em&gt;by Douglas Kearney (Fence Books, Albany, New York, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PASSION &lt;/em&gt;(chap) by Larry Kearney (Transmission Press, SF, 2006. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SAPPHO DOES HAY(NA)KU&lt;/em&gt; by Scott Keeney (Sephyrus, 2008. Free e-link &lt;a href="http://sapphodoes.blogspot.com/"&gt;HERE&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;VARIATIONS ON A NATURAL THEME: A LOON YEAR &lt;/em&gt;by Hugh Kennedy, with illustrations by Jan Mercuri Grossman (Hobblebush Books, Brookline, NH, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;VISION OF THE RETURN&lt;/em&gt; by Amin Khan, Trans. by Dawn  Michelle Baude (The Post-Apollo Press, Sausality, CA, 2012)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE BEST OF MY LOVE &lt;/em&gt;by Aaron Kiely (Ugly Duckling Presse, 2005. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;INSPECTOR VS. EVADER&lt;/em&gt; (chap) by Paul Killebrew (Ugly Duckling Presse, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE WAY WE LIVE&lt;/em&gt; by Burt Kimmelman (Dos Madres Press, Loveland, OH, 2011. 2) &lt;br /&gt;&lt;br /&gt;&lt;em&gt;AS IF FREE &lt;/em&gt;by Burt Kimmelman (Talisman House, Jersey City, N.J., 2009. 2)-- REVIEWED (#14 AND #16) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THERE ARE WORDS &lt;/em&gt;(chap with CD) by Burt Kimmelman+ (Dos Madress Press, Ohio, 2007)-- REVIEWED (#9) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SLAVES TO DO THESE THINGS &lt;/em&gt;by Amy King (BlazeVOX Books, Buffalo, N.Y., 2009)-- REVIEWED (#4) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ON THE FLY &lt;/em&gt;(chap) by Amy King (Flux de Bouche Press, New York, 2006. 2) -- REVIEWED (#4 and #11) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE GOOD CAMPAIGN &lt;/em&gt;by Amy King (chap, Dusie, 2006)-- REVIEWED (#4) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LEARNING TO DRAW / A HISTORY&lt;/em&gt; by Basil King, Ed. by Daniel Staniforth (Skylight Press, Cheltenham, U.K., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;77 BEASTS&lt;/em&gt; by Basil King (Marsh Hawk Press, 2007)-- REVIEWED (#9) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;OH ONE ARROW&lt;/em&gt;, A Flim Forum Press anthology featuring Brandon Shimoda, Thom Donovan, Jonathan Minton, Adam Golaski, Lori Anderson Moseman, Katie Kemple, Christopher Fritton, Eric Gelsinger, Jacqueline Lyons, John Cotter, Jeff Parris, Michael Ives, Jaime Corbacho, Matthew Klane, Pierre Joris and Aaron Lowinger, Edited by Matthew Klane and Adam Golaski+ (Flim Forum, Slingerlands, N.Y., 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A SING ECONOMY&lt;/em&gt;, A Flim Forum Press anthology featuring Kate Schapira, Barrett Gordon, Jennifer Karmin, Stephanie Strickland, Matthew Timmons, Kaethe Schwehn, Harold Abramowitz, Amanda Ackerman, Jaye Bartell, Jessica Smith, David Pavelich, Erin M. Bertram, Laura Sims, Deborah Poe, a.e. rawlings, francois luong, Michael Slosek, Kevin Thurston, Hannah Rodabaugh, and Tawrin Baker, Edited by Matthew Klane and Adam Golaski (Flim Forum, Slingerlands, N.Y., 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CLOUD OF INK&lt;/em&gt; by L.S. Klatt (University of Iowa Press, Iowa City, IA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;UNION!&lt;/em&gt; by Ish Klein (Canarium Books, Ann Arbor, MI, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ERASURES FROM P.J. BAILEY'S "FESTUS"&lt;/em&gt; (chap) by Paul Klinger (Dusie, 2006)-- REVIEWED (#4) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;OCCASION IN THE MOSAIC DISTANCE &lt;/em&gt;(chap) by Paul Klinger (Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE MYSTERY OF THE HIDDEN DRIVEWAY &lt;/em&gt;by Jennifer L. Knox+ (Bloof Books, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SUNNY WEDNESDAY &lt;/em&gt;by Noelle Kocot (Wave Books, Seattle, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RULES FOR DRINKING FORTIES &lt;/em&gt;(chap) by Rodney Koeneke+ (Cy Press, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LIGATURE STRAIN&lt;/em&gt; (chap) by Kim Koga+ (Tinfish Press, Hawai'i, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MODULATIONS &lt;/em&gt;by Marton Koppany (Otoliths, Rockhampton, Australia, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TELEVISION FARM &lt;/em&gt;by John Korn (Menendez Publications, Bloomington, IL, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ORGY IN THE BEEF CLOSET &lt;/em&gt;(chap) by Michael Koshkin+ (Transmission Press, 2007)-- REVIEWED (#10) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LOOK BACK, LOOK AHEAD: THE SELECTED POEMS OF SRECKO KOSOVEL&lt;/em&gt;, trans. from the Slovene by Ana Jeinikar and Barbara Siegel Carlson (Ugly Duckling Presse, New York, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AN UNCOMMON ACCORD&lt;/em&gt;, anthology of chaps by George Kraus, Marcia Arrieta, Pat Landreth Keller and Michael Carman (Toadlily Press, Chappaqua, NY, 2008. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;OUT OF&lt;/em&gt; by Barbara Kremen (Ravenna Press, Washington, 1996)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE SWEETNESS OF HERBERT &lt;/em&gt;by Stuart Krimko (Sand Paper Press, Key West, FLA, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AFTERIMAGE &lt;/em&gt;with poems by Damon Krukowski &amp; photographs by Naomi Yang (Ugly Duckling Presse, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE SPIDER SERMONS &lt;/em&gt;by Robert Krut (BlazeVOX Books, Buffalo, N.Y., 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;XING &lt;/em&gt;by Debora Kuan (Saturnalia Books, Hanover and London, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LITTLE WINTER THEATER&lt;/em&gt; by Nancy Kuhl (chap, Ugly Duckling Presse, Brooklyn, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NOT HAVING AN IDEA &lt;/em&gt;by Donna Kuhn&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE SORE THROAT &amp; OTHER POEMS &lt;/em&gt;by Aaron Kunin+ (Fence Books, Albany, N.Y., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PERMISSION BY THE HORNS &lt;/em&gt;by Joanne Kyger (ungovernable press, 2008  review copy via .pdf &lt;a href="http://ungovernablepress.weebly.com/"&gt;HERE&lt;/a&gt;/)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FRAGMENTS OF A FORGOTTEN GENESIS&lt;/em&gt; by Abdellatif Laabi+ (Leafe Press, Nottingham, U.K. and Claremont, CA, 2009. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE GULAG ARKIPELAGO&lt;/em&gt; by Sean Labrador y Manzano (chap, Tinfish, Hawai'i, 2012)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;I, THE WORST OF ALL&lt;/em&gt; by Estela Lamat, Trans. by Michael Leong (BlazeVOX Books, Buffalo, N.Y., 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SPECTRE &lt;/em&gt;by Mark Lamoreaux (Black Radish Books, Lafayette, LA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FACE TIME&lt;/em&gt; (anthology chap) Edited by Mark Lamoreaux (Cy Gist, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NIGHT SEASON &lt;/em&gt;by Mark Lamoreaux (chap, Dusie, 2006)-- REVIEWED (#5) BUT AVAILABLE FOR MORE REVIEW&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TRACELAND &lt;/em&gt;(chap) by Mark Lamoreaux (Transmission Press, 2006. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CALL THE CATASTROPHISTS&lt;/em&gt; by Krystal Languell (BlazeVOX, Buffalo, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LETTERS TOWARD JIM &lt;/em&gt;(chap) by Matthew Langley+ (Catfish Press, Brevard, Seoul, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE BOOK OF OCEAN &lt;/em&gt;by Maryrose Larkin+ (i.e. press, Los Angeles, 2007)-- REVIEWED (#7) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TOURMALINE &lt;/em&gt;(chap) by Dorothea Lasky (Transmission Press, San Francisco, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PRIMERA PAGINA: POETRY FROM THE LATINO HEARTLAND&lt;/em&gt;, the first anthology by the Latino Writers Collective (w/ a foreword by Rane Arroyo) (Scapegoat Press, Kansas City, Missouri, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TESTIFY &lt;/em&gt;by Joseph Lease (Coffee House Press, Minneapolis, Minn., 2011. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;X (ANGEL CITY)&lt;/em&gt; by Joseph Lease (chap, Sacrifice Press, Corvallis, OR, 2010. 2-1) -- REVIEWED (#16) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BROKEN WORLD &lt;/em&gt;by Joseph Lease (Coffee House, 2007)-- REVIEWED (#7 and #9) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;STORM CROP&lt;/em&gt; by Stacie Leatherman (BlazeVOX Books, Buffalo, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PHYLA OF JOY&lt;/em&gt; by Karen An-Hwei Lee (Tupelo Press, North Adams, MA, 2012)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SHADOWED TRUTH &lt;/em&gt;by Jim Leftwich (Otolith, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE OTHER POEMS&lt;/em&gt; by Paul Legault (Fence, Albany, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE WORLD IN A MINUTE &lt;/em&gt;by Gary Lenhart (Hanging Loose Press, Brooklyn, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CONTENT &lt;/em&gt;by Jon Leon (Contentseries.com, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BOXD TRANSISTOR &lt;/em&gt;by Jon Leon+.  Available from &lt;a href="http://www.coconutpoetry.org/leon-chapbook-coverpage.html"&gt;Whole Coconut as a diy hardcopy or onscreen read&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;&lt;em&gt;MIDNIGHT MARSUPIUM &lt;/em&gt;by Michael Leong (chap, The Knives Forks and Spoons Press, Newton-Le-Willows, U.K., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE DARKENED TEMPLE &lt;/em&gt;by Mari L'Esperance+ (University of Nebraska, Lincoln and London, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE BINDING &lt;/em&gt;(chap) by Hanoch Levin (Sacrifice Press, Corvallis, OR, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IN FORTUNE &lt;/em&gt;by Lauren Levin, Jared Stanley and Carherine Theis (chap, Dusie, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE DARK OPENS&lt;/em&gt; by Miriam Levine (Autumn House Press, Pittsburgh, PA, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AGES OF CHAOS AND FURY: SELECTED POEMS &lt;/em&gt;by Oswald Le Winter (Ravenna Press, Washington, 2005. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LIE DOWN TOO&lt;/em&gt; by Lesle Lewis (Alice James Books, Farmington, Maine, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WORKING WORDS: PUNCHING THE CLOCK AND KICKING OUT THE JAMS&lt;/em&gt;, Ed. M.L. Liebler (Coffee House Press, Minneapolis, Minn., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LUCKY WRECK&lt;/em&gt; by Ada Limon (Autumn House Press, Pittsburgh, PA, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;INSOMNIA AND THE AUNT&lt;/em&gt; by Tan Lin (novel, Kenning Editions, Chicago, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SEVEN CONTROLLED VOCABULARIES AND OBITUARY 2004 THE JOY OF COOKING &lt;/em&gt;by Tan Lin+ (Wesleyan University Press, Middletown, Conn., 2010. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE EVOLUTION OF A SIGH &lt;/em&gt;by R. Zamora Linmark+ (Hanging Loose, Brooklyn, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BENDING THE MIND AROUND THE DREAM'S BLOWN FUSE &lt;/em&gt;by Timothy Liu+ (Talisman House, Jersey City, N.J., 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;POLYTHEOGAMY&lt;/em&gt;, poems by Timothy Liu with paintings by Greg Drasler (Saturnalia Books, Philadelphia, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;GOD DAMSEL &lt;/em&gt;by Reb Livingston (No Tell Books, Reston, VA, 2010)-- REVIEWED (#15) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WANTON TEXTILES&lt;/em&gt; (chap) by Reb Livingston &amp; Ravi Shankar (No Tell Books, 2006)-- REVIEWED (#8) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;YOUR TEN FAVORITE WORDS &lt;/em&gt;by Reb Livingston+ (Coconut Books, 2007)-- REVIEWED (#11) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ARCHIPELAGO DUST&lt;/em&gt; by Karen Llagas* (Meritage Press, St. Helena and San Francisco, 2010)-- REVIEWED (#17) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WHAT FEEDS US&lt;/em&gt; by Diane Lockward+ (Wind Publications, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DICK: A POETRY SERIES &lt;/em&gt;by Nathan Logan (&lt;a href="http://nathan-logan-dick.blogspot.com/"&gt;e-chap available here&lt;/a&gt;, Pangur Ban Party, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE SINGING BOWL &lt;/em&gt;by Joan Logghe (University of New Mexico Press, Albuquerque, NM, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DISCLOSURE &lt;/em&gt;(chap) by Dana Teen Lomax (dusie kollektiv, 2009) -- REVIEWED (#12) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE PHILOSOPHY OF DECOMPOSITION / RE-COMPOSITION AS EXPLANATION: A POE AND STEIN MASH-UP&lt;/em&gt; by Michael Leong (Delete Press, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WHO LETS GO FIRST and WHO LETS GO FIRST, VOL. II&lt;/em&gt; by Gian Lombardo (Swamp Press, Northfield, MA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AT THE END OF THE DAY: SELECTED POEMS AND AN INTRODUCTORY ESSAY &lt;/em&gt;by Phillip Lopate+ (Marsh Hawk Press, New York, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ALWAYS MESSING WITH THEM BOYS&lt;/em&gt; by Jessica Helen Lopez (West End Press, Albuquerque, NM, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CADAVER DOGS &lt;/em&gt;by Rebecca Loudon (No Tell Books, 2008)-- REVIEWED (#12 &amp; #13) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RADISH KING&lt;/em&gt; by Rebecca Loudon (Ravenna Press, 2006)-- REVIEWED (#5) BUT AVAILABLE FOR MORE REVIEW&lt;br /&gt;&lt;br /&gt;&lt;em&gt;OPEN NIGHT &lt;/em&gt;(chap) by Aaron Lowinger (Transmission Press, San Francisco, 2008)-- REVIEWED (#11 and #12) BUT AVAILABLE FOR MORE REVIEW&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LIGHT HOUSE &lt;/em&gt;by Brian Lucas (Meeting Eyes Bindery / Spuyten Duyvil, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LETTER FROM THE LAWN &lt;/em&gt;by Bobbi Lurie (CustomWords, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SALT LICK: A RETROSPECTIVE OF POETRY &lt;/em&gt;by Glenna Luschei (West End Press, Albuquerque, NM, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LIBIDO DREAMS: NEW AND SELECTED POEMS &lt;/em&gt;by Glenna Luschei (ArtAmo Press, Santa Barbara, 2007. 2)-- REVIEWED (#7) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SEED PODS &lt;/em&gt;(chap. 2) by Glenna Luschei -- REVIEWED (#4 and #5) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TOTAL IMMERSION &lt;/em&gt;by Glenna Luschei (Presa :S: Press, Rockford, MI, 2008. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE THEORY OF EVERYTHING &lt;/em&gt;by Ben Luzzato (artist's book, Ugly Duckling Presse, Brooklyn, N.Y., 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TRY A LITTLE TIME TRAVEL&lt;/em&gt; by Natalie Lyalin (chap, Ugly Duckling Presse, Brooklyn, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SHE HEADS INTO THE WILDERNESS&lt;/em&gt; by Anne Marie Macari (Autumn House Press, Pittsburgh, PA, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE O MISSIO REPO &lt;/em&gt;by Travis MacDonald (Fact-Simile Editions, Denver, CO, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DEAR BODY &lt;/em&gt;by Dan Machlin (Ugly Duckling Presse, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SUGAR ZONE&lt;/em&gt; by Mary Mackey (Marsh Hawk Press, East Rockaway, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PRODIGAL: VARIATIONS &lt;/em&gt;by Ed Madden (Lethe Press, Maple Shade, N.J., 2011. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BASH SLASHO &lt;/em&gt;by Alana Madison (ungovernable press, 2008  review copy via .pdf &lt;a href="http://ungovernablepress.weebly.com/"&gt;HERE&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RIOT WRONG &lt;/em&gt;by Diana Magallon &amp; Jeff Crouch (ungovernable press, 2009 review copy via .pdf &lt;a href="http://ungovernablepress.weebly.com/"&gt;HERE&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SLOT &lt;/em&gt;by Jill Magi+ (Ugly Duckling Presse, Brooklyn, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SAY SO &lt;/em&gt;by Dora Malech (Cleveland State University Poetry Center, Cleveland, OH, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SHORE ORDERED OCEAN &lt;/em&gt;by Dora Malech (Waywiser, Surrey (UK) and Baltimore, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE WHOLE MARIE&lt;/em&gt; by Barbara Maloutas (Ahsahta Press, Boise, ID, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ROCK VEIN SKY &lt;/em&gt;by Charlotte Mandel (Midmarch Arts Press, New York, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PARLOR &lt;/em&gt;(chap) by Sarah Mangold (Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NOVALESS (ELEMENTS TOWARDS A METAPHYSIC)&lt;/em&gt; by Nicholas Manning (Otoliths, Rockhampton, Australia, 2008) -- REVIEWED (#16) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NOVALESS I-XXVI &lt;/em&gt;by Nicholas Manning (Achiote Press, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;STAR-SPANGLED BANTER &lt;/em&gt;(chap) by Bob Marcacci (Unlikely Stories, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BEIJING BACKGROUND &lt;/em&gt;(chap) by Bob Marcacci+ (Dis Press, Beijing, 2007. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IMAGINING A BABY &lt;/em&gt;(chap) by Bob Marcacci (Dusie, 2007)-- REVIEWED (#9) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE FACTORY OF THE PAST&lt;/em&gt; (chap) by Mariana Marin, Trans. from the Romanian by Adam J. Sorkina nd Daniela Hurezann (Toad Press, Claremont, CA, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PAPER CHILDREN&lt;/em&gt; by Mariana Marin+, Trans. by Adam J. Sorkin (Ugly Duckling Presse, 2006. 2/1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AND IF YOU DON'T GO CRAZY I'LL MEET YOU HERE TOMORROW&lt;/em&gt; by Filip Marinovich+ (Ugly Duckling Presse, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Tsim Tsum &lt;/em&gt;by Sabrina Orah Mark (Saturnalia Books, Ardmore, PA, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SHELTER &lt;/em&gt;by Gigi Marks (chap, Autumn House Press, Pittsburgh, PA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A MILLION PRIZES &lt;/em&gt;by Justin Marks (New Issues/Western Michigan University, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;YOU BEING YOU BY PROXY&lt;/em&gt; (chap) by Justin Marks+ (Kitchen Press Chapbooks, N.Y., 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE STEEL VEIL &lt;/em&gt;by Jack Marshall (Coffee House, Minneapolis, Minn, 2008. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE TANGLED LINE &lt;/em&gt;by Tod Marshall (Canarium Books, Ann Arbor, MI, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SONNETS &lt;/em&gt;by Camille Martin (Shearsman Books, Exeter, U.K., 2010)-- REVIEWED (#16) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BECOMING WEATHER &lt;/em&gt;by Chris Martin (Coffee House Press, Minneapolis, Minn., 2011. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CITY &lt;/em&gt;(chap) by C.J. Martin (Vigilance Society, 2007. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LO, BITTERN &lt;/em&gt;(chap) by C.J. Martin ([ATTICUS/FINCH], 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE BLUE MOON SERIES &lt;/em&gt;(chap) by Rodger Martin (Hobblebush Books, Brookline, NH)-- REVIEWED (#10) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AFTER YOU, DEAREST LANGUAGE&lt;/em&gt; by Marisol Limon Martinez+ (Ugly Duckling Presse, 2005)-- REVIEWED (#7) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE SPOILS &lt;/em&gt;by Ted Mathys (Coffee House Press, Minneapolis, 2009. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RUNOFF &lt;/em&gt;by Clay Matthews (BlazeVox Books, Buffalo, N.Y., 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE CONTORTIONS&lt;/em&gt; by Nicole Mauro (Dusie, 2009)-- REVIEWED (#14) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RE-&lt;/em&gt; by Kristi Maxwell (Ahsahta Press, Boisie, ID, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HUSH SESSIONS &lt;/em&gt;by Kristi Maxwell (Saturnalia Books, Ardmore, PA, 2009) &lt;br /&gt;&lt;br /&gt;&lt;em&gt;REALM SIXTY-FOUR &lt;/em&gt;by Kristi Maxwell (Ahsahta Press, Boisie, ID, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CLOUD COMPUTING&lt;/em&gt; by Josh May (3rdness/Fifth Planet, Austin/Atlanta/New York, 2011. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;JOHANNA POEMS &lt;/em&gt;(chap) by Ben Mazer+ (Cy Gist Press, 2007. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TROUBLE LIGHT&lt;/em&gt; by Gerald McCarthy (West End Press, Albuquerque, NM, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NO GRAVE CAN HOLD MY BODY DOWN &lt;/em&gt;by Aaron McCollough (Ahsahta Press, Boisie, ID, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MULE &lt;/em&gt;by Shane McCrae (Cleveland State University Poetry Center, Cleveland, OH, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BEING FRIDA KAHLO&lt;/em&gt; (chap)by Jim McCrary (2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NEXT EXIT: EIGHT &lt;/em&gt;by Hosho McCreesh and Caleb Puckett (chap, Kendra Steiner Editions, San Antonio, Texas)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SALTWATER EMPIRE &lt;/em&gt;by Raymond McDaniel (Coffee House Press, Minneapolis, 2008. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SATISFIED WITH HAVOC&lt;/em&gt; by Jo McDougall (Autumn House Press, Pittsburgh, PA, 2004)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DIRT &lt;/em&gt;by Jo McDougall (Autumn House Press, Pittsburgh, PA, 2001)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SCORPIONICA&lt;/em&gt; (chap) by Karyna McGlynn (New Michigan Press, Grand Rapids, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ERNESTA, IN THE STYLE OF the FLAMENCO &lt;/em&gt;by Sandy McIntosh (Marsh Hawk Press, New York, 2010)-- REVIEWED (#15) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE AFTER-DEATH HISTORY OF MY MOTHER &lt;/em&gt;by Sandy McIntosh (Marsh Hawk Press)-- REVIEWED (#4 and #6) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BETWEEN EARTH AND SKY &lt;/em&gt;by Sandy McIntosh (Marsh Hawk Press)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FORTY-NINE GUARANTEED WAYS TO ESCAPE DEATH &lt;/em&gt;by Sandy McIntosh+ (Marsh Hawk Press, 2007)-- REVIEWED (#8) BUT AVAILABLE FOR MORE REVIEWS &lt;br /&gt;&lt;br /&gt;&lt;em&gt;RESURRECTION OF THE DUST: SELECTED POEMS &lt;/em&gt;by John McKernan (The Backwaters Press, Omaha, Nebraska, 2007. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;VANITAS &lt;/em&gt;by Jane McKinley (Texas Tech University Press, Lubbock, TX, 20110&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SOLIDS, OR, STRIKE OUT (A SUITE) &lt;/em&gt;by Rob McLennan (ungovernable press, 2008  review copy via .pdf &lt;a href="http://ungovernablepress.weebly.com/"&gt;HERE&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ENTREPOT &lt;/em&gt;by Mark McMorris (Coffee House Press, Minneapolis, Minn., 2010)-- REVIEWED (#18) BUT AVAILABLE FOR MORE REVIEWS &lt;br /&gt;&lt;br /&gt;&lt;em&gt;CHANNELLING VOICES &lt;/em&gt;by Kevin McPherson Eckhoff (ungovernable press, 2008  review copy via .pdf &lt;a href="http://ungovernablepress.weebly.com/"&gt;HERE&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IN CANAAN &lt;/em&gt;by Shane McCrae (Rescue Press, Milwaukee, WI, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NYLUND: THE SARCOGRAPHER &lt;/em&gt;(baroque noir novel) by Joyelle McSweeney (Tarpaulin Sky, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DAYGLO &lt;/em&gt;by James Meetze (Ahsahta Press, Boise, ID, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MATERIALISMS &lt;/em&gt;(chap) by Miranda Mellis (Portable Press at Yo-Yo Labs, Brooklyn, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SELECTIONS AND DISSECTIONS &lt;/em&gt;by Nick-E Melville (Otoliths, Rockhampton, Australia, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WEEKENDS WITH O'KEEFE &lt;/em&gt;by C.S. Merrill (journal-memoir, University of New Mexico Press, Albuquerque, NM, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HORSE DANCE UNDERWATER &lt;/em&gt;by Helena Mesa (Cleveland State University Poetry Center, Cleveland, OH, 2009. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE VIRGIN FORMICA &lt;/em&gt;by Sharon Mesmer (Hanging Loose Press, Brooklyn, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TO SEE THE EARTH &lt;/em&gt;by Philip Metres (Cleveland State University Poetry Center, Cleveland, OH, 2009. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HOME &amp; AWAY: THE OLD TOWN POEMS &lt;/em&gt;by Kevin Miller (Pleasure Boat Studio, New York, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THERE'S ONLY ONE GOD AND YOU'RE NOT IT&lt;/em&gt; by Stephen Paul Miller (Marsh Hawk Press, East Rockaway, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE BEE FLIES IN MAY &lt;/em&gt;by Stephen Paul Miller (Marsh Hawk Press, New York)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SKINNY EIGHTH AVENUE &lt;/em&gt;by Stephen Paul Miller (Marsh Hawk Press, New York) -- REVIEWED (#1) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE NEIGHBORHOODS OF MY PAST SORROW &lt;/em&gt;by Jesse Millner+ (Kitsune Books, Florida, 2009. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE WORKING POET: 75 WRITING EXERCISES AND A POETRY ANTHOLOGY&lt;/em&gt; Edited by Scott Minar+ (Autumn House Press, Pittsburgh, PA, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;POEMLAND &lt;/em&gt;by Chelsey Minnis (Wave Books, Seattle, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WORK IS LOVE MADE VISIBLE &lt;/em&gt;by Jeanetta Calhoun Mish (West End Press, Albuquerque, NM, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HOLD-OUTS: THE LOS ANGELES POETRY RENAISSANCE, 1948-1992&lt;/em&gt; by Bill Mohr (literary criticism, University of Iowa Press, Iowa City, IA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IN THE PRESENCE OF THE SUN: STORIES AND POEMS, 1961-1991&lt;/em&gt; by N. Scott Momaday (University of New Mexico Press, Albuquerque, NM, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LOBE SCARPS &amp; FINIALS&lt;/em&gt; by Geraldine Monk (Leafe Press, Nottingham, U.K. and Claremont, CA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DERIVE &lt;/em&gt;by Bruna Mori, w/ paintings by Matthew Kinney*+ (Meritage Press, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SHOULDER SEASON &lt;/em&gt;by Ange Mlinko+ (Coffee House Press, Minneapolis, Minn., 2010)-- REVIEWED (#14) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TOUCH WOOD &lt;/em&gt;by Albert Mobilio (The Brooklyn Rail / Black Square Editions, Brooklyn, N.Y., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LETTERS TO AN ALBATROSS&lt;/em&gt; by Anita Mohan (BlazeVox, Buffalo, N.Y., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;OTHER ROMES &lt;/em&gt;by Derek Mong (Saturnalia Books, Ardmore, PA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SPIRITS &amp; ANCHORS&lt;/em&gt; by Jason Morris (Auguste Press, San Francisco, 2010. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FROM THE GOLDEN WEST&lt;/em&gt; by Jason Morris (poetry and book art, Alone Co. Editions/Publication Studio, San Francisco, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE TRUE KEEPS CALM BIDING ITS STORY &lt;/em&gt;by Rusty Morrison(Ahsahta Press, Boisie, ID, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CROP &lt;/em&gt;by Yedda Morrison+ (Kelsey St. Press)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BY THE NEST &lt;/em&gt;by Kathi Morrison-Taylor (THE WORD WORKS, Washington D.C., 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;YOU AND THREE OTHERS ARE APPROACHING A LAKE&lt;/em&gt; by Anna Moschovakis (Coffee House Press, Minneapolis, Minn., 2011)-- REVIEWED (#16) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LOST STORY &lt;/em&gt;by Brane Mozetic (novel, Talisman Publishers, Greenfield, MA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SONOLUMINESCENCE &lt;/em&gt;(chap) by Simone Muench and William Allegrezza+ (dusie, 2007. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE VANISHING POINT THAT WHISTLES: AN ANTHOLOGY OF CONTEMPORARY ROMANIAN POETRY&lt;/em&gt;, Edited by Paul Doru Mugur with Adam J. Sorkin and Claudie Serea (Talisman House, Greenfield, MA, 2012)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LOOKING UP HARRYETTE MULLEN: INTERVIEWS ON&lt;/em&gt; SLEEPING WITH THE DICTIONARY &lt;em&gt;AND OTHER WORKS &lt;/em&gt;by Barbara Henning (Belladonna Books, Brooklyn, 2011)-- REVIEWED (#17) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NOTEBOOK AND SHEAVES &lt;/em&gt;by Christopher Mulrooney (AmErica House, Baltimore, 2002)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE FAT SHEEP EVERYONE WANTS &lt;/em&gt;by Bern Mulvey (Cleveland State University Poetry Center, Cleveland, OH, 2009)-- REVIEWED (#14) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HOW TO SPELL THE SOUND OF EVERYTHING &lt;/em&gt;by Sheila Murphy and mIEKAL aND&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SKINNY BUDDHA &lt;/em&gt;(chap) by Sheila Murphy+ (Dusie, 2007. 3) -- REVIEWED (#9) and ($10) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AVIARIES &lt;/em&gt;by Yvonne C. Murphy (Carolina Wren Press, Durham, NC, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ENIGMA AND LIGHT&lt;/em&gt; by David Mutschlecner (Ahsahta Press, Boise, ID, 2012)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SIGN &lt;/em&gt;by David Mutschlecner (Ahsahta Press, Boise, ID, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BEHIND THE R &lt;/em&gt;(chap) by Gina Myers (ypolita press, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BITTER HERB &lt;/em&gt;(chap) by Stephanie A. Meyers (Sacrifice Press, Corvallis, OR, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;INCIDENTAL MUSIC &lt;/em&gt;by Jane Joritz-Nakagawa (BlazeVOX Books, Buffalo, N.Y., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE MEDITATIONS &lt;/em&gt;by Jane Joritz-Nakagawa (Otoliths, Rockhampton, Australia, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;INSECT COUNTRY (B) &lt;/em&gt;by Sawako Nakayasu (chap, Dusie, 2007) -- REVIEWED (#7 adn #10) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FOUR FROM JAPAN: CONTEMPORARY POETRY AND ESSAYS BY WOMEN+ &lt;/em&gt;(Kiriu Minashita, Kyong-Mi Park, Ryoko Sekiguchi and Takako Arai), anthology introduced &amp; translated by Sawako Nakayasu with additional translations by Cole Swenson, Ryoko Sekiguchi, Chet Weiner, Yu Nakai and Malinda Markham (Litmus Press &amp; Belladonna Books, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BROWNFIELDS&lt;/em&gt;, photography/artist's book by Laura Nash (Ugly Duckling Presse, Brooklyn, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;JAMMED TRANSMISSION &lt;/em&gt;by Paul Naylor (Tinfish Press, Kane'Ohe, HI, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DISPATCH &lt;/em&gt;by Marci Nelligan and Nicole Mauro (Dusie, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SPECIMEN &lt;/em&gt;by Marci Nelligan+ (Dusie, 2007)-- REVIEWED (#10) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ROAD OF A THOUSAND WONDERS&lt;/em&gt; by Jeffrey Joe Nelson (Ugly Duckling Presse, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SOMETHING BRIGHT, THEN HOLES &lt;/em&gt;by Maggie Nelson (Soft Skull Press, Brooklyn, 2007) -- REVIEWED (#9) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE SPIRITUAL LIFE OF REPLICANTS&lt;/em&gt; by Murat Nemet-Nejat+ (Talisman, Greenfield, MA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;COME KANAB: A LITTLE RED SONGBOOK &lt;/em&gt;(chap) by Lance Newman+ (Dusie, 2007. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PARROT ON A MOTORCYCLE: ON POETIC CRAFT &lt;/em&gt;by Vitezslav Nezval, trans. by Jennifer Rogers+ (chap, Ugly Duckling Presse, Brooklyn, no date)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BY WAY OFF&lt;/em&gt;, four-chap collection in a book by Matthew Nienow, Emily Carr, Diana Woodcock &amp; Diana Alvarez (Toadlily Press, Chappaqua, N.Y., 2009. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CONCERTOS &lt;/em&gt;by NO COLLECTIVE (Ugly Duckling Presse, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HI-DENSITY POLITICS&lt;/em&gt; by Urayoan Noel (BlazeVOX books, Buffalo, N.Y., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WHAT IT IS LIKE: NEW AND SELECTED POEMS&lt;/em&gt; by Charles North+ (Turtle Point Press / Hanging Loose Press, Brooklyn, N.Y., 2011. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THINGS ARE DISAPPEARING HERE &lt;/em&gt;by Kate Northrop (Persea, New York, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AIR TRANSMIGRA &lt;/em&gt;by John Norton (Ithuriel's Spear, San Francisco, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EDGING &lt;/em&gt;by Michelle Notebloom+&lt;br /&gt;&lt;br /&gt;&lt;em&gt;COAL MOUNTAIN ELEMENTARY &lt;/em&gt;by Mark Nowak, with photographs by Ian Teh+ (Coffee House Press, Minneapolis, 2009. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;VIEWPOINT &lt;/em&gt;by Juli Nunlist (Hobblebush Books, Brookline, NH, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A DIFFERENT PRACTICE &lt;/em&gt;by Fredrik Nyberg, trans. from the Swedish by Jennifer Hayashida (Ugly Duckling Presse, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TRANSFER &lt;/em&gt;by Naomi Shihab Nye+ (BOA Editions, Rochester, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TELEGRAPH &lt;/em&gt;by Kaya Oakes+ (Pavement Saw Press, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SARD &lt;/em&gt;by Philip Byron Oakes (Otoliths, Rockhampton, Australia, 2010. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CATCH LIGHT &lt;/em&gt;by Sarah O'Brien (Coffee House Press, Minneapolis, 2009)--REVIEWED (#18) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;UNRECONSTRUCTED &lt;/em&gt;by Ed Ochester (Autumn House Press, Pittsburgh, PA, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HOLD TIGHT: THE TRUCK DARLING POEMS &lt;/em&gt;by Jeni Olin+ (Hanging Loose, Brooklyn, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A TOAST IN THE HOUSE OF FRIENDS&lt;/em&gt; by Akilah Oliver (Coffeehouse, Minneapolis, Minn., 2009)--REVIEWED (#17) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MEMORY FUTURE&lt;/em&gt; by Heather Aimee O'Neill (Los Angeles, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IN THE LAND by&lt;/em&gt; Bea Opengart (Dos Madres Press, Loveland, OH, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PIER &lt;/em&gt;by Janine Oshiro (Alice James Books/Kundiman, Farmington, Maine, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE NETWORK &lt;/em&gt;by Jena Osman+ (Fence Books, Albany, N.Y., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE LIFE AND OPINIONS OF DJ SPINOZA &lt;/em&gt;by Eugene Ostashevsky, with drawings by Eugene Timerman (Ugly Duckling Presse, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ENTER MORRIS IMPOSTERNAK, PURSUED BY IRONIES &lt;/em&gt;by Eugene Ostashevsky+ (chap, Ugly Duckling Presse, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ITERATURE &lt;/em&gt;by Eugene Ostashevsky+ (Ugly Duckling Presse, 2005)-- REVIEWED (#11) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HOW LONG &lt;/em&gt;by Ron Padgett (Coffee House Press, Minneapolis, Minn., 2011)-- REVIEWED (#16) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HOW TO BE PERFECT &lt;/em&gt;by Ron Padgett+ (Coffee House Press, Minneapolis, Minn., 2011)--REVIEWED (#16) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IATROGENIC: THEIR TESTIMONIES &lt;/em&gt;by Danielle Pafunda+ (Noemi Press, Las Cruces, NM, 2010. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MY ZORBA &lt;/em&gt;by Danielle Pafunda+ (Bloof Books, Central New Jersey, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NO SWEETER FAT&lt;/em&gt; by Nancy Pagh (Autumn House Press, Pittsburgh, PA, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SILVER ROOF TANTRUM&lt;/em&gt; by Naomi Buck Palagi (chap, dancing girl press, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ROAD SONG FOR&lt;/em&gt; by Lars Palm (corrupt press, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WHOMEANSWHAT&lt;/em&gt; by Lars Palm (chap, Sacrifice Press, Corvallis, OR, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;OVER THIS HERE RAINBOW &lt;/em&gt;by Lars Palm (Wheelhouse, 2009. Available viz &lt;a href="http://www.wheelhousemagazine.com/chapbook/palm.pdf"&gt;http://www.wheelhousemagazine.com/chapbook/palm.pdf&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MISPELL &lt;/em&gt;by Lars Palm (ungovernable press, 2008  review copy via .pdf &lt;a href="http://ungovernablepress.weebly.com/"&gt;HERE&lt;/a&gt;) -- REVIEWED (#15) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;OSTERGOTLAND (A FOUND POEM)&lt;/em&gt; by Lars Palm (ungovernable press, 2008  review copy via .pdf &lt;a href="http://ungovernablepress.weebly.com/"&gt;HERE&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IN THE NEWS &lt;/em&gt;by Lars Palm (ungovernable press, 2009 review copy via .pdf &lt;a href="http://ungovernablepress.weebly.com/"&gt;HERE&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE &lt;/em&gt;by Lars Palm (ungovernable press, 2008  review copy via .pdf &lt;a href="http://ungovernablepress.weebly.com/"&gt;HERE&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DEATH IS&lt;/em&gt; (chap) by Lars Palm (by the skin of me teeth, mmvii, armstrong, bc, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MINDFULNESS &lt;/em&gt;by Lars Palm (Moria Poetry, 2006. Review copy available as a free .pdf at www.moriapoetry.com/mindfulness.pdf)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PERSONATIONSKIN &lt;/em&gt;by Karl Parker (No Tell Books, 2009. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IDEALS CLEARANCE &lt;/em&gt;by Henry Parland, Trans. from the Swedish by Johannes Goransson (Ugly Duckling Presse, Brooklyn, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TO AND FROM &lt;/em&gt;by G.E. Patterson (Ahsahta Press, Boise, ID, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MILK BOWL MOON OVER ST. LOUIS &lt;/em&gt;(chap) by David E. Patton+ (Persistencia Press, 2005)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LID TO THE SHADOW&lt;/em&gt; by Alexandria Peary (Slope Editions, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BIG AMERICAN TRIP &lt;/em&gt;by Christian Peet (Shearsman Books, Exeter, U.K., 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE NINES &lt;/em&gt;(chap) by Christian Peet (Palms Press, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SUDDENLY, FRUIT &lt;/em&gt; by Linda Tomol Pennissi (Carolina Wren Press, Durham, 2006)-- REVIEWED (#10) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CORPSE WATCHING &lt;/em&gt;by Sarith Peou (Tinfish Press, Kane'ohe, HI, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;from UNINCORPORATED TERRITORY [HACHA]&lt;/em&gt; by Craig Santos Perez, Tinfish Press, Kane'ohe, HI, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HOOFS &lt;/em&gt;by Holly Pester (if p then q, Manchester, U.K., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HEARTH &lt;/em&gt;by Simon Pettet+ (Talisman House, Jersey City, N.J., 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DRIVING MONTANA, ALONE&lt;/em&gt; (chap) by Katie Phillips (Slapering Hol Press, Sleepy Hollow, N.Y., 2011. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THESE INDICIUM TALES &lt;/em&gt;by Lance Phillips (Ahsahta Press, Boise, ID, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SILENT PICTURES RECOGNIZE THE WORLD &lt;/em&gt;(chap) by Wanda Phipps+ (Dusie, 2007. 3-2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FAMOUS LAST WORDS&lt;/em&gt; by Catherine Pierce (Saturnalia Books, Philadelphia, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SHE, A BLUEPRINT&lt;/em&gt;, text by Michelle Naka Pierce and images by Sue Hammond West (blazeVOX books, Buffalo, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TRI/VIA &lt;/em&gt;by Michelle Naka Pierce and Veronica Corpuz&lt;br /&gt;&lt;br /&gt;&lt;em&gt;REFLECTIONS IN A SMOKING MIRROR: Poems of Mexico and Belize &lt;/em&gt;by Paul Pines (Dos Madres Press, Loveland, OH, 2011. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LAST CALL AT THE TIN PALACE &lt;/em&gt;by Paul Pines+ (Marsh Hawk Press, New York, 2009. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TAXIDANCING &lt;/em&gt;by Paul Pines (Ikon, New York, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FAMILY PARABLES &lt;/em&gt;by Boris Pinter, Trans. by Rawley Grau (Talisman House, Jersey City, N.J., 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FREE FALL &lt;/em&gt;by Nick Piombino (Otoliths, Australia, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EL GOLPE CHILENO &lt;/em&gt;by Julien Poirier+ (Ugly Duckling Presse, Brooklyn, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ABSURD GOOD NEWS &lt;/em&gt;(chap) by Julien Poirier (Insert Press, Los Angeles, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE ATTENTION LESSON&lt;/em&gt; by PF Potvin (No Tell Books, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BROKEN AND RESET: SELECTED POEMS 1966 TO 2006&lt;/em&gt; by V.B. Price (University of New Mexico Press, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE PRESENT DAY &lt;/em&gt;by Ernesto Priego+ (Leafe Press, Nottingham, U.K. and Claremont, CA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NOT EVEN DOGS&lt;/em&gt; by Ernesto Priego* (Meritage Press)-- REVIEWED (#3, #4, #5 and #7) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SHRUG &lt;/em&gt;(chap) by Nate Pritts (Main Street Rag, Charlotte, NC, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE HAPPY SEASONS&lt;/em&gt; (&lt;a href="http://www.swanniganandwright.com/happy%20seasons%20main.html"&gt;free on-line chap&lt;/a&gt;) by Nate Pritts (Swannigan &amp; Wright)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MARKET STREET EXIT &lt;/em&gt;by Caleb Puckett (Otoliths, Rockhampton, Australia, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TALES FROM THE HINTERLAND &lt;/em&gt;by Caleb Puckett (Otoliths, Rockhampton, Australia, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FORMS OF INTERCESSION &lt;/em&gt;by Jayne Pupek (Mayapple Press, Bay City, MI, 2008)-- REVIEWED (#12) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BANANA MAGNET &lt;/em&gt;by Christopher William Purdom (226 Press, Philadelphia, 2012)&lt;br /&gt;&lt;em&gt;SAILCLOTH CHILD&lt;/em&gt; (chap) by Christopher William Purdom+ (226 Press, Philadelphia, 2011)&lt;br /&gt;&lt;em&gt;DREAMTIME HORIZON&lt;/em&gt;(chap) by Christopher William Purdom (226 Press, Philadelphia, 2010)&lt;br /&gt;&lt;em&gt;TOO MANY CHAIRS ON THE GRASS GREEN HILL &lt;/em&gt;(chap) by Christopher William Purdom (226 Press, Philadelphia, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ANON &lt;/em&gt;by Chris Pusaterie (BlazeVOX Books, Buffalo, New York, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NORTH OF THERE&lt;/em&gt; (chap) by Chris Pusateri (Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DOG, COCK, APE AND VIPER&lt;/em&gt; by Rufo Quintavalle (corrupt press, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PRESENT TENSE &lt;/em&gt;by Anna Rabinowitz+ (Omnidawn Publishing, Richmond, CA, 2010. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE SMALLER HALF &lt;/em&gt;by Marc Rahe (Rescue Press, Milwaukee, WI, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BLACK TUPELO COUNTRY&lt;/em&gt; by Doug Ramspeck (BkMk Press/University of Missouri-Kansas City, Kansas City, MO 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FINGERGUN &lt;/em&gt;(chap) by Matt Rasmussen&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RUINS &lt;/em&gt;by Margaret Randall+ (University of New Mexico Press, Albuquerque, NM, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EITHER SHE WAS &lt;/em&gt;by Karin Randolph+ (Marsh Hawk Press, New York, 2008. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A PARTIAL VIEW TOWARD NAZARETH&lt;/em&gt; by Kathryn Rantala (Casa de Snapdragon, Albuquerque, NM, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE PLANT WATERER AND OTHER THINGS IN COMMON&lt;/em&gt; by Kathryn Rantala+ (Ravenna Press, Washington, 2006)-- REVIEWED (#5) BUT AVAILABLE FOR MORE REVIEW&lt;br /&gt;&lt;br /&gt;&lt;em&gt;READING THE UNSEEN&lt;/em&gt; (meditation/literary criticism) by Stephen Ratcliffe+ (Counterpath Press, Denver, CO, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MOTHER AND CHILD &lt;/em&gt;(posthumous last novel) by Rochelle Ratner (Hamilton Stone Editions, Maplewood, N.J., 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SHIFTING THE QUESTION MORE COMPLICATED &lt;/em&gt;by Francis Raven (Otolith, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SEARCHING FOR ACCIDENTS &lt;/em&gt;by Francis Raven (ungovernable press, 2009 review copy via .pdf &lt;a href="http://ungovernablepress.weebly.com/"&gt;HERE&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AND THEN ENTWINE: LESSON PLANS, POEMS, KNOTS&lt;/em&gt; by Jai Arun Ravine (Tinfish Press, Hawai'i, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE HOT GARMENT OF LOVE IS INSECURE &lt;/em&gt;by Elizabeth Reddin (Ugly Duckling Press, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;GAZE &lt;/em&gt;by Marthe Reed (Black Radish Books, Lafayette, LA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;COEUR DE LION&lt;/em&gt; by Ariana Reines+ (Fence Books, Albany, N.Y., 2007 &amp; 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MERCURY &lt;/em&gt;by Ariana Reines+ (Fence Books, Albany, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IN WAYS IMPOSSIBLE TO FOLD &lt;/em&gt;by Michael Rerick (Marsh Hawk Press, New York, 2009. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BLUE COLLAR POET &lt;/em&gt;by G. Emil Reutter (StoneGarden.net Publishing, Danville, CA, 2009) -- REVIEWED (#17) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;STIRRING WITHIN POEMS AND TALES FROM MOUNT CARMEL&lt;/em&gt; by G. Emil Reutter (&lt;a href="http://www.blazevox.org/bk-ger.htm"&gt;Blazevox &lt;/a&gt;Books; &lt;br /&gt;review copy in pdf format at &lt;a href="http://www.blazevox.org/ebk-ger-w-cov.pdf"&gt;http://www.blazevox.org/ebk-ger-w-cov.pdf&lt;/a&gt;)&lt;br /&gt;  &lt;br /&gt;&lt;em&gt;PLAIN SPEAK/ SWEET SPEAK &lt;/em&gt;by G Emil Reutter and Phil Primeau (Persistencia Press; in free pdf format at &lt;a href="http://www.freewebs.com/persistenciapress/gerpp_psss.pdf"&gt;http://www.freewebs.com/persistenciapress/gerpp_psss.pdf&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LIFE VIEWS &lt;/em&gt;(essays and short stories) by G Emil Reutter (Stonegarden.net Publishing, Danville, CA, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SAY THRONE&lt;/em&gt; (chap) by No' Revilla (Tinfish Press, Hawai'i, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EASTER SUNDAY &lt;/em&gt;by Barbara Jane Reyes (chap, ypolita press, 2008)-- REVIEWED (#14) BUT AVAILABLE FOR MORE REVIEW&lt;br /&gt;&lt;br /&gt;&lt;em&gt;YELLOW / YELLOW&lt;/em&gt; (chap) by Margaret Rhee (Tinfish Press, Hawai'i, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SHAVED CODE &lt;/em&gt;(chap) by Frances Richard+ (Portable Press at Yo-Yo Labs, Brooklyn, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HELSINKI &lt;/em&gt;by Peter Richards+ (Action Books, Notre Dame, IN, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CHINOISERIE &lt;/em&gt;by Karen Rigby (Ahsahta Press, Boise, ID, 2012)-- REVIEWED (#18) BUT AVAILABLE FOR MORE REVIEW&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SLEEP'S POWERS &lt;/em&gt;by Jacqueline Risset, Trans. by Jennifer Moxley (essay/criticism, Ugly Duckling Presse, Brooklyn, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SUPPOSED TO SOUND &lt;/em&gt;by Christopher Rizzo (ungovernable press, 2008  review copy via .pdf &lt;a href="http://ungovernablepress.weebly.com/"&gt;HERE&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DRIZZLE POCKET &lt;/em&gt;by Tim Roberts (BlazeVOX, Buffalo, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FACING IT AGAIN: NEW AND SELECTED POEMS &lt;/em&gt;cy Corinne Robins (Marsh Hawk Press, New York, 2009.  &lt;em&gt;[Alaem no ada agdamag])&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TODAY'S MENU &lt;/em&gt;by Corinne Robins+ (Marsh Hawk Press, 2006) &lt;br /&gt;&lt;br /&gt;&lt;em&gt;LADIES &amp; GENTLEMEN&lt;/em&gt; by Michael Robins (Saturnalia Books, Hanover and London, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE ORPHAN &amp; ITS RELATIONS &lt;/em&gt;by Elizabeth Robinson+ (Fence Books, Albany, N.Y., 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;APOSTROPHE &lt;/em&gt;by Elizabeth Robinson+ (Apogee Press, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LIKE THE RAINS COME: SELECTED POEMS (1987-2006)&lt;/em&gt; by Mercedes Roffe, Trans. by Janet Greenberg (Shearman Books, Exeter U.K., 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A PLATE OF CHICKEN &lt;/em&gt;by Matthew Rohrer (Ugly Duckling Presse, Brooklyn, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A POETRY OF REMEMBRANCE: NEW AND REJECTED WORKS &lt;/em&gt;by Levi Romero (University of New Mexico Press, Albuquerque, 2008. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PERSONIFICATION &lt;/em&gt;by Margaret Ronda (Saturnalia Books, Philadelphia, PA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;VERTIGO &lt;/em&gt;by Martha Ronk+ (Coffee House Press, Minn., 2007. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NEW &amp; SELECTED POEMS 1975-2005&lt;/em&gt; by Robert Ronnow (Barnwood Press, Seattle, Wa, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ONEIROMANCE (AN EPITHALAMION)&lt;/em&gt; by Kathleen Rooney (Switchback Books, Chicago, IL, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WHITE BOOTS: NEW AND SELECTED POEMS OF THE WEST &lt;/em&gt;by William Pitt Root+ (Carolina Wren Press, Durham, 2006. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A BROKEN THING: POETS ON THE LINE&lt;/em&gt;, Edited by Emily Rosko and Anton VanderZee (University of Iowa Press, Iowa City, IA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE DRAGONFLY: A SELECTION OF POEMS 1953-1981 &lt;/em&gt;by Amelia Rosselli, Trans. by Guiseppe Leporace and Deborah Woodard (Chelsea Editions, New York, 2009. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CATALOGUE OF COMEDIC NOVELTIES&lt;/em&gt; by Lev Rubinstein, Trans. by Philip Metres and Tatiana Tulchinsky (Ugly Duckling Presse, 2004. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;KEY BRIDGE &lt;/em&gt;by Ken Rumble (Carolina Wren Press, 2007. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE STEAM SEQUENCE &lt;/em&gt;by Carly Sachs (Washington Writers Publishing House, Washington D.C., 2006)-- REVIEWED (#7) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MAP OF THE LOST &lt;/em&gt;by Miriam Sagan (University of New Mexico Press, Albuquerque, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE ART OF LOVE: NEW &amp; SELECTED POEMS &lt;/em&gt;by Miriam Sagan (La Alameda Press, Albuquerque, 1994)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DEAR FAILURES&lt;/em&gt; by Trey Sager (chap, Ugly Duckling Presse, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LET IT BE A DARK ROUX: NEW AND SELECTED POEMS &lt;/em&gt;by Sheryl St. Germain (Autumn House Press, Pittsburgh, PA, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE MOVEABLE ONES &lt;/em&gt;(chap) by John Sakkis (Transmission Press, San Francisco, 2007. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PRISM &lt;/em&gt;by David St. John, with photographs by Lance Patigian (Arctos Press, Sausalito, CA, 2002)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HEART ON A TRIPOD &lt;/em&gt;by Kaia Sand+ (chap, Dusie, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LET'S NOT KEEP FIGHTING THE TROJAN WAR: NEW AND SELECTED POEMS 1986-2009&lt;/em&gt; by Edward Sanders (Coffee House Press, Minneapolis, 2009)--REVIEWED (#14) BUT AVAILABLE FOR MORE REVIEW&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THIRSTING FOR PEACE IN A RAGING CENTURY: SELECTED POEMS 1961-1985 &lt;/em&gt;(New and Revised Edition) by Edward Sanders (Coffee House Press, Minneapolis, 2009)--REVIEWED (#14) BUT AVAILABLE FOR MORE REVIEW&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DREAMING ESCAPE &lt;/em&gt;by Valentina Saracini, Trans. by Erica Weitzman with Flora Ismaili and Rudina Jasini, (Ugly Duckling Presse, Brooklyn, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LITTLE WAR MACHINE&lt;/em&gt; by M Sarki+ (Ravenna Press, Washington, 2004)-- REVIEWED (#6) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CHILD IN THE ROAD &lt;/em&gt;by Cindy Savett+ (Parlor Press, Indiana, 2007)-- REVIEWED (#10) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE FIRESTORM &lt;/em&gt;by Zach Savich (Cleveland State University Poetry Center, Cleveland, OH, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE ELDER SERIES 1&lt;/em&gt; by Leslie Scalapino and E. Tracy Grinnell (Belladonna Books, Brooklyn, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IN THIS ALONE IMPULSE,&lt;/em&gt; by Shya Scanlon (Noemi Press, Las Cruces, NM, 2010. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A FROG JUMPS IN HAIBUN JOURNAL&lt;/em&gt; (chap) by Kathrin U. Schaeppi (Dusi/e, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE BOUNTY: FOUR ADDRESSES&lt;/em&gt; by Kate Schapira+ (Noemi Press, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TOWN &lt;/em&gt;by Kate Schapira (Factory School, Queens, N.Y., 2010. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE DEVELOPMENT OF AERIAL MILITARISM AND THE DEMOBILIZATION OF EUROPEAN GROUND FORCES, FORTRESSES, AND NAVAL FLEETS&lt;/em&gt; by Paul Scheerbart, trans. from German by Michael Kasper (chap, Ugly Duckling Presse's "Lost Literature Series", Brooklyn, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SUBMISSIONS &lt;/em&gt;by Jared Schickling (BlazeVOX Books, Buffalo, NY, 2008. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TORCHED VERSE ENDS &lt;/em&gt;by Steven D. Schroeder+ (BlazeVOX Books, Buffalo, N.Y., 2009)-- REVIEWED (#13) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FOR DESPAIR&lt;/em&gt; (chap) by Barry Schwabsky (Seeing Eye Books, Los Angeles, 2005)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;OPERA: Poems 1981-2002 &lt;/em&gt;by Barry Schwabsky*-- REVIEWED (#2 and #4) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;[ways]&lt;/em&gt; by Barry Schwabsky* -- REVIEWED (#2) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AT ELEMENT&lt;/em&gt; by Leonard Schwartz (Talisman Publishers, Greenfield, MA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE LIBRARY OF SEVEN READINGS &lt;/em&gt;by Leonard Schwartz (Ugly Duckling Presse, Brooklyn, 2008)&lt;br /&gt;&lt;br /&gt;DEAR GOOD NAKED MORNING by Ruth L. Schwartz (Autumn House Press, Pittsburgh, PA, 2005)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A BEDROOM OCCUPATION: LOVE ELEGIES &lt;/em&gt;by Mark Scott (Lumen, Santa Fe, 2007. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DEAR REGIME: LETTERS TO THE ISLAMIC REPUBLIC &lt;/em&gt;by Roger Sedarat (Ohio University Press, Athens, OH, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FLUSH CONTOUR &lt;/em&gt;(visual poetry) by Spencer Selby+, with an Introduction by Martin Edmond (Otolith, Rockhampton, Australia, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BOY RETURNING WATER TO THE SEA: KOANS FOR KELLY FEARING &lt;/em&gt;by Andrea Selch (Cockeyed Press, Chapel Hill, NC, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;STARTLING &lt;/em&gt;by Andrea Selch (Turning Point, Cincinnati, OH, 2004; another edition by Cockeyed Press, Chapel Hill, NC, 2009. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;10,000 WALLPAPERS &lt;/em&gt;by Matt Shears (Brooklyn Arts Press, New York, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WHERE A ROAD HAD BEEN&lt;/em&gt; by Matt Shears (BlazeVOX [books], Buffalo, N.Y., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EARTHQUAKE CAME TO HARLEM &lt;/em&gt;by Jackie Sheeler (The New York Quarterly Foundation, Inc., New York, 2010. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;O BON&lt;/em&gt; by Brandon Shimoda+ (Litmus Press, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;The Knights of Columbus / The Pines, Volume Three&lt;/em&gt; (chap) by Brandon Shimoda and Phil Cordelli&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE INLAND SEA &lt;/em&gt;by Brandon Shimoda (Tarpaulin Sky, Grafton, Vermont, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SONGS MY MOTHER NEVER TAUGHT ME&lt;/em&gt; by Murray Shugars (Dos Madress Press, Loveland, OH, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A CURE FOR SUICIDE&lt;/em&gt; by Larissa Shmailo (chap, Cervena Barva Press, W. Somerville, MA, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SLASH &amp; BURN &lt;/em&gt;by Bill Shute  (chap, Kendra Steiner Editions, San Antonio, Texas)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NORWICH UNVEILED &lt;/em&gt;(chap) by Bill Shute+ (Kendra Steiner Editions, San Antonio, TX, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CARRIER OF THE SEED &lt;/em&gt;by Jeffrey Side (BlazeVOX E-Book; review copy available at &lt;a href="http://www.blazevox.org/ebook.htm"&gt;http://www.blazevox.org/ebook.htm&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WILD LIFE RIFLE FIRE &lt;/em&gt;by Paul Siegell (Otoliths, Rockhampton, Australia, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;JAM &lt;/em&gt;by Paul Siegell (ungovernable press, 2008  review copy via .pdf &lt;a href="http://ungovernablepress.weebly.com/"&gt;HERE&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;POEMERGENCY ROOM &lt;/em&gt;by Paul Siegell (Otoliths, Rockhampton, Australia, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CRACKPOT POET &lt;/em&gt;by Jeremy Sigler (The Brooklyn Rail/Black Square Editions, Brooklyn/New York, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LIVING MUST BURY &lt;/em&gt;by Josie Sigler (Fence Books, Albany, N.Y., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SELECTED WRITINGS (no. 2) &lt;/em&gt;by Cedar Sigo (Ugly Duckling Presse, 2005)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BODY CLOCK &lt;/em&gt;by Eleni Sikelianos+ (Coffee House, Minneapolis, Minn, 2008. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE LITTLE OFFICE OF THE IMMACULATE CONCEPTION&lt;/em&gt; by Martha Silano (Saturnalia Books, Ardmore, PA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE AUTUMN HOUSE ANTHOLOGY OF CONTEMPORARY AMERICAN POETRY&lt;/em&gt; Edited by Michael Simms+ (Autumn House Press, Pittsburgh, PA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WARSAW BIKINI &lt;/em&gt;by Sandra Simonds (Bloof Books, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE HUMBLE TRAVELOGUES OF MR. IAN WORTHINGTON WRITTEN FROM LAND &amp; SEA (OR NOTES ON THE LIFE AND LETTERS) &lt;/em&gt;(chap) by Sandra Simonds+ (Cy Gist Press, 2007)-- REVIEWED (#6) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE TAR PIT DIATOMS &lt;/em&gt;by Sandra Simonds+ (Otoliths, 2006)-- REVIEWED (#6) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WING'D &lt;/em&gt;(chap) by Kyle Simonsen (Blood Pudding Press, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;STRANGER &lt;/em&gt;by Laura Sims (Fence Books, Albany, N.Y., 2009. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ASCENSION &lt;/em&gt;by Giovanni Singleton (Counterpath, Denver, CO, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RED SHIFTING &lt;/em&gt;by Aleksandr Skidan, trans. by Genya Turovskaya with contributions from Eugene Ostashevsky, Jacob Edmond, Evgeny Pavlov &amp; Natasha Randall  (Ugly Dukling Presse, Brooklyn, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MASCARA &lt;/em&gt;by Will Skinker (Auguste Press, San Francisco, 2007. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE WHITE CALF KICKS&lt;/em&gt; by Deborah Slicer (Autumn House Press, Pittsburgh, PA, 2003)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HOLDING PLACE &lt;/em&gt;by Michael Slosek (chap, ypolita press, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FROM OLD NOTEBOOKS &lt;/em&gt;(memoir, novel, poem essay--"a self-styled memoivel") by Evan Lavender Smith (BlazeVOX Books, Buffalo, N.Y., 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;JAMES MERRILL: POSTMODERN MAGUS &lt;/em&gt;by Evans Lansing Smith (literary criticism, University of Iowa Press, Iowa City, IA, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ORGANIC FURNITURE CELLA: WORKS ON PAPER 2002-2004&lt;/em&gt; by Jessica Smith (Outside Voices, 2004) -- REVIEWED (#4) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TRACKS &lt;/em&gt;(chap) by Logan Ryan Smith (ypolita press, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;2 POEMS FROM THE BOTTOM OF THE BARREL &lt;/em&gt;by Logan Ryan Smith+ (dusi/e, 2006)-- REVIEWED (#9) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;STUPID BIRDS &lt;/em&gt;by Logan Ryan Smith+ (Transmission Press, San Francisco, 2007. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE ALL-PURPOSE MAGICAL TENT&lt;/em&gt; by Lytton Smith (Nightboat Books, New York, 2009. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BLOOD DAZZLER &lt;/em&gt;by Patricia Smith (Coffee House, Minneapolis, Minn, 2008. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TEAHOUSE OF THE ALMIGHTY&lt;/em&gt; by Patricia Smith+ (Coffee House Press, Minneapolis, 2006)-- REVIEWED (#7) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE MYTH OF THE SIMPLE MACHINES &lt;/em&gt;by Laurel Snyder+ (No Tell Books, Reston, VA, 2007. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ESCAPE FROM COMBRAY &lt;/em&gt;by Rick Snyder (Ugly Duckling Presse, Brooklyn, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;GUESTBOOK &lt;/em&gt;(chap) by Rick Snyder (Dusie, 2007. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE HERMIT&lt;/em&gt; by Laura Solomon (Ugly Duckling Presse, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BLUE AND RED THINGS &lt;/em&gt;by Laura Solomon (Berkeley, CA, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CAN ARBOREAL KNOTWORK HELP BLACKBURN OUT OF FREGE'S ABYSS &lt;/em&gt;by Boyd Spahr (Dusie, 2006). Review copy available as .pdf. -- REVIEWED (#3) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A MEGAPHONE: SOME ENACTMENTS, SOME NUMBERS, AND SOME ESSAYS ABOUT THE CONTINUED USEFULNESS OF CROTCHLESS-PANTS-AND-A-MACHINE-GUN FEMINISM&lt;/em&gt;, co-edited by Juliana Spahr and Stephanie Young+ (Chain Links, Oakland, CA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NEXUS OF EVIL: LATE FRAGMENTS 1-7&lt;/em&gt; by Andre Spears (First Intensity Press, Lawrence, KS, 2009. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THINGS I MUST HAVE KNOWN &lt;/em&gt;by A.B. Spellman (Coffee House Press, Minneapolis, 2008. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE PORT OF LOS ANGELES &lt;/em&gt;by Jane Sprague (Chax Press, Tucson, ZA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;YINGELISHI: SINOPHONIC ENGLISH POETRY AND POETICS &lt;/em&gt;by Jonathan Stalling+ (Counterpath Press, Denver, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;XENOMORPHIA &lt;/em&gt;by Matina Stamatakis/John Moore Williams (Wheelhouse, 2009. Available viz &lt;a href="http://www.wheelhousemagazine.com/chapbook/stamatakis_williams.pdf"&gt;http://www.wheelhousemagazine.com/chapbook/stamatakis_williams.pdf&lt;/a&gt;) &lt;br /&gt;&lt;br /&gt;&lt;em&gt;METEMPSYCHOSE &lt;/em&gt;(chap) by Matina Stamakis (ypolitapress, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;every, beyond't nothing&lt;/em&gt; by harry k stammer (Persistencia Press, 2006; available for review as a free .pdf download at &lt;a href="http://www.freewebs.com/persistenciapress/stammer_ebn.pdf"&gt;http://www.freewebs.com/persistenciapress/stammer_ebn.pdf&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;tents &lt;/em&gt;by harry k. stammer (Otoliths, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A COMMERCE OF MOMENTS&lt;/em&gt; by Sofia M. Starnes+ (Pavement Saw Press, Ohio, 2003)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MIXING TRACKS &lt;/em&gt;(fiction chap) by Jan Steckel (Gertrude Press, Portland, OR, 2009. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MADE-UP INTERVIEWS WITH IMAGINARY ARTISTS &lt;/em&gt;(featuring Pat Ament, Lorna Dee Cervantes, Joanne Greenberg, Peter Granbois and Cecilia Vicuna) by Alex Stein (Ugly Duckling Presse, Brooklyn, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FACINGS &lt;/em&gt;by Jordan Stempleman (Otolith, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HORSE SENSE &lt;/em&gt;(chap) by Jordan Stempleman (Dusie, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE TRAVELS &lt;/em&gt;by Jordan Stempleman (Otoliths, Australia, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AND I WOULD OPEN&lt;/em&gt; (chap) by Jill Stengel+ (Ypolita press, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LAGNIAPPE &lt;/em&gt;(chap) by Jill Stengel (Nous-zot Press/Dusie, 2008. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;may/be &lt;/em&gt;(chap) by Jill Stengel (Dusie, 2007. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE HUDSON LINE&lt;/em&gt; by Margo Taft Stever (Msin Street Rag, Charlotte, NC, 2012)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ALMOST PERFECT FORMS &lt;/em&gt;by Michael Stewart (chap, Ugly Duckling Presse, Brooklyn, 2009&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WAIT &lt;/em&gt;by Alison Stine (University of Wisconsin, Madison, WI, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE COSMOPOLITAN &lt;/em&gt;by Donna Stonecipher (Coffee House, Minneapolis, Minn, 2008. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;JOYFUL NOISE: AN ANTHOLOGY OF AMERICAN SPIRITUAL POETRY&lt;/em&gt;, edited by Robert Strong+ (Autumn House, Pittsburgh, 2006. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A CLOUD OF WITNESSES &lt;/em&gt;by Jason Stumpf (Quale Press, Williamsburg, MA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE DARK TAKES AIM&lt;/em&gt; by Julie Suk (Autumn House Press, Pittsburgh, PA, 2003)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CONTENT &lt;/em&gt;by Marina Temkina and Michel Gerard (Who Is I? / contentseries.com, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EAST SLOPE &lt;/em&gt;by Sushi, Trans. from the Chinese by Jeffrey Yang (Ugly Duckling Presse, #5 in Lost Literature Series, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BRAIN SCREAMS AT NIGHT &lt;/em&gt;by Paul Sutton (BlazeVOX, N.Y., 2010.  &lt;em&gt;Alaem ti copy no adda ti agcayat&lt;/em&gt;)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WAYNE'S COLLEGE OF BEAUTY &lt;/em&gt;by David Swanger (BkMk Press, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HUMAN CATHEDRALS&lt;/em&gt; by John Sweet (Ravenna Press, Washington, 2002)-- REVIEWED (#12) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;GREENSWARD &lt;/em&gt;by Cole Swensen (Ugly Duckling Presse, Brooklyn, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MAGDALENE &amp; THE MERMAIDS &lt;/em&gt;by Elizabeth Kate Switaj+ (Paper Kite Press, Kingston, PA, 2009. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MAO'S PEARS&lt;/em&gt; by Kenny Tanemura (chap, Tinfish Press, Hawai'i, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SOUVENIRS &lt;/em&gt;(chap) by Bronwen Tate-- REVIEWED (#10) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DREAMS OF A ROBOT DANCING BEE &lt;/em&gt;(short story collection) by James Tate (Wave Books, Seattle, WA, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;GUILTY AT THE RAPTURE&lt;/em&gt; by Keith Taylor&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PLEASURE &lt;/em&gt;by Brian Teare (Ahsahta Press, Boise, ID, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WHAT DO YOU WANT? &lt;/em&gt;by Marina Temkina (Ugly Duckling Presse, Brooklyn, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RABBIS OF THE AIR&lt;/em&gt; by Philip Terman (Autumn House Press, Pittsburgh, PA, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BAR NONE &lt;/em&gt;by Susan Terris (Pudding House Publications, Columbus, OH, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE WONDER BREAD YEARS&lt;/em&gt; (chap) by Susan Terris (Pudding House Publications, Columbus, OH, 2009. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DOUBLE-EDGED &lt;/em&gt;(chap) by Susan Terris (Finishing Line Press, Georgetown, KY, 2009. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BLOCK PARTY &lt;/em&gt;(chap) by Susan Terris (Pudding House Publications, Columbus, OH, 2007. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CONTRARIWISE &lt;/em&gt;by Susan Terris (Time Being Books, St. Louis, MO, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FIRE IS FAVORABLE TO THE DREAMER &lt;/em&gt;by Susan Terris (Arctos Press, 2003)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE IMPORTANT THING IS...CARD GAME &lt;/em&gt;by Marjorie Tesser (card game chap, Firewheel Editions, Box 7, Danbury, Conn, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PALM TO PINE&lt;/em&gt; by Sunnylyn Thibodeaux (Bootstrap Press, Lowell, MA, 2011. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THREE MOUTHS &lt;/em&gt;by Tod Thilleman (Spuyten Duyvil, New York, 2005)&lt;br /&gt;&lt;br /&gt;THE GOLDEN HOUR by Sue Ellen Thompson (Autumn House Press, Pittsburgh, PA, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;APPLIES TO ORANGES &lt;/em&gt;by Maureen Thorson (Ugly Duckling Presse, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;GALLOWGLASS &lt;/em&gt;by Susan Tichy (Ahsahta Press, Boise, ID, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A CONCISE BIOGRAPHY OF ORIGINAL SIN &lt;/em&gt;by John Samuel Tieman (BkMk Press, Kansas City, MO, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PRIVADO &lt;/em&gt;by Daniel Tiffany (Action Books, Notre Dame, IN, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE ATHEIST'S PRAYER &lt;/em&gt;by Madeline Tiger (Dos Madres Press, Loveland, OH, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MR. MAGOO&lt;/em&gt; (chap) by Steve Tills (Loose Gravel Press, Arroyo Grande, CA, 1997. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ODE TO PUMPSIE GREEN &amp; STRETCH PHILLIPS &lt;/em&gt;(chap) by Adam Tobin+ (Horseless Press, Providence, timeless poetry)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NO PAROLE TODAY &lt;/em&gt;(prose memoir and poetry) by Laura Tohe (West End Press/University of New Mexico Press, Albuquerque, NM, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE TREES AROUND &lt;/em&gt;by Chris Tonelli (Birds LLC, Austin, Minneapolis, New York &amp; Raleigh, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WIDE TREE&lt;/em&gt; (chap) by Chris Tonelli&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WINTER JOURNEY &lt;/em&gt;by Tony Towle (Hanging Loose Press, Brooklyn, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BEYOND THE COURT GATE: SELECTED POEMS &lt;/em&gt;by Nguyen Trai (Counterpath Press, Denver, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WARDOLLY &lt;/em&gt;by Elizabeth Treadwell (Chax Press, Tucson, AZ, 2008. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BIRDS &amp; FANCIES &lt;/em&gt;by Elizabeth Treadwell+ (Shearsman Books, Exeter, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HISTORIC DIARY &lt;/em&gt;by Tony Trigilio (BlazeVOX books, Buffalo, N.Y., 2011. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DEAR PRUDENCE: NEW AND SELECTED POEMS&lt;/em&gt; by David Trinidad+ (Turtle Point Press, New York, 2011. 2-1)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PLANNED&lt;/em&gt; by Sarah Trott (There Press, 2009. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ERRANCITIES &lt;/em&gt;by Quincy Troupe (Coffee House Press, Minneapolis, Minn., 2012. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE ARCHITECTURE OF LANGUAGE&lt;/em&gt; by Quincy Troupe (Coffee House Press, Minneapolis, 2006)-- REVIEWED (#8) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;VERTICAL ELEGIES: THREE WORKS &lt;/em&gt;by Sam Truitt+ (Ugly Duckling Presse, Brooklyn, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE PARIS HILTON &lt;/em&gt;by Keith Tuma (chap, Critical Documents, Providence, RI, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FOUND IN NATURE &lt;/em&gt;(chap) by Jen Tynes (Horseless Press, Providence, 2004)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NEW PONY: A HORSE LESS ANTHOLOGY&lt;/em&gt;, edited by Jen Tynes &amp; Erika Howsape (Horseless Press, Providence, 2010. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE WELCOME TABLE &lt;/em&gt;by Jay Udall (University of New Mexico Press, Albuquerque, NM, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HOW SHADOWS ARE BUNDLED &lt;/em&gt;by Anne Valley-Fox (University of New Mexico Press, Albuquerque, NM, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A SHORT CIRCUIT&lt;/em&gt; by George Vance (corrupt press, no year)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;G-POINT ALMANAC: PASSYPUNK LOST &lt;/em&gt;by Kevin Varrone (Ugly Duckling Presse, New York, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DISPARATE MAGNETS &lt;/em&gt;by Nico Vassilakis (BlazeVOX Books, Buffalo, N.Y., 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;IRRATIONAL DUDE &lt;/em&gt;(chap) by Nico Vassilakis and Robert Mittenthal (Tir Aux Pigeons, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PRAU &lt;/em&gt;by Jean Vengua* (Meritage Press, St. Helena &amp; San Francisco, 2007) -- REVIEWED (#9, #10, #11 and #14) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE HAY(NA)KU ANTHOLOGY, VOL. II&lt;/em&gt; Edited by Jean Vengua &amp; Mark Young* (Meritage Press, 2008)-- REVIEWED (#15) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;The First Hay(na)ku Anthology &lt;/em&gt;Edited by Jean Vengua &amp; Mark Young (Meritage Press, 2005) -- REVIEWED (#1) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ROCK CANDY &lt;/em&gt;by Jenifer Rae Vernon (West End Press, Albuquerque, NM, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;INSTAN &lt;/em&gt;by Cecilia Vicuna+ (Kelsey St. Press)REVIEWED (#6) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE ANCHORED ANGEL: SELECTED WRITINGS &lt;/em&gt;by Jose Garcia Villa** (Kaya Productions) -- REVIEWED (#9) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WALKING THEORY &lt;/em&gt;by Stephen Vincent (Junction Press, 2007) -- REVIEWED (#6) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;OBEDIENCE &lt;/em&gt;by Chris Vitiello (Ahsahta Press, Boise, ID, 2012)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MY NEW JOB&lt;/em&gt; by Catherine Wagner+ (Fence Books, Albany, New York, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;NO BLUES THIS RAUCOUS SONG &lt;/em&gt;by Lynn Wagner (Slapering Hol Press, Sleepy Hollow, New York, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PLAY &lt;/em&gt;by Liz Waldner (Lightful Press, Brooklyn, N.Y., 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TRUST &lt;/em&gt;by Liz Waldner (Cleveland State University Poetry Center, Cleveland, OH, 2009) -- REVIEWED (#13) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BEATS AT NAROPA &lt;/em&gt;Edited by Anne Waldman and Laura Wright+ (Coffee House Press, Minneapolis, 2009) -- REVIEWED (#15) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PHOBIAPHOBIA &lt;/em&gt;(chap) by Rob Walker (Picaro Press, Australia, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WALKING DREAMS: SELECTED EARLY TALES &lt;/em&gt;by Mark Wallace (short story collection, BlazeVox Books, Buffalo, N.Y., 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ANSWER TO AN INQUIRY&lt;/em&gt; by Robert Walser (Ugly Duckling Presse, Brooklyn, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ONE SLEEPS THE OTHER DOESN'T&lt;/em&gt; by Jacqueline Waters (Ugly Duckling Presse, Brooklyn, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;OCCASIONALS &lt;/em&gt;by Carol Watts (Reality Street, E Sussex, U.K., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE AUSTRALIAN POPULAR SONGBOOK &lt;/em&gt;by Alan Wearne (Giramondo Publishing Company, Australia, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FOUR POEMS FROM NEW YORK CITY &lt;/em&gt;(chap) by Mark Weber (Kendra Steiner Editions, San Antonio, TX, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE AMPUTEE'S GUIDE TO SEX &lt;/em&gt;by Jillian Weise (Soft Skull Press, Brooklyn, 2007)-- REVIEWED (#12) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TO LIGHT OUT &lt;/em&gt;by Karen Weiser (Ugly Duckling Presse, Brooklyn, 2010)--REVIEWED (#17) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ISLE OF THE SIGNATORIES &lt;/em&gt;by Marjorie Welish (Coffee House Press, Minneapolis, 2008)-- REVIEWED (#10) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LEFT GLOVE&lt;/em&gt; by Mac Wellman (Solid Objects, New York, 2011. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;GRANDPA ZINN: A TALE IN 19 PANGRAMS&lt;/em&gt; by Chris Wells (Sacrifice Press, Corvallis, OR, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WHERE THE ROAD TURNS &lt;/em&gt;by Patricia Jabbeh Wesley (Autumn House Press, Pittsburgh, PA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE RIVER IS RISING &lt;/em&gt;by Patricia Jabbeh Wesley (Autumn House Press, Pittsburgh, PA, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TEA WITH OSIRIS &lt;/em&gt;by Paul West (Lumen Books, Santa Fe, New Mexico, 2006. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A MAP PREDETERMINED AND CHANCE&lt;/em&gt; by Laura Wetherington (Fence, Albany, N.Y., 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HEATHEN &lt;/em&gt;by Lesley Wheeler (C&amp;R Press, Chattanooga, TN, 2009. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SELF-PORTRAIT WITH CRAYON &lt;/em&gt;by Allison Benis White (Cleveland State University Poetry Center, Cleveland, OH, 2009)--REVIEWED (#17) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EASY MARKS &lt;/em&gt;by Gail White (David Robert Books, Cincinnati, OH, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THIS IS THE RED DOOR &lt;/em&gt;by James R. Whitley (Ironweed Press, New York, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ADVENTURES OF PI&lt;/em&gt;, poems by Tyrone Williams (Dos Madres Press, Loveland, OH, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MY BUSINESS IS TO CREATE: BLAKE'S INFINITE WRITING&lt;/em&gt;, study by Eric G. Wilson (University of Iowa Press, Iowa City, IA, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HOUSE WHERE A WOMAN&lt;/em&gt; by Lori Wilson (Autumn House Press, Pittsburgh, PA, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE PICTURES&lt;/em&gt; by Max Winter+ (Tarpaulin Sky, Feb. 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DOWN WIND, DOWN RIVER: NEW AND SELECTED POEMS &lt;/em&gt;by William Witherup (West End Press, Albuquerque, 2000)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CLEAR ALL THE REST OF THE WAY: NEW AND SELECTED POEMS 1987-2007 &lt;/em&gt;by Warren Woessner (The Backwaters Press, Omaha, NE, 2008. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;OCCULTATIONS &lt;/em&gt;by David Wolach (Black Radish Books, Lafayette, LA, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BOOK ALTER (ED) &lt;/em&gt;by David Wolach (ungovernable press, 2009 review copy via .pdf &lt;a href="http://ungovernablepress.weebly.com/"&gt;HERE&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SOMEWHERE OVER THE PACHYDERM RAINBOW: LIVING IN AN ELEPHANT-CONTROLLED 2010 ELECTION DIORAMA&lt;/em&gt; by Jennifer C. Wolfe (BlazeVOX [books], New York, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A BEST OF FENCE: THE FIRST 9 YEARS, Vol. 1&lt;/em&gt;, Edited by Rebecca Wolff, Caroline Crumpacker, Katy Lederer, Frances Richard, Matthew Rohrer, Christopher Stackhouse, Max Winter, and Jazon Zuzga (Fence, Albany, N.Y., 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;opolis &lt;/em&gt;(chap) by Elizabeth Workman with images and graphic design by Erik Brandt (Dusie, 2007. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A MARZIPAN FACTORY &lt;/em&gt;by Grzegorz Wroblewski, Trans. from the Polish by Adam Zdrodowski (Otoliths, Rockhampton, Australia, 2010. 2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MERCURY PROJECT &lt;/em&gt;(chap) by Grzegorz Wroblewski, Trans. from the Polish by Adam Zdrodowski (Toad Press, Claremont, CA, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;YOURS TRULY &amp; OTHER POEMS&lt;/em&gt; by Xi Chuan, Trans. by Lucas Klein (Tinfish Press, Hawai'i, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE PRESENT WORK&lt;/em&gt; (chap) by Matvei Yankelevich&lt;br /&gt;&lt;br /&gt;&lt;em&gt;100 MORE JOKES FROM THE BOOK OF THE DEAD&lt;/em&gt;, etchings-based collaboration by John Yau &amp; Archie Rand* (Meritage Press)-- REVIEWED (#9) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FIRE WIND&lt;/em&gt; by Yvan Yauri (Ugly Duckling Presse, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SITE ACQUISITION &lt;/em&gt;by Brian Young (Fence Books, Albany, N.Y., 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;EMBRYOYO&lt;/em&gt; by Dean Young+ (McSweeney's Books, 2006)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TERRACOTTA WORRIERS &lt;/em&gt;by Mark Young (ungovernable press, 2008  review copy via .pdf &lt;a href="http://ungovernablepress.weebly.com/"&gt;HERE&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ALLEGREZZA FICCIONE &lt;/em&gt;by Mark Young (Otoliths, 2006)-- REVIEWED (#5) BUT AVAILABLE FOR MORE REVIEW&lt;br /&gt;&lt;br /&gt;&lt;em&gt;FALSELY GOETHE &lt;/em&gt;by Mark Young (Otoliths, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PELICAN DREAMING: POEMS 1959-2008&lt;/em&gt; by Mark Young, Selected and with an Introduction by Thomas Fink+ (Meritage Press, St. Helena and San Francisco, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;from SERIES MAGRITTE&lt;/em&gt; by Mark Young (Moria Poetry) -- REVIEWED (#2) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DONNER: A PASSING &lt;/em&gt;(chap) by Shana Youngdahl (Finishing Line Press, 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ODES TO ANGER &lt;/em&gt;by Jason L. Yurcic (West End Press, Albuquerque, NM, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;WHERE X MARKS THE SPOT &lt;/em&gt;by Bill Zavatsky--REVIEWED (#3) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PETALS OF ZERO PETALS OF ONE &lt;/em&gt;by Andrew Zawacki+ (Talisman House, Jersey City, N.J., 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;CIRCA &lt;/em&gt;by Hannah Zeavin+ (Hanging Loose Press, Brooklyn, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;THE GREAT AMERICAN POETRY SHOW&lt;/em&gt;, Vol. 2, edited by Larry Ziman, Madeline Sharples, and Nicky Selditz (2011, review copy available as .pdf)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ISOTOPES2 &lt;/em&gt;(chap) by Daniel Zimmerman (Beard of Bees, 2007. Available at &lt;a href="http://www.beardofbees.com/zimmerman.html"&gt;http://www.beardofbees.com/zimmerman.html)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;LIGHT LIGHT OR THE CURVATURE OF THE EARTH &lt;/em&gt;by Harriet Zinnes (Marsh Hawk Press, New York, 2009)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;DRAWING ON THE WALL &lt;/em&gt;by Harriet Zinnes (Marsh Hawk Press)-- REVIEWED (#6) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;JACKET OF THE STRAITS &lt;/em&gt;(chap) by Vincent Zompa (New Michigan Press, Grand Rapids, 2007)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;STARTING TODAY: 100 POEMS FOR OBAMA'S FIRST 100 DAYS&lt;/em&gt;, Eds. Rachel Zucker and Arielle Greenberg (University of Iowa Press, Iowa City, Iowa, 2010)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SONG FOR HIS DISAPPEARED LOVE &lt;/em&gt;by Raul Zurita, Trans. by Daniel Borzutzky (Action Books, Notre Dame, IN, 2010)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Journals:&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;6X6 #22&lt;/em&gt;, December 2010 featuring Lily Brown, Chris Hosea, Aaron McCollough, Jennifer Nelson, George Eklund, Ryan Murphy (chap journal, Ugly Duckling Presse, Brooklyn)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;aRb (Rb) Joy as Tiresome Vandalism&lt;/em&gt;, Curator James Davies (if p then q others, Manchester, England)&lt;br /&gt;and&lt;br /&gt;&lt;em&gt;aRb (aR) Joy as Tiresome Vandalism&lt;/em&gt;, Curator James Davies (if p then q others, Manchester, England)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;AUFGABE &lt;/em&gt;edited by E. Tracy Grinnell, Paul Foster Johnson and Julian T. Brolaski+ (Aufgabe/Litmus Press, Brooklyn, 2011)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BAMBOO RIDGE JOURNAL #89&lt;/em&gt; (Nov.-Dec, 2006) &lt;br /&gt;&lt;br /&gt;&lt;em&gt;BIRD DOG&lt;/em&gt;, Winter 2009, Ed. by Sarah Mangold&lt;br /&gt;&lt;em&gt;BIRD DOG&lt;/em&gt;, Fall 2006, Ed. by Sarah Mangold&lt;br /&gt;&lt;em&gt;BIRD DOG&lt;/em&gt;, Spring 2006, Ed. by Sarah Mangold&lt;br /&gt;&lt;br /&gt;&lt;em&gt;BONE BOUQUET: a journal of poetry by women&lt;/em&gt;, Vol. 2, Issue 2, Summer 2011, edited by by Krystal Languell, Elizabeth Brasher and Allison Layfield &lt;br /&gt;&lt;br /&gt;&lt;em&gt;BONE BOUQUET: a journal of poetry by women&lt;/em&gt;, Vol. 1, Issue 1, Winter 2011, edited by by Krystal Languell, Elizabeth Brasher and Allison Layfield -- REVIEWED (#16) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;COMBO 14/15&lt;/em&gt;, poetry journal Ed. by Michael Magee&lt;br /&gt;&lt;br /&gt;&lt;em&gt;ECTOPLASMIC NECROPOLIS (Blood Pudding PRess)&lt;/em&gt;, 2008, Ed. Juliet Cook&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HOMONUMOS 01: THE NORM, magazine d'avant garde&lt;/em&gt;, Ed.Christine Bellerose&lt;br /&gt;&lt;em&gt;HOMONUMOS 02: PERSPECTIVE, magazine d'avant garde&lt;/em&gt;, Ed.Christine Bellerose&lt;br /&gt;&lt;br /&gt;&lt;em&gt;HOUSE ORGAN, No. 74&lt;/em&gt;, Spring 2011, Edited by Kenneth Warren&lt;br /&gt;&lt;em&gt;HOUSE ORGAN, No. 73&lt;/em&gt;, Winter 2011, Edited by Kenneth Warren&lt;br /&gt;&lt;em&gt;HOUSE ORGAN, No. 72&lt;/em&gt;, Fall 2010, Edited by Kenneth Warren&lt;br /&gt;&lt;em&gt;HOUSE ORGAN, No. 70&lt;/em&gt;, Spring 2010, Edited by Kenneth Warren&lt;br /&gt;&lt;em&gt;HOUSE ORGAN&lt;/em&gt;, No. 69, Winter 2010, Edited by Kenneth Warren&lt;br /&gt;&lt;em&gt;HOUSE ORGAN&lt;/em&gt;, No. 66, Spring 2009, Edited by Kenneth Warren&lt;br /&gt;&lt;em&gt;HOUSE ORGAN&lt;/em&gt;, No. 65, Winter 2009, Edited by Kenneth Warren&lt;br /&gt;&lt;em&gt;HOUSE ORGAN&lt;/em&gt;, No. 63, Summer 2008, Edited by Kenneth Warren&lt;br /&gt;&lt;em&gt;HOUSE ORGAN&lt;/em&gt;, No. 62 Spring 2008, Edited by Kenneth Warren&lt;br /&gt;&lt;em&gt;HOUSE ORGAN&lt;/em&gt;, No. 60 Fall 2007, Edited by Kenneth Warren&lt;br /&gt; &lt;br /&gt;&lt;em&gt;if p then q / 4: experimental poetry&lt;/em&gt;, Ed. by James Davies (if p then q classics, Manchester, England)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MAD MOTH&lt;/em&gt;, May 2008, Edited by Kristi Castro (2)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;MiPOESIAS, March 2008, AMERICAN CUBAN ISSUE&lt;/em&gt;, Guest Ed. Emma Trelles&lt;br /&gt;&lt;br /&gt;&lt;em&gt;OCHO #19&lt;/em&gt;, Edited by Didi Menendez&lt;br /&gt;&lt;br /&gt;&lt;em&gt;OCHO #20&lt;/em&gt;, Guest Edited by Kemel Zaldivar (Menendez Publications, Bloomington, IL, May 2008)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;OTOLITHS #1 &lt;/em&gt;(print journal version), Ed. by Mark Young&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PEACHES AND BATS &lt;/em&gt;(2007 and 2006), Ed. by Sam Lohmann&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PLANTARCHYONE&lt;/em&gt;, Edited by jUStkin!katKO&lt;br /&gt;&lt;br /&gt;&lt;em&gt;PUBLIC ACCESS #1&lt;/em&gt;, Edited by Nicholas Grider (a new, free and photocopied journal featuring a poet "whose work you likely already know with a poet whose work you should know."  The inaugural issue features work by Laura Elrick and Molly McPhee. -- REVIEWED (#8) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RUNES: A REVIEW OF POETRY, "HEARTH" ISSUE &lt;/em&gt;(2006), edited by CB Follett and Susan Terris&lt;br /&gt;&lt;br /&gt;&lt;em&gt;RUNES: A REVIEW OF POETRY, "SIGNALS" ISSUE &lt;/em&gt;(Winter Solstice 2005), edited by CB Follett and Susan Terris&lt;br /&gt;&lt;br /&gt;&lt;em&gt;SPILLWAY 15 ("All in the Family" issue), &lt;/em&gt;Winter 2010, edited by Susan Terris&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TEENY TINY ISSUE #13&lt;/em&gt;, December 2011, poetry zine edited by Amanda Laughtland -- REVIEWED (#17) BUT AVAILABLE FOR MORE REVIEWS&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TIGERTAIL, A SOUTH FLORIDA POETRY ANNUAL, 2007&lt;/em&gt;, Edited by Max Winter (this issue is an editor's "best of" culled from four previous issues of TIGERTAIL which are also  included as review copies)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;TINFISH 20&lt;/em&gt;, 2010, edited by Susan Schultz&lt;br /&gt;&lt;em&gt;TINFISH 19&lt;/em&gt;, 2009, edited by Susan Schultz&lt;br /&gt;&lt;em&gt;TINFISH 18 1/2&lt;/em&gt;, October 2008, edited by Susan Schultz&lt;br /&gt;&lt;em&gt;TINFISH 18 (The Long Poem Issue)&lt;/em&gt;, Summer 2008, edited by Susan Schultz&lt;br /&gt;&lt;em&gt;TINFISH 17&lt;/em&gt;, June 2007, edited by Susan Schultz&lt;br /&gt;&lt;br /&gt;&lt;em&gt;VANITAS&lt;/em&gt; 2 (2006), edited by Vincent Katz&lt;br /&gt;&lt;br /&gt;&lt;em&gt;VERSE&lt;/em&gt;. Vol. 27, No. 1 (2010), literary journal co-edited by Brian Henry and Andrew Zawacki&lt;br /&gt;&lt;br /&gt;&lt;em&gt;(* The titles above with asterisk on them are published by Meritage Press, which I founded/edit/publish. I thought about whether this is a conflict, but then also reconsidered to conclude: I see no reason to make the MP authors not eligible for review -- it's their words, not mine, being assessed. &lt;br /&gt;&lt;br /&gt;** My poetry collections are not eligible for GR but I've decided to allow books that I've edited, to the extent they're primarily about the edited poets' works and not my poems.)&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;+ Being considered by potential reviewers, but no commitment yet (&amp; so still available for reviews)&lt;br /&gt;&lt;br /&gt;*****&lt;br /&gt;The phrase "ASSIGNED or REVIEWED but available for more reviews" refers to how different people can read the same poem differently and so, to the extent review copies are available, I'm perfectly willing to publish more than one review of the same book.&lt;br /&gt;&lt;br /&gt;*****&lt;br /&gt;Reviewers will get "paid" with, what else but BOOKS! But don't worry -- they'd be gifts, not "review copies".&lt;br /&gt;&lt;br /&gt;*****&lt;br /&gt;For questions and queries, contact Eileen Tabios at GalateaTen@aol.com&lt;em&gt;&lt;/em&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/21281143-113780988623812373?l=grarchives.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grarchives.blogspot.com/feeds/113780988623812373/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=21281143&amp;postID=113780988623812373&amp;isPopup=true' title='8 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21281143/posts/default/113780988623812373'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21281143/posts/default/113780988623812373'/><link rel='alternate' type='text/html' href='http://grarchives.blogspot.com/2007/08/available-for-review.html' title='AVAILABLE FOR REVIEW'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>8</thr:total></entry><entry><id>tag:blogger.com,1999:blog-21281143.post-7072761216847284817</id><published>2011-12-17T13:35:00.000-08:00</published><updated>2011-12-22T16:57:00.952-08:00</updated><title type='text'>PUBLISHERS REVIEWED BY GALATEA RESURRECTS</title><content type='html'>This list tracks the publishers and other producers of poetry projects who are  covered to date by &lt;em&gt;&lt;a href="http://galatearesurrects.blogspot.com"&gt;Galatea Resurrects (GR)&lt;/a&gt;&lt;/em&gt;. The list is comprised of new reviews and reprinted reviews (reviews given by online presence as the reviews were first published in print publications).  As of Issue No. 17, we are pleased to report that GR has provided 1,029 publications with new reviews (covering 412 publishers in 17 countries so far) and 70 reprinted reviews (to bring online reviews previously available only viz print or first published in now-defunct online sites).  &lt;br /&gt;&lt;blockquote&gt;&lt;em&gt;&lt;strong&gt;Code:&lt;/strong&gt;&lt;br /&gt;Next to each publisher's name is a number that will indicate # of books reviewed so far.&lt;br /&gt;&lt;br /&gt;The number before each review information indicates which issue the review appeared.&lt;br /&gt;&lt;br /&gt;(Thus, the first item below means that the publisher &lt;strong&gt;3rdness &lt;/strong&gt;so far has seen one of its publications reviewed; that it appeared in Issue No. 3; and that it was Jon Leon's review of Brian Howe's GUITAR SMASH.)&lt;br /&gt;&lt;br /&gt;Each publisher is listed in alphabetical order; at the end of a list is a tally for "other" poetry projects -- i.e., not print publications but a blog, poetry videos and a poetry CD.&lt;/em&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NEW REVIEWS&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;226 Press --1&lt;/strong&gt;&lt;br /&gt;17: Genevieve Kaplan Reviews CORPORATE GEESE (VOLUME V) by Christopher William Purdom&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;3rdness --1&lt;/strong&gt;&lt;br /&gt;3: Jon Leon reviews GUITAR SMASH by Brian Howe&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;3 Deep Publishing (Australia) --1&lt;/strong&gt;&lt;br /&gt;10: Richard Lopez reviews BREAK ME OUCH by Michael Farrell&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Aark Arts (England) --1&lt;/strong&gt;&lt;br /&gt;2: David Harrison Horton reviews LOST AND CERTAIN OF IT by Bryce Milligan&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;abandoned bike press --3&lt;/span&gt;&lt;br /&gt;14: Jim McCrary reviews MY DAY AIMLESSLY WALKING VANCOUVER, WASH by james yeary, illustrated by nate orton &lt;br /&gt;13: Jim McCrary reviews MY DAY WALKING FROM MT. TABOR TO THE ZOO and MY DAY, both by James Yeary and illustrated by Nate Orton &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Achiote Press --1&lt;/strong&gt;&lt;br /&gt;6: Eileen Tabios engages THE IMMACULATE AUTOPSY by Todd Melicker &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Action Books--3&lt;/strong&gt;&lt;br /&gt;17: Logan Fry Reviews HANK by Abraham Smith; Bill Scalia Reviews THE MORNING NEWS IS EXCITING by Don Mee Choi&lt;br /&gt;12: Angela Genusa reviews MAXIMUM GAGA by Lara Glenum&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ahadada Books (Japan &amp; Canada) --5&lt;/strong&gt;&lt;br /&gt;17: Allen Bramhall Reviews AT THAT by Skip Fox&lt;br /&gt;12: Grace C. Ocasio reviews HORSE PLAYING THE ACCORDION by Elizabeth Smither; Eileen Tabios engages DELTA BLUES by Skip Fox      &lt;br /&gt;11: Adam Halbur Reviews EYE-SENSING by David Jaffin&lt;br /&gt;5: Craig Santos Perez reviews THE TIME AT THE END OF THIS WRITING by Paolo Javier&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;A Homemade Affair --1&lt;/strong&gt;&lt;br /&gt;6: Eileen Tabios engages PARTS OF THE JOURNAL: NIGHT by Richard Lopez &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ahsahta Press --19&lt;/strong&gt;&lt;br /&gt;17: Laura Trantham Smith Reviews UTOPIA MINUS by Susan Briante; Fiona Sze-Lorrain Reviews IF NOT METAMORPHIC by Brenda Iljima; Nicholas Manning Reviews IRRESPONSIBILITY by Chris Vitiello &lt;br /&gt;16: Tom Beckett reviews IF NOT METAMORPHIC by Brenda Iijima; Harry Thorne reviews IF NOT METAMORPHIC by Brenda Iijima; Tammi McCune reviews ITERATION NETS by Karla Kelsey  &lt;br /&gt;15: Jon Curley reviews 100 NOTES ON VIOLENCE by Julie Carr &lt;br /&gt;14: Kristen Orser reviews THE LAST 4 THINGS by Kate Greenstreet &lt;br /&gt;13: Crg Hill reviews DICK OF THE DEAD by Rachel Loden; Virginia Konchan reviews INTERVENING ABSENCE by Carrie Olivia Adams&lt;br /&gt;11: Rachel Daley Reviews ZONE : ZERO by Stephanie Strickland; Fiona Sze-Lorrain Reviews BONE PAGODA by Susan Tichy; Elizabeth Kate Switaj Reviews IN NO ONE'S LAND by Paige Ackerson-Kiely&lt;br /&gt;10: Pamela Hart reviews BONE PAGODA by Susan Tichy; Patrick James Dunagan reviews DOG GIRL by Heidi Lynn Staples&lt;br /&gt;8: Kristin Berkey-Abbott reviews PIONEERS IN THE STUDY OF MOTION by Susan Briante; Kristin Berkey-Abbott reviews THE HAPPINESS EXPERIMENT by Lisa Fishman&lt;br /&gt;6: Pamela Hart reviews CASE SENSITIVE by Kate Greenstreet &lt;br /&gt;4: Andrea Baker reviews LITTLE EASE by Aaron McCollough &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Airfoil Chapbooks --1&lt;/strong&gt;&lt;br /&gt;17: Jim McCrary Engages MARROWING by Maryrose Larkin&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Akashic Books --1&lt;/strong&gt;&lt;br /&gt;1: Barry Schwabsky reviews GODLIKE by Richard Hell&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Alamala Press --1&lt;/strong&gt;&lt;br /&gt;6: Mark Young reviews THE BEAUTIFUL DAYS by A.B. Spellman &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Alice James Books --3&lt;/strong&gt;&lt;br /&gt;16: T.C. Marshall reviews PARABLE OF HIDE AND SEEK by Chad Sweeney &lt;br /&gt;8: Patrick Rosal engages ZERO GRAVITY by Eric Gamalinda&lt;br /&gt;3: Abigail Licad reviews HERE, BULLET by Brian Turner &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;amaBooks (Zimbabwe) --1&lt;/strong&gt;&lt;br /&gt;14: Emmanuel Sigauke reviews INTWASA POETRY [anthology of 15 Zimbabwean poets] edited by Jane Morris &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Amagansett Press --1&lt;/strong&gt;&lt;br /&gt;16: Simon Perchik reviews EROS DESCENDING, POEMS by Edward Butscher &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;American Poetry Review --1&lt;/strong&gt;&lt;br /&gt;9: Kristin Berkey-Abbott reviews BLUE COLONIAL by David Roderick&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt; anabasis.xtant --1&lt;/strong&gt;&lt;br /&gt;5: Ivy Alvarez reviews TRANSLATIONS FROM AFTER by Joel Chace&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Anabiosis Press --1&lt;/strong&gt;&lt;br /&gt;4: J. LeClerc reviews GARNET LANTERNS by Sally Rosen Kindred &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Anchor --1&lt;/strong&gt;&lt;br /&gt;2: Aileen Ibardaloza reviews THE UNABRIDGED JOURNALS OF SYLVIA PLATH (1950-1962), Ed. Karen Kukil&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Anhinga Press --2&lt;/span&gt;&lt;br /&gt;16: T.C. Marshall reviews ARRANGING THE BLAZE by Chad Sweeney &lt;br /&gt;13: Amanda Reynolds reviews THE LOST COUNTRY OF SIGHT by Neil Aitken&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Anvil (Philippines) --3&lt;/strong&gt;&lt;br /&gt;11: Lisa Bower Reviews TRADING IN MERMAIDS by Alfred A. Yuson&lt;br /&gt;8: Eileen Tabios engages LYRICS FROM A DEAD LANGUAGE by Eric Gamalinda&lt;br /&gt;1: Yvonne Hortillo reviews KATIPUNERA AND OTHER POEMS by Elsa Martinez Coscolluela&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Arctos Press --3&lt;/strong&gt;&lt;br /&gt;17: Gregory W. Randall Reviews THE HOMELESSNESS OF SELF by Susan Terris&lt;br /&gt;10: Francie Noyes reviews CLOUD VIEW POETS: MASTER CLASSES WITH DAVID ST. JOHN, edited by Morley Clark, Jane Downs, CB Follett, and Susan Terris&lt;br /&gt;4: Julie R. Enszer reviews FIRE IS FAVORABLE TO THE DREAMER by Susan Terris &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Argol Editions (Paris) --1&lt;/strong&gt;&lt;br /&gt;13: Crg Hill reviews CARAMBOLES by Alexander Dickow&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Argotist Online --1&lt;/strong&gt;&lt;br /&gt;15: Anny Ballardini reviews BRAINIOGRAPHY by Evelyn Posamentier&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;arrow as arrow --1&lt;/strong&gt;&lt;br /&gt;14: Eileen Tabios engages A MUSICS by Carrie Hunter&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Arrum Press (Finland) --1&lt;/strong&gt;&lt;br /&gt;11: Thomas Fink Reviews PARSINGS by Sheila E. Murphy&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Artamo Press --1&lt;/strong&gt;&lt;br /&gt;7: Hugh Fox reviews LIBIDO DREAMS: NEW AND SELECTED POEMS by Glenna Luschei&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Artsonje Center (Korea) --1&lt;/strong&gt;&lt;br /&gt;2: Ernesto Priego reviews [WAYS] by Barry Schwabsky &amp; Hong Seung-Lye&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Aspasia Books (Ontario) --1&lt;/span&gt;&lt;br /&gt;13: Fiona Sze-Lorrain reviews ONE AND TWENTY by Paavo Haavikko, Trans. By Anselm Hollo&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Atelie Editorial (Brazil) --1&lt;/strong&gt;&lt;br /&gt;9: John Bloomberg-Rissman reviews RAPID DEPARTURES by Vincent Katz, with art by Mario Cafiero and translations into Portuguese by Regina Alfarano&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Atelos --3&lt;/strong&gt;&lt;br /&gt;12: Amber DiPietra reviews OCCUPATIONAL TREATMENT by Taylor Brady &lt;br /&gt;6: Tyrone Williams reviews NEGATIVITY by Jocelyn Saidenberg&lt;br /&gt;2: Thomas Fink reviews CITY ECLOGUE by Ed Roberson&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Atticus/Finch --1&lt;/strong&gt;&lt;br /&gt;12: Craig Santos Perez reviews RIVER ANTES by Myung Mi Kim  &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;auch press --1&lt;/strong&gt;&lt;br /&gt;12: Steven Karl reviews LOST WORK BOOK W/ LETTERS TO DEER by Catherine Meng    &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Auguste Press --6&lt;/strong&gt;&lt;br /&gt;8: Mark Young reviews EL TSUNAMI by Kevin Opstedal&lt;br /&gt;5: Guillermo Parra reviews NEGATIVE CAPABILITY IN THE VERSE OF JOHN WIENERS  by Micah Ballard&lt;br /&gt;3: Ivy Alvarez reviews LAST WE SPOKE by Sunnlyn Thibodeaux; Ivy Alvarez reviews 9th &amp; OCEAN by Kevin Opsteda&lt;br /&gt;3: Melissa Weinstein reviews AFTER THE SINEWS by Patrick Dunagan; Allen Bramhall reviews A NATURAL HISTORY OF SUCHNESS by Stephen Ellis&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Aunt Lute Books --1&lt;/strong&gt;&lt;br /&gt;16: Aileen Ibardaloza engages BABAYLAN: AN ANTHOLOGY OF FILIPINA AND FILIPINA AMERICAN WRITERS, Co-edited by Nick Carbo and Eileen Tabios &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Autumn House Press --2&lt;/strong&gt;&lt;br /&gt;17: Eileen Tabios Engages MY LIFE AS A DOLL by Elizabeth Kirschner&lt;br /&gt;16: Eileen Tabios engages BLOOD HONEY by Chana Bloch &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Avec Books --3&lt;/strong&gt;&lt;br /&gt;16: Catherine Daly reviews HOW MANY MORE OF THEM ARE YOU? and VICINITIES, both by Lisa Lubasch&lt;br /&gt;9: David Goldstein reviews TWENTY-ONE AFTER DAYS by Lisa Lubasch&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Backwaters Press --2&lt;/strong&gt;&lt;br /&gt;10: Thomas Fink reviews TRAVELING WITH THE DEAD by Carole Stone&lt;br /&gt;5: Eileen Tabios engages BODY OF CRIMSON LEAVES by Celia Homesley&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bamboo Books --6&lt;/strong&gt;&lt;br /&gt;11: Tom Beckett Reviews WORLD0 by John Bloomberg-Rissman &lt;br /&gt;9: Christopher Mulrooney reviews THE BEGINNING AND END OF THE SNOW by Yves Bonnefoy, Trans. by Alan Baker&lt;br /&gt;8: Ernesto Priego reviews WORLD0 by John Bloomberg-Rissman&lt;br /&gt;6: Fionna Donney Simmonds reviews OTAGES by John Bloomberg-Rissman&lt;br /&gt;4: Eileen Tabios engages OTAGES by John Bloomberg-Rissman &lt;br /&gt;2: Alan Baker reviews UNDER THE MIRACLE BRIDGE FLOWS THE SAND by John Bloomberg-Rissman&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Barnwood Press --1&lt;/strong&gt;&lt;br /&gt;6: Eileen Tabios engages POET’S BOOKSHELF: CONTEMPORARY POETS ON BOOKS THAT SHAPED THEIR ART Edited by Peter Davis &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Beacon Press--1&lt;/strong&gt;&lt;br /&gt;5: Lynn Strongin reviews THIRST by Mary Oliver&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Beard of Bees --1&lt;/strong&gt;&lt;br /&gt;2: David Harrison Horton reviews GAZOOLY by Olivia Cronk&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Belladonna and Belladonna Books --18&lt;/strong&gt;&lt;br /&gt;17: T.C. Marshall Reviews THE WIDE ROAD by Carla Harryman and Lyn Hejinian; Eileen Tabios Engages ALIENS: AN ISLAND by Uljana Wolf, Trans. from the German by Monika Zobel; Kristin Berkey-Abbot Reviews LOOKING UP HARRYETTE MULLEN: INTERVIEWS ON SLEEPING WITH THE DICTIONARY AND OTHER WORKS by Barbara Henning&lt;br /&gt;14: Tom Beckett reviews BHARAT JIVA by kari edwards and &lt;del&gt;kari edwards:&lt;/del&gt; NO GENDER (Reflections on the Life and Work of kari edwards), Edited by Julian Brolaski, erica kaufman &amp; E. Tracy Grinnell; Eileen Tabios engages BHARAT JIVA by kari edwards and &lt;del&gt;kari edwards:&lt;/del&gt; NO GENDER (Reflections on the Life and Work of kari edwards), Edited by Julian Brolaski, erica kaufman &amp; E. Tracy Grinnell&lt;br /&gt;13: Denise Dooley reviews ELDERS SERIES #3 by Chris Kraus and Tisa Bryant; Dana Ward reviews WOW WOW WOW WOW by Kevin Killian&lt;br /&gt;10: Eileen Tabios engages THEORY OF COLORS by Mercedes Roffe; Tyrone Williams reviews OPEN BOX (IMPROVISATIONS) by Carla Harryman and THE ANATOMY OF OIL by Marcella Durand &lt;br /&gt;9: Eileen Tabios engages MAUVE SEA-ORCHIDS by Lila Zemborain, Trans. by Rosa Alcala &amp; Monica de la Torre&lt;br /&gt;8: Raymond John de Borja reviews ALL THE PAINTINGS OF THE GIORGIONE by Elizabeth Willis&lt;br /&gt;6: Ivy Alvarez reviews from A BANNER YEAR by Kate Colby&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Beneath the Underground Books --2&lt;/strong&gt;&lt;br /&gt;2: Mary Jo Malo reviews SING ME ONE SONG OF EVOLUTION by Vernon Frazer&lt;br /&gt;1: Mary Jo Malo reviews IMPROVISATIONS by Vernon Frazer&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Big Bridge Press --1&lt;/span&gt;&lt;br /&gt;13: Tom Hibbard reviews CHOOSE, SELECTED POEMS by Michael Rothenberg&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bilingual Press --1&lt;/strong&gt;&lt;br /&gt;6: Rebecca Mabanglo-Mayor reviews KOOL LOGIC: LA LOGICA KOOL by Urayoan Noel &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Birds of Lace Press --1&lt;/strong&gt;&lt;br /&gt;14: Kristina Marie Darling reviews FABULOUS ESSENTIAL by Niina Pollari &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Birds LLC --1&lt;/strong&gt;&lt;br /&gt;15: Kristina Marie Darling reviews THE FRENCH EXIT by Elisa Gabbert &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BkMk Press, Univ. of Missouri --3&lt;/strong&gt;&lt;br /&gt;16: Fiona Sze-Lorrain reviews AIRS &amp; VOICES by Paula Bonnel &lt;br /&gt;11: Linda Rodriguez Reviews THE PORTABLE FAMINE by Rane Arroyo&lt;br /&gt;8: Beatriz Tabios reviews THE BOOK OF THE ROTTEN DAUGHTER by Alice Friman&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Black Ocean --2&lt;/span&gt;&lt;br /&gt;13: Rebecca Loudon reviews WITH DEER by Aase Berg, Translated by Johannes Göransson; Gabriel Lovatt reviews WITH DEER by Aase Berg, Translated by Johannes Göransson&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Black Radish Books --4&lt;/strong&gt;&lt;br /&gt;17: Sunnylynn Thibodeaux Reviews THE INCOMPOSSIBLE by Carrie Hunter &lt;br /&gt;16: Marthe Reed reviews and Eileen Tabios engages SONJA SEKULA: GRACE IN A COW’S eye : A MEMOIR : by Kathrin Schaeppi; T.C. Marshall reviews THE ARAKAKI PERMUTATIONS by James Maughn &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Black Sparrow --3&lt;/strong&gt;&lt;br /&gt;12: John Herbert  Cunningham reviews EMERALD ICE: SELECTED POEMS 1962-1987 by Diane Wakoski&lt;br /&gt;9: Brian Clements engages RADIANT SILHOUETTE by John Yau&lt;br /&gt;3: Laura Stamps reviews ANOTHER WOMAN WHO LOOKS LIKE ME by Lyn Lifshin&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Black Widow Press --1&lt;/strong&gt;&lt;br /&gt;15: Barbara Roether reviews FIRE EXIT by Robert Kelly &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;BlazeVOX Books --32&lt;/strong&gt;&lt;br /&gt;17: MARY KASIMOR Reviews T&amp;U&amp;/LASH YOUR NIPPLES TO A POST/HISTORY IS GORGEOUS by Jared Schickling; Jeff Harrison Engages T&amp;U&amp; LASH YOUR NIPPLES TO A POST HISTORY IS GORGEOUS by Jared Schickling; Tom Hibbard Reviews HOSTILE WITNESS by Garin Cycholl; Tom Hibbard Reviews ANSWER by Mark DuCharme; Tom Beckett Engages ASYMPTOTIC LOVER//THERMODYNAMIC VENTS by j/j hastain; Moira Richards Reviews IN PARAN by Larissa Shmailo &lt;br /&gt;16: Eileen Tabios engages FOR THE ORDINARY ARTIST: SHORT REVIEWS, OCCASIONAL PIECES &amp; MORE by Bill Berkson; Kimberly Wine reviews CUNTIONARY / REPENT AT YOUR LEISURE (OR THE FOLKLORE OF HELL) by Benjamin Perez &lt;br /&gt;15: Eileen Tabios engages APPARITION POEMS by Adam Fieled; Edric Mesmer reviews ON SECRETS OF MY PRISON HOUSE by Geoffrey Gatza; Jon Curley reviews CLEANING THE MIRROR: SELECTED AND NEW POEMS by Joel Chace; Tom Beckett reviews CLEANING THE MIRROR: SELECTED AND NEW POEMS by Joel Chace; John Bloomberg-Rissman reviews AT THE FAIR by Tom Clark; G.E. Schwartz reviews THE FUTURE IS HAPPY by Sarah Sarai      &lt;br /&gt;14: Petra Backonja reviews CATALOGUE OF BURNT TEXT by Timothy David Orme &lt;br /&gt;13: Patrick James Dunagan reviews YOUR WILDERNESS &amp; MINE by David Highsmith; Kristin Berkey-Abbott reviews TORCHED VERSE ENDS by Steven D. Schroeder; Lisa Mahle-Grisez reviews EROS &amp; (FILL IN THE BLANK) by Charles Freeland&lt;br /&gt;12: Jean Vengua engages KATA by James Maughn &lt;br /&gt;11: Lars Palm Reviews PLAYING THE AMPLITUDES by Christopher Rizzo; Tom Beckett Reviews STRING PARADE by Jordan Stempleman; Denise Dooley Reviews THE SENSORY CABINET by Mark DuCharme&lt;br /&gt;9: Jeffrey Side reviews BEAMS by Adam Fieled; Eileen Tabios engages AN ARCHITECTURE by Chad Sweeney&lt;br /&gt;8: Ryan Daley reviews THE ECSTASY OF CAPITULATION by Daniel Borzutzky; Kristina Marie Darline reviews INBOX by Noah Eli Gordon; Eileen Tabios engages HUMAN SCALE by Michael Kelleher&lt;br /&gt;6: Alexander Dickow reviews THE BIRD HOVERER by Aaron Belz; Thomas Fink reviews I'M THE MAN WHO LOVES YOU by Amy King&lt;br /&gt;5: Ron Silliman reviews HAVING BEEN BLUE FOR CHARITY by kari edwards; Mark Young reviews HAVING BEEN BLUE FOR CHARITY by kari edwards &lt;br /&gt;4: Allen Bramhall reviews MUSEE MECHANIQUE by Rodney Koeneke &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Blood Pudding Press --1&lt;/strong&gt;&lt;br /&gt;9: Kristi Castro reviews [GROWLING SOFTLY] Edited by Juliet Cook and drilled by David Foster&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bloof Books --1&lt;/strong&gt;&lt;br /&gt;11: Patrick James Dunagan Reviews DRUNK BY NOON by Jennifer L. Knox&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Blue and Yellow Dog Press --1&lt;/strong&gt;&lt;br /&gt;15: Thomas Fink reviews DRUNKER/HOLDING EMBER by Raymond Farr &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Blue Lion Books --3&lt;/strong&gt;&lt;br /&gt;4: Allen Bramhall reviews POST~TWYLA by Jack Kimball; Jesse Crockett reviews POST~TWYLA by Jack Kimball &lt;br /&gt;3: Eileen Tabios reviews IN THE WEAVER’S VALLEY by William Allegrezza&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Blue Press --2&lt;/strong&gt;&lt;br /&gt;9: Patrick James Dunagan reviews DON'T SAY A WORD by F.A. Nettelbeck&lt;br /&gt;3: Susana Gardner reviews 20/20 YIELDING by Sunnlyn Thibodeaux&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;BOA Editions --6&lt;/strong&gt;&lt;br /&gt;16: G. Justin Hulog reviews DIWATA by Barbara Jane Reyes&lt;br /&gt;15: Eileen Tabios engages DIWATA by Barbara Jane Reyes &lt;br /&gt;13: Virginia Konchan reviews THE BOATLOADS by Dan Albergotti&lt;br /&gt;12: Fiona Sze-Lorrain reviews THE HEAVEN-SENT LEAF by Katy Lederer &lt;br /&gt;10: Pamela Hart reviews THE ORCHARD by Brigit Pegeen Kelly&lt;br /&gt;2: Barbara Jane Reyes reviews PRECIPITATES by Debra Kang Dean&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bone Bouquet --1&lt;/strong&gt;&lt;br /&gt;16: Eileen Tabios engages BONE BOUQUET: a journal of poetry by women, Vol. 1, Issue 1, Winter 2011 &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bookmark (Philippines) --1&lt;/strong&gt;&lt;br /&gt;11: Aileen Ibardaloza Reviews PASSAGE: POEMS 1933-2006 by Edgar B. Maranan&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Book Thug --2&lt;/strong&gt;&lt;br /&gt;17: Rob McLennan Reviews APOLLINAIRE’S SPEECH TO THE WAR MEDIC by Jake Kennedy&lt;br /&gt;15: Moira Richards reviews (MADE) by Cara Benson &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bootstrap Press --1&lt;/strong&gt;&lt;br /&gt;8: Eileen Tabios engages BELOVED INTEGER by Michelle Naka Pierce&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bottom Dog Press --1&lt;/strong&gt;&lt;br /&gt;2: PR Primeau reviews THE ART OF COUNTRY GRAIN ELEVATORS by Jon Volkmer&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Calamari Press --1&lt;/strong&gt;&lt;br /&gt;4: Steven Fama reviews THE NIGHT I DROPPED SHAKESPEARE ON THE CAT by John Olson &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cambridge University Press --7&lt;/strong&gt;&lt;br /&gt;16: John Herbert Cunningham reviews THE CAMBRIDGE COMPANION TO WALLACE STEVENS edited, and with an introduction by, John N. Serio; and WALLACE STEVENS AND THE AESTHETICS OF ABSTRACTION by Edward Ragg &lt;br /&gt;15: John Herbert Cunningham reviews DISJUNCTIVE POETICS: FROM GERTRUDE STEIN AND LOUIS ZUKOFSKY TO SUSAN HOWE by Peter Quartermain&lt;br /&gt;12: John Herbert Cunningham reviews THE CAMBRIDGE INTRODUCTION TO MODERNISM, Pericles Lewis, THE CAMBRIDGE COMPANION TO MODERNIST POETRY edited by Alex Davis and Lee M. Jenkins, THE CAMBRIDGE COMPANION TO POSTMODERNISM edited by Steven Connor, and THE CAMBRIDGE COMPANION TO FEMINIST LITERARY THEORY edited by Ellen Rooney  &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cannot Exist --1&lt;/strong&gt;&lt;br /&gt;17: Guillermo Parra Reviews HOW’S THE COWS by Jess Mynes&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Carcanet --1&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;[Blind One here can't find the reference; if you do, pls let me know!)&lt;/em&gt;&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Carolina Wren Press --5&lt;/strong&gt;&lt;br /&gt;17: Eileen Tabios Engages INSIDE THE MONEY MACHINE by Minnie Bruce Pratt; Eric Wayne DickeyReviews PUNISH HONEY by Karen Leona Anderson&lt;br /&gt;10: Laurel Johnson reviews SUDDENLY, FRUIT by Linda Tomol Pennisi&lt;br /&gt;7: Brenda Iijima Reviews A HALF-RED SEA  by Evie Shockley&lt;br /&gt;5: Julie R. Enszer reviews A HALF-RED SEA by Evie Shockley &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Carpenter Gothic Publishers --1&lt;/strong&gt;&lt;br /&gt;4: Madeline Tiger reviews UNCOMMON GEOGRAPHY by Therése Halscheid&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Cavankerry Press / Lagan Press of Belfast (Ireland) --1&lt;/strong&gt;&lt;br /&gt;1: Ann E. Michael reviews SNAKESKIN STILETTOS by Moyra Donaldson&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Centre for Stewardship (Falklands) --1&lt;/strong&gt;&lt;br /&gt;12: John Bloomberg-Rissman reviews IN DEFENSE OF QUIET by Thomas A Clark &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cervena Barva Press --1&lt;/strong&gt;&lt;br /&gt;16: Simon Perchik reviews BLUE EDGE by Susan Tepper &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;chapbookpublisher.com --1&lt;/strong&gt;&lt;br /&gt;14: Eileen Tabios engages NINETEEN HOURS (RADIO EDIT) by Jim Wagner &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Chax --2&lt;/strong&gt;&lt;br /&gt;17: T.C. Marshall Reviews THE PRINCIPLE OF MEASURE IN COMPOSITION BY FIELD: PROJECTIVE VERSE II by Charles Olson, Ed. Joshue Hoeynck&lt;br /&gt;1: Tom Beckett reviews  AMERICAN TATTS by Linh Dinh&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cherry Grove Editions --3&lt;/strong&gt;&lt;br /&gt;10: H. Francisco V. Penones, Jr. reviews AMIGO WARFARE by Eric Gamalinda&lt;br /&gt;8: Patrick Rosal engages AMIGO WARFARE by Eric Gamalinda; Eileen Tabios engages AMIGO WARFARE by Eric Gamalinda&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cherry Pie Press Midwest Women Poets Series --1&lt;/strong&gt;&lt;br /&gt;17: Bill Scalia Reviews THE URGE TO BELIEVE IS STRONGER THAN BELIEF ITSELF by Erin M. Bertram&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;City Lights Books --4&lt;/strong&gt;&lt;br /&gt;17: Eileen Tabios Engages WAIFS AND STRAYS by Micah Ballard&lt;br /&gt;14: John Herbert Cunningham reviews TAU by Philip Lamantia / JOURNEY TO THE END by John Hoffman, ed. Garrett Caples &lt;br /&gt;11: Patrick James Dunagan Reviews ALL THAT'S LEFT by Jack Hirschman &lt;br /&gt;6: J.O. LeClerc reviews LUNCH POEMS by Frank O'Hara &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Cleveland State University Poetry Center --5&lt;/span&gt;&lt;br /&gt;17: Fiona Sze-Lorrain Reviews SELF-PORTRAIT WITH CRAYON by Allison Benis White&lt;br /&gt;16: Jessica Bozek reviews SUM OF EVERY LOST SHIP by Allison Titus &lt;br /&gt;14: Eileen Tabios engages DESTRUCTION MYTH by Mathias Svalina; Peg Duthie engages THE FAT SHEEP EVERYONE WANTS by Bern Mulvey  &lt;br /&gt;13: Eileen Tabios engages TRUST by Liz Waldner&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Coach House Press (Canada) --1&lt;/strong&gt;&lt;br /&gt;4: Lynn Strongin reviews NOW YOU CARE by Di Brandt&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Coconut Poetry --2&lt;/strong&gt;&lt;br /&gt;11: Tom Beckett Reviews YOUR TEN FAVORITE WORDS by Reb Livingston&lt;br /&gt;3: Allen Bramhall reviews BOXD TRANSISTOR by Jon Leon&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Coffee House Press --29&lt;/strong&gt;&lt;br /&gt;17: T.C. Marshall Reviews HOW LONG by Ron Padgett; Megan Burns Reviews A TOAST IN THE HOUSE OF FRIENDS by Akilah Oliver&lt;br /&gt;16: Guillermo Parra reviews YOU AND THREE OTHERS ARE APPROACHING A LAKE by Anna Moschovakis; Caleb Puckett reviews HOW TO BE PERFECT and HOW LONG, both by Ron Padgett  &lt;br /&gt;15: Patrick James Dunagan reviews DEAR SANDY, HELLO: LETTERS FROM TED TO SANDY BERRIGAN, Edited by Sandy Berrigan and Ron Padgett; L.M. Freer reviews BEATS AT NAROPA: AN ANTHOLOGY, Edited by Anne Waldman and Laura Wright  &lt;br /&gt;14: Crag Hill reviews SHOULDER SEASON by Ange Mlinko; Patrick James Dunagan reviews THIRSTING FOR PEACE IN A RAGING CENTURY: SELECTED POEMS 1961-1985 (New &amp; Revised edition) and LET'S NOT KEEP FIGHTING THE TROJAN WAR: NEW AND SELECTED POEMS 1986-2009 by Edward Sanders by Edward Sanders; Patrick James Dunagan reviews BODY CLOCK by Eleni Sikelianos   &lt;br /&gt;12: Eileen Tabios engages PORTRAIT AND DREAM: NEW AND SELECTED POEMS by Bill Berkson&lt;br /&gt;11: Linda Rodriguez Reviews ROUNDING THE HUMAN by Linda Hogan; Nathan Logan Reviews THE ROMANCE OF HAPPY WORKERS by Anne Boyer&lt;br /&gt;10: Karen Rigby reviews ISLE OF THE SIGNATORIES by Marjorie Welish; Pamela Hart reviews THE MARVELOUS BONES OF TIME by Brenda Coultas; Jim McCrary reviews THE ROMANCE OF HAPPY WORKERS by Anne Boyer; Patrick James Dunagan reviews THE MARVELOUS BONES OF TIME by Brenda Coultas &lt;br /&gt;8: Patrick James Dunagan reviews RIPPLE EFFECT: NEW AND SELECTED POEMS by Elaine Equi; Sam Lohmann reviews RIPPLE EFFECT: NEW AND SELECTED POEMS by Elaine Equi; Lisa Bower reviews THE ARCHITECTURE OF LANGUAGE by Quincy Troupe; William Allegrezza reviews GUESTS OF SPACE by Anselm Hollo&lt;br /&gt;7: Brian Strang reviews BROKEN WORLD by Joseph Lease; Nicholas Manning reviews GUESTS OF SPACE by Anselm Hollo; Laurel Johnson reviews THE MOUNTAIN IN THE SEA by Victor Hernandez Cruz; Julie R. Enszer Reviews TEAHOUSE OF THE ALMIGHTY by Patricia Smith&lt;br /&gt;6: John Bloomberg-Rissman reviews GUESTS OF SPACE by Anselm Hollo; Laurel Johnson reviews SKIRT FULL OF BLACK by Sun Yung Shin &lt;br /&gt;3: John Bloomberg-Rissman reviews EROSION'S PULL by Maureen Owen; J. Csida reviews EROSION'S PULL by Maureen Owen &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Combo Books --2&lt;/strong&gt;&lt;br /&gt;4: Allen Bramhall reviews MAINSTREAM by Michael Magee; Erica Kaufman reviews THE ANGER SCALE by Katie Degentesh &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Conari Press --1&lt;/strong&gt;&lt;br /&gt;4: Mark Young reviews WOMEN OF THE BEAT GENERATION by Brenda Knight&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Conflux Press --1&lt;/strong&gt;&lt;br /&gt;16: Eileen Tabios engages CHAPTER &amp; VERSE: POEMS OF JEWISH IDENTITY edited by Sim Warkov, Rose Black, Margaret Kaufman, Melanie Maier &amp; Susan Terris &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Continuum International Publishing Group --2&lt;/strong&gt;&lt;br /&gt;12: John Herbert Cunningham reviews GAYATRI CHAKRAVORTY SPIVAK: LIVE THEORY by Mark Sanders and LITERARY THEORY: A GUIDE FOR THE PERPLEXED by Mary Klages &lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Copper Beech Press --1&lt;/strong&gt;&lt;br /&gt;4: Lynn Strongin reviews HOUSEHOLD OF CONTINUANCE, both by Jordan Smith &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Coracle (U.K.) --1&lt;/strong&gt;&lt;br /&gt;12: John Bloomberg-Rissman reviews LEMON RED by Cralan Kelder &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Corollary Press --1&lt;/strong&gt;&lt;br /&gt;3: Eileen Tabios engages SLIP by Chris Stackhouse &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Counterpath Press --6&lt;/span&gt;&lt;br /&gt;17: Eileen Tabios Engages STILL: OF THE EARTH AS THE ARK WHICH DOES NOT MOVE by Matthew Cooperman; Gabriel Lovatt Reviews THE USE OF SPEECH by Nathalie Sarraute, translated from the French by Barbara Wright; Gabriel Lovatt Reviews VACANT LOT by Oliver Rohe, translated from the French by Laird Hunt; Fiona Sze-Lorrain Reviews THERE’S THE HAND AND THERE’S THE ARID CHAIR by Tomaz Salamun&lt;br /&gt;14: Fiona Sze-Lorrain reviews AURA: LAST ESSAYS by Gustaf Sobin &lt;br /&gt;13: James Stotts reviews THE BRITTLE AGE AND RETURNING UPLAND by René Char, translated by Gustaf Sobin&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Country Valley Press --1&lt;/strong&gt;&lt;br /&gt;11: John Olson Reviews SCAFFOLD by Joel Chace&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;COW HEAVY BOOKS --1&lt;/strong&gt;&lt;br /&gt;17: Juliet Cook Reviews COMPENDIUM by Kristina Marie Darling&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CPAOD Books --1&lt;/strong&gt;&lt;br /&gt;17: j/j hastain Reviews A GOOD CUNTBOY IS HARD TO FIND by Doug Rice&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;cPress (Finland) --2&lt;/strong&gt;&lt;br /&gt;16: Allen Bramhall reviews DOGGY DOO by Bob Brueckl &amp; Jukka-Pekka Kervinen &lt;br /&gt;11: Michael Caylo-Baradi Reviews SHORT MOVIES by Jukka-Pekka Kervinen and Marton Koppany&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cracked Slab Books --2&lt;/strong&gt;&lt;br /&gt;10: Andy Frazee reviews THE CITY VISIBLE: CHICAGO POETRY FOR THE NEW CENTURY edited by William Allegrezza and Raymond Bianchi; Eileen Tabios engages RAFETOWN GEORGICS by Garin Cycholl&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;(CRISAP, London) --1&lt;/span&gt;&lt;br /&gt;13: James Sanders reviews PLAYING WITH WORDS: THE SPOKEN WORD IN ARTISTIC PRACTICE, Ed. Cathy Lane &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Critical Documents --2&lt;/strong&gt;&lt;br /&gt;17: John Bloomberg-Rissman Reviews KAZOO DREAMBOATS OR, ON WHAT THERE IS by J.H. Prynne&lt;br /&gt;1: Ernesto Priego reviews HOLIDAY IN TIKRIT by Keith Tuma and jUStin!katKO&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Curbstone Press --1&lt;/strong&gt;&lt;br /&gt;11: Wendy Cohen Reviews THE GREAT WHIRL OF EXILE by Leroy V. Quintana &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CW Books --2&lt;/strong&gt;&lt;br /&gt;15: Jeff Harrison reviews GRIEF SUITE by Bobbi Lurie &lt;br /&gt;14: Joey Madia reviews GRIEF SUITE by Bobbi Lurie &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Cy Press --3&lt;/span&gt;&lt;br /&gt;17: Tom Beckett Engages COCK-BURN by j/j hastain &lt;br /&gt;16: Simon Perchik reviews SHARPSBURG by Joel Chace &lt;br /&gt;13: Virginia Konchan reviews HAVE A GOOD ONE by Anselm Berrigan&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cy Gist Press --2&lt;/strong&gt;&lt;br /&gt;6: Frank Gampietro reviews THE HUMBLE TRAVELOGUES OF MR. IAN WORTHINGTON (WRITTEN FROM LAND AND SEA) by Sandra Simonds &lt;br /&gt;4: Richard Lopez reviews MY SPACESHIP, Edited by Mark Lamoreaux &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Dancing Girl Press --2&lt;/strong&gt;&lt;br /&gt;7: Julie R. Enszer reviews SUGARING by Ann Cefola&lt;br /&gt;5: Ernesto Priego reviews THE ANIMAL HUSBAND by Christine Hamm&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Dandelion Books --1&lt;/strong&gt;&lt;br /&gt;9: Eileen Tabios engages MY NAME IS ESTHER CLARA by Laurel Johnson&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;dbqp -- 1&lt;/strong&gt;&lt;br /&gt;9: Eileen Tabios engages list'n by Karri Kokko&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;deaddrunkdublin.com (Ireland) --1&lt;/strong&gt;&lt;br /&gt;3: Fionna Doney Simmonds reviews RUMMY PARK by Rebecca Lu Kiernan&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Deep Cleveland Press --1&lt;/strong&gt;&lt;br /&gt;3: William Allegrezza reviews KLANG by Andrew Lundwall &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;detumescence --1&lt;/strong&gt;&lt;br /&gt;4: Steven Fama reviews BIRD-BOOK by Jessica Smith &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Didi Menendez --1&lt;/strong&gt;&lt;br /&gt;10: Eileen Tabios engages ORANGES &amp; SARDINES, Summer 2008, Vol. 1 Issue, Edited by David Krump, Andy Nicholson, Meghan Punschke and Didi Menendez&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Dis Press (Beijing) --1&lt;/strong&gt;&lt;br /&gt;10: Rebecca Mabanglo-Mayor reviews BEIJING BACKGROUND by Bob Marcacci&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Displaced Press --1&lt;/strong&gt;&lt;br /&gt;17:  John Bloomberg-Rissman Reviews THE PERSIANS BY AESCHYLUS by Brandon Brown &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Dog Horn Publishing --1&lt;/strong&gt;&lt;br /&gt;17: Paul Lai Engages KĒROTAKIS : by Janice Lee&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Dorrance Publishing --1&lt;/strong&gt;&lt;br /&gt;11: Aileen Ibardaloza Engages BARING MORE THAN SOUL by Reme A. Grefalda&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Dos Madres --3&lt;/strong&gt;&lt;br /&gt;17: Tom Hibbard Reviews A MYSTICAL THEOLOGY OF THE LIMBIC FISSURE by Peter O’Leary&lt;br /&gt;14: Derek Coyle reviews NEW SHADOWS by Jon Curley &lt;br /&gt;9: Laurel Johnson reviews THERE ARE WORDS by Burt Kimmelman&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Dover Publications --1&lt;/span&gt;&lt;br /&gt;13: John Herbert Cunningham reviews THE PROSODY HANDBOOK: A GUIDE TO POETIC FORM by Robert Beum and Karl Shapiro&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Dpress --2&lt;/strong&gt;&lt;br /&gt;15: Eileen Tabios engages BEHAVE: CALIFORNIA RANT 66 by Steve Tills &lt;br /&gt;10: Jim McCrary reviews SPADE by David Bromige &amp; Rychard Denner&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Dream Horse Press --1&lt;/strong&gt;&lt;br /&gt;10: Evelyn Hampton engages THE SMALL ANYTHING CITY by Cynthia Arrieu-King&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Duration Press --1&lt;/strong&gt;&lt;br /&gt;1: Bill Marsh reviews BABELLEBAB by Heriberto Yepez&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Dusie (Switzerland) --46&lt;/strong&gt;&lt;br /&gt;17: Genevieve Kaplan Reviews SPEAKING OFF CENTRE by James Cummins; Genevieve Kaplan Reviews TWO HATS APPEAR WHEN APPLAUDED: AN IMPROVISATION by Raymond Farr; Jim McCrary Reviews COLLECTION by Megan Kaminski&lt;br /&gt;16: Jerry Brunoe reviews ISHMAEL AMONG THE BUSHES by William Allegrezza &lt;br /&gt;14: Steven Fama reviews MUCH LIKE YOU SHARK by Logan Ryan Smith; Jim McCrary reviews MONDO CRAMPO by Juliet Cook; Jim McCrary reviews The Contortions by Nicole Mauro  &lt;br /&gt;13: Virginia Konchan reviews IDENTITY THEFT by Catherine Daly&lt;br /&gt;12: Eileen Tabios engages DISCLOSURE by Dana Teen Lomax; Steven Karl reviews THE STARS ON THE 7:18 PENN by Ana Bozicevic; Steven Karl reviews LOST WORK BOOK W/ LETTERS TO DEER by Catherine Meng    &lt;br /&gt;11: Michael Caylo-Baradi Reviews THE SINGERS by Logan Ryan Smith  &lt;br /&gt;10: Nicholas Manning reviews CORNSTARCH FIGURINE by Elizabeth Treadwell; Jeff Harrison reviews SKINNY BUDDHA by Sheila E. Murphy; Patrick James Dunagan reviews BEAUTY [IS THE NEW ABSURDITY] by Jennifer Scappettone; Eileen Tabios engages &amp; PERSONA, poems by Mackenzie Carignan and photographs by Felicia Ohnmacht; and Tim Wright reviews GOING GOING by Jen Hofer; Bob Marcacci reviews TWO HATS APPEAR WHEN APPLAUDED by Raymond Farr, OCCASION IN THE MOSAIC DISTANCE by Paul Klinger, [from SLOT (TO PULL AN HISTORICAL SITE FORM YOU)] by Jill Magi, SPECIMEN by Marci Nelligan, INSECT COUNTRY (B) by Sawako Nakayasu, and SOUVENIRS by Bronwen Tate&lt;br /&gt;9: Eileen Tabios engages IMAGINING A BABY by Bob Marcacci; Seamas Cain reviews SKINNY BUDDHA by Sheila E. Murphy; Eileen Tabios engages 2 POEMS FROM THE BOTTOM OF THE BARREL by Logan Ryan Smith&lt;br /&gt;8: John Bloomberg-Rissman reviews ERRATUM TO A SPY IN THE HOUSE OF YEARS (LEVIATHAN PRESS, 2001) by Giles Goodland &lt;br /&gt;7: Nicholas Grider reviews INSECT COUNTRY (A) by Sawako Nakayasu (Dusie Press, 2006) and INSECT COUNTRY (B) by Sawako Nakayasu (Dusie Press, 2007); Eileen Tabios engages BELLUM LETTERS by Michelle Detorie; Steve Halle reviews POSIT by Adam Fieled; Eileen Tabios engages ERRATUM to and including A SPY IN THE HOUSE OF YEARS (LEVIATHAN PRESS, 2001) by Giles Goodland &lt;br /&gt;6: Chris Pusateri reviews PICTURE OF THE BASKET by Sarah Mangold and NEW COURIERS by Dana Ward; Fionna Donney Simmonds reviews ISHMAEL AMONG THE BUSHES by William Allegrezza  &lt;br /&gt;5: Nicholas Manning reviews NIGHT SEASON by Mark Lamoureux; Ivy Alvarez reviews SURFACE TENSION: A 10-DAY TRYST by Scott Glassman &amp; Mackenzie Carignan; Nicholas Manning reviews TRACT by Jon Leon; Eileen Tabios engages THE GRACES by Elizabeth Treadwell &lt;br /&gt;4: Eileen Tabios engages SCRAWL by Susana Gardner; Eileen Tabios engages SIGNED EVEN AS A WAITING by Paul Klinger; Fionna Doney Simmonds reviews THE GOOD CAMPAIGN by Amy King&lt;br /&gt;3: Brandon Downing reviews CAN ARBOREAL KNOTWORK HELP BLACKBURN OUT OF FREGE'S ABYSS? by Boyd Spahr; Anna Eyre reviews CORNSTARCH FIGURINE by Elizabeth Treadwell; Eileen Tabios engages INSECT COUNTRY (A) by Sawako Nakayasu; Phil Primeau reviews PIECES OF THE SKY by Greg Fuchs &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Dysart Artworks (U.K.) --1&lt;/strong&gt;&lt;br /&gt;12: John Bloomberg-Rissman reviews IN PRAISE OF WALKING &amp; ON LOOKING AT THE SEA by Thomas A Clark &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Dytiscid Press --1&lt;/strong&gt;&lt;br /&gt;12: Dave Bonta reviews TEN POEMS ABOUT HIGHWAYS AND BIRDS by Sarah Bennett &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Edge Books --1&lt;/strong&gt;&lt;br /&gt;16: Allen Edwin Butt reviews TERMINAL HUMMING by K. Lorraine Graham &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Editorial ABC (Colombia) --1&lt;/strong&gt;&lt;br /&gt;2: David Harrison Horton reviews ON EVERY EMPTY LOT by Edward Stresino&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Editorial Catriel (Spain) --1&lt;/strong&gt;&lt;br /&gt;12: John M. Bennett reviews SUCURSAL DE ESTRELLA: POEMARIOS INICIALES Y FINALES by Alvaro Cardona Hine   &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;effing press --6&lt;/strong&gt;&lt;br /&gt;8: Nicholas Manning reviews BLACK STONE by Dale Smith; Nicholas Manning reviews OBSTRUCTS/CONSTITUTES by John Crouse&lt;br /&gt;3: David Baptiste-Chirot reviews POETRY AFTER AUSCHWITZ by Kent Johnson; Jon Leon reviews LYRIC POETRY AFTER AUSCHWITZ by Kent Johnson; Jon Leon reviews  THRENODY by Tom Clark&lt;br /&gt;1: Sueyeun Juliette Lee reviews RED JUICE by Hoa Nguyen&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ellectrique Press --1&lt;/strong&gt;&lt;br /&gt;12: Steven Karl reviews THE STARS ON THE 7:18 PENN by Ana Bozicevic   &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Etherdome --2&lt;/strong&gt;&lt;br /&gt;3: Ivy Alvarez reviews LEARNING THE LANGUAGE by Kate Greenstreet&lt;br /&gt;2: Julie R. Enszer reviews LEARNING THE LANGUAGE by Kate Greenstreet&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;ExPressoDoble (Mexico) --2&lt;/strong&gt;&lt;br /&gt;7: John Bloomberg-Rissman reviews THE BODY ACHES [POEMS AND HAY(NA)KU] by Ernesto Priego&lt;br /&gt;2: David Harrison Horton reviews THE BODY ACHES [POEMS AND HAY(NA)KU] by Ernesto Priego&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Factory School --3&lt;/strong&gt;&lt;br /&gt;10: Kristina Marie Darling reviews CHANTEUSE/CANTATRICE by Catherine Daly&lt;br /&gt;2: Chris Murray reviews OBEDIENCE by kari edwards&lt;br /&gt;1: Tom Beckett reviews BORDERLESS BODIES by Linh Dinh &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Farfalla Press --1&lt;/strong&gt;&lt;br /&gt;11: Patrick James Dunagan Reviews GLAD STONE CHILDREN by Edmund Berrigan &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Farleigh Dickinson University Press --1&lt;/strong&gt;&lt;br /&gt;8: Sam Lohmann reviews "BURNING INTERIORS": DAVID SHAPIRO'S POETRY AND POETICS, edited by Thomas Fink and Joseph Lease&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Farrar Straus &amp; Giroux --1&lt;/strong&gt;&lt;br /&gt;6: Addie Tsai reviews WHAT THE TWILIGHT SAYS: ESSAYS BY DEREK WALCOTT&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Faux Presse --2&lt;/strong&gt;&lt;br /&gt;11: Tom Beckett Reviews SUBSISTENCE EQUIPMENT by Brenda Iijima&lt;br /&gt;5: Guillermo Parra reviews UNFORESEEN by Micah Ballard &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Fence Books --7&lt;/span&gt;&lt;br /&gt;17: T.C. Marshall Reviews DUTIES OF AN ENGLISH FOREIGN SECRETARY by MacGregor Card; Tom Hibbard Reviews SELECTED POEMS by Nick Demske&lt;br /&gt;16: Jonathan Lohr reviews DUTIES OF AN ENGLISH FOREIGN SECRETARY by Macgregor Card; Micah Cavalieri reviews  ENGLISH FRAGMENTS: A BRIEF HISTORY OF THE SOUL by Martin Corless-Smith  &lt;br /&gt;15: Peg Duthie engages DUTIES OF AN ENGLISH FOREIGN SECRETARY by Macgregor Card &lt;br /&gt;13: Jade Hudson reviews COLLAPSIBLE POETICS THEATER by Rodrigo Toscano; John Bloomberg-Rissman reviews THE METHOD by Sasha Steensen&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Fine Tooth Press --1&lt;/strong&gt;&lt;br /&gt;2: Richard Lopez reviews TYPICAL GIRL by Donna Kuhn&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Finishing Line Press --6&lt;/strong&gt;&lt;br /&gt;11: Helen Losse Reviews AFTER THE POISON by Collin Kelley; Sam Rasnake Reviews AFTER THE POISON by Collin Kelley; Robert E. Wood Reviews AFTER THE POISON by Collin Kelley; Fiona Sze-Lorrain Reviews SAVAGE MACHINERY by Karen Rigby&lt;br /&gt;6: Ivy Alvarez reviews UNBOUND &amp; BRANDED by Christine Stewart-Nuñez&lt;br /&gt;3: Ivy Alvarez reviews GROUNDED by George Held&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Firewheel Editions --1&lt;/strong&gt;&lt;br /&gt;15: Eileen Tabios engages HAD SLAVES by Catherine Sasanov&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;First Intensity Books --1&lt;/strong&gt;&lt;br /&gt;10: Jim McCrary reviews NO FACE by Judith Roitman&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Floating Bridge --1&lt;/strong&gt;&lt;br /&gt;14: Crag Hill reviews GREEN CAMMIE by Crysta Casey &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Flim Forum Press --1&lt;/strong&gt;&lt;br /&gt;12: Ching-In Chen reviews THE ALPS by Brandon Shimoda   &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Flood Editions --3&lt;/strong&gt;&lt;br /&gt;6: Andrea Baker reviews NECESSARY STRANGER by Graham Foust; William Allegrezza reviews WATCHWORD by William Fuller &lt;br /&gt;5: Nicholas Downing reviews CIVILIZATION by Elizabeth Arnold &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Flux de Bouche Press--2&lt;/strong&gt;&lt;br /&gt;11: Nathan Logan Reviews ON THE FLY by Amy King&lt;br /&gt;4: William Allegrezza reviews ON THE FLY by Amy King &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;FootHills Publishing --1&lt;/strong&gt;&lt;br /&gt;3: Ann E. Michaels reviews MORNING ON CANAL STREET by Paul Martin &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Forgodot.com --1&lt;/strong&gt;&lt;br /&gt;11: John Bloomberg-Rissman Reviews ISSUE 1, Edited by Stephen McLaughlin and Jim Carpenter  &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FOURSQUARE --2&lt;/strong&gt;&lt;br /&gt;9: Eileen Tabios engages SPECIAL EDITION OF FIVE POEMS by Maureen Thorson and HERE, LOVE by Jess Rowan&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Four Way Books --1&lt;/strong&gt;&lt;br /&gt;11: Karen An-hwei Lee Reviews SHADOW MOUNTAIN by Claire Kageyama-Ramakrishnan &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Free Press --1&lt;/strong&gt;&lt;br /&gt;8: Joe LeClerc reviews CANA QUEMADA [BURNT SUGAR] - CONTEMPORARY CUBAN POETRY IN ENGLISH AND SPANISH Edited by Lori Marie Carlson &amp; Oscar Hijuelos &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;g.e. Collective  --1&lt;/strong&gt;&lt;br /&gt;16: T.C. Marshall reviews WORLDBOOK: 1925—A POEM by James Maughn &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Frontenac House (Canada) --1&lt;/strong&gt;&lt;br /&gt;3: Reme Grefalda reviews PUTI/WHITE by Patria Rivera&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;futurepoem books --3&lt;/strong&gt;&lt;br /&gt;16: Eileen Tabios engages THE SOURCE by Noah Eli Gordon &lt;br /&gt;14: Jai Arun Ravine reviews POEMS OF THE BLACK OBJECT by Ronaldo V. Wilson &lt;br /&gt;8: Pamela Hart reviews THREADS by Jill Magi&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Gig (Ontario, Canada) --2&lt;/strong&gt;&lt;br /&gt;17: Allen Bramhall Reviews ANTIPHONIES: ESSAYS ON WOMEN'S EXPERIMENTAL POETRIES IN CANADA, Ed. Nate Dorward&lt;br /&gt;9: Stephen Vincent reviews WHAT'S IN STORE by Trevor Joyce&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Giraffe Books (Philippines) --2&lt;/strong&gt;&lt;br /&gt;5: Marjorie Light reviews COMING FULL CIRCLE: THE PROCESS OF DECOLONIZATION AMONG POST-1975 FILIPINO AMERICANS by Leny M. Strobel&lt;br /&gt;2: Laurel Johnson reviews HEADING HOME by Loreta M. Medina&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Gival Press --2&lt;/strong&gt;&lt;br /&gt;6: Julie R. Enszer reviews THE GREAT CANOPY by Paula Goldman &lt;br /&gt;2: Julie R. Enszer reviews POETIC VOICES WITHOUT BORDERS, Ed. Robert L. Giron&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Grand Parade (Wollongong, Australia) --1&lt;/strong&gt;&lt;br /&gt;17: Pam Brown Reviews PERRIER FEVER by Pete Spence&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Graywolf Press --2&lt;/strong&gt;&lt;br /&gt;13: Virginia Konchan reviews CLOSE CALLS WITH NONSENSE by Stephen Burt&lt;br /&gt;3: Craig Perez reviews UNRAVELLING WORDS &amp; THE WEAVING OF WATER by Cecilia Vicuna, Trans. by Eliot Winberger and Suzanne Jill Levine&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Grey Book Press --1&lt;/strong&gt;&lt;br /&gt;15: Jim McCrary reviews CARRY CATASTROPHE by Megan Kaminski&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Greying Ghost --1&lt;/strong&gt;&lt;br /&gt;11: Jeff Harrison Reviews WALDEN BOOK by Allen Bramhall&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Grove Press --3&lt;/strong&gt;&lt;br /&gt;11: Wendy Cohen Reviews Louise in Love by Mary Jo Bang&lt;br /&gt;8: Rochelle Ratner engages HELEN IN EGYPT by H.D.&lt;br /&gt;4: Eileen Tabios engages A PLACE TO STAND by Jimmy Santiago Baca &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Half Empty/Half Full --1&lt;/strong&gt;&lt;br /&gt;6: Lisa Factora-Borders reviews A SLICE OF CHERRY PIE Edited by Ivy Alvarez &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Hanging Loose Press --13&lt;/strong&gt;&lt;br /&gt;16: T.C. Marshall reviews OPENING DAY and THE WHALEN POEM, both by William Corbett &lt;br /&gt;11: Rebecca Holohan Reviews THE SPLINTERED FACE: TSUNAMI POEMS by Indran Amirthanayagam  &lt;br /&gt;9: John Bloomberg-Rissman reviews OVERNIGHT by Paul Violi; Patrick James Dunagan reviews CADENZA by Charles North; Patrick James Dunagan reviews DOING 70 by Hettie Jones&lt;br /&gt;7: Julie R. Enszer reviews COMBING THE WAVES by Rochelle Ratner&lt;br /&gt;5: Laurel Johnson reviews CALLS FROM THE OUTSIDE WORLD by Robert Hershon &lt;br /&gt;4: Mark Young reviews SAN FRANCISCO'S BURNING by Helen Adam &lt;br /&gt;3: Andrew McCarron reviews WHERE X MARKS THE SPOT by Bill Zavatsky; Laurel Johnson reviews OFFICIAL VERSIONS by Mark Pawlak&lt;br /&gt;2: Eileen Tabios engages MORAINE by Joanna Fuhrman&lt;br /&gt;1: Corinne Robins reviews MORAINE by Joanna Fuhrman&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Hank's Original Loose Gravel Press --4&lt;/strong&gt;&lt;br /&gt;17: Jim McCrary Reviews MANTIC SEMANTIC by A.L. Nielsen, LVNGinTONGUES by G.  E. Schwartz, and PO DOOM by jim mccrary&lt;br /&gt;15: Jim McCrary reviews MR. MAGOO by Steve Tills &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Harbor Mountain Press --1&lt;/strong&gt;&lt;br /&gt;10: Eileen Tabios engages BE THAT EMPTY: APOLOGIA FOR AIR by Alice B. Fogel&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Harcourt Brace --1&lt;/strong&gt;&lt;br /&gt;5: Mario E. Mireles reviews “The Tradition of the Haiku” by Octavio Paz in CONVERGENCES: ESSAYS ON ART AND LITERATURE&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Harper Collins / Harper Perennial --5&lt;/strong&gt;&lt;br /&gt;14: John Herbert Cunningham reviews ARTHUR RIMBAUD: COMPLETE WORKS, translated by Paul Schmidt &lt;br /&gt;9: Raymond John A. de Borja reviews NOVEL PICTORIAL NOISE by Noah Eli Gordon &lt;br /&gt;8: Aileen Ibardaloza engages "Out Beyond Ideas" by Jelludin Rumi in THE ESSENTIAL RUMI, transl. Coleman Barks; John Bloomberg-Rissman engages NOVEL PICTORIAL NOISE by Noah Eli Gordon &lt;br /&gt;6: Eileen Tabios engages FORTY-FIVE by Frieda Hughes &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Headlands Publications --1&lt;/strong&gt;&lt;br /&gt;1: Cati Porter reviews WINTERGREEN by Charles Bennett&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Henry Holt --3&lt;/strong&gt;&lt;br /&gt;9: Brian Clements engages CORPSE AND MIRROR by John Yau&lt;br /&gt;6: Addie Tsai reviews THE POETRY OF ROBERT FROST: THE COLLECTED POEMS, COMPLETE AND UNABRIDGED, Edited by Edward Connery Lathem &lt;br /&gt;3: Fionna Doney Simmonds reviews THE POET SLAVE OF CUBA (A BIOGRAPHY OF JUAN FRANCISCO MANZANO) by Margarita Engle &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Higganum Hill Books --1&lt;/strong&gt;&lt;br /&gt;10: Laurel Johnson reviews DEFIANCE by Hugh Fox&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;High Chair (Philippines) --1&lt;/span&gt;&lt;br /&gt;13: Emong deBorja reviews YOU ARE HERE by Mabi David&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Highest Hurdle Press --1&lt;/strong&gt;&lt;br /&gt;12: Eric Gelsinger reviews LETTERHEAD VOLUME 2, Eds. Eric Johnt, Bradley Lastname, Brian McMahon, Robert Pomerhn &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;H_NGM_N Chapbook Series --4&lt;/strong&gt;&lt;br /&gt;6: Monica McFawn reviews CHANCE by Daniel Becker; Monica Fawn reviews BETWEEN THE ROOM AND THE CITY by Erica Bernheim &lt;br /&gt;5: Mark Young reviews SONNET by Matt Hart; Eileen Tabios reviews SONNET by Matt Hart&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Hobblebush Books --1&lt;/strong&gt;&lt;br /&gt;10: Laurel Johnson reviews THE BLUE MOON SERIES by Rodger Martin&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Horse Less Press --3&lt;/strong&gt;&lt;br /&gt;17: L.S. Bassen Reviews IT MIGHT TURN OUT WE ARE REAL by Susan Scarlata&lt;br /&gt;7: Julie R. Enszer Reviews CINEPHRASTICS by Kathleen Ossip&lt;br /&gt;5: Eileen Tabios engages WIND IS WIND AND RAIN IS RAIN by Brynne&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;House of Anansi (Canada) --1&lt;/strong&gt;&lt;br /&gt;8: Rochelle Ratner engages SURVIVAL: A THEMATIC GUIDE TO CANADIAN LITERATURE by Margaret Atwood&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;House Organ --2&lt;/strong&gt;&lt;br /&gt;13: Jim McCrary reviews HOUSE ORGAN, Summer 2009, Ed. Kenneth Warren&lt;br /&gt;7: Patrick James Dunagan reviews HOUSE ORGAN #58 Win/Spr ’07, Ed. Kenneth Warren&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;House Press --2&lt;/strong&gt;&lt;br /&gt;14: Jim McCrary reviews GOODNIGHT VOICE by Dana Ward &lt;br /&gt;11: Eric Gelsinger Reviews SO THAT EVEN by Tawrin Baker&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ibbetson Street Press --1&lt;/strong&gt;&lt;br /&gt;15: Eileen Tabios engages KING OF THE JUNGLE by Zvi A. Sesling &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;i.e. press --1&lt;/strong&gt;&lt;br /&gt;7: Paul Klinger reviews THE BOOK OF OCEAN BY Maryrose Larkin&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;if p then q (U.K.) --5&lt;/strong&gt;&lt;br /&gt;16: Crag Hill reviews AD INIFINITUM by P. Inman; Eileen Tabios engages THUS &amp; by Derek Henderson&lt;br /&gt;15: Eileen Tabios engages 1000 SONNETS by Tim Atkins &lt;br /&gt;14: Eileen Tabios engages ntst: THE COLLECTED PWOERMDS OF GEOF HUTH; Jim McCrary reviews SILVERONDA by Lucy Harvest Clarke  &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;IKON --1&lt;/strong&gt;&lt;br /&gt;3: Julie R. Enszer reviews BEGGARS AT THE WALL by Rochelle Ratner&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Insert Press --1&lt;/strong&gt;&lt;br /&gt;6: Patrick James Dunagan reviews ABSURD GOOD NEWS by Julien Poirier &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Instance Press --2&lt;/strong&gt;&lt;br /&gt;15: Camille Martin reviews SALINE by Kimberly Lyons&lt;br /&gt;5: Tom Beckett reviews A READING, 18-20 by Beverly Dahlen&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Island Press C-Operative (Australia) --1&lt;/strong&gt;&lt;br /&gt;8: Pam Brown engages VOODOO REALITIES by Philip Hammial &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jasmine Sailing --1&lt;/strong&gt;&lt;br /&gt;17: j/j hastain Reviews A GOOD CUNTBOY IS HARD TO FIND by Doug Rice&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Jasper Press --1&lt;/strong&gt;&lt;br /&gt;3: Ann E. Michaels reviews TEN DEGREES ABOVE ZERO by Elizabeth Raby &lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JMS Books --1&lt;/strong&gt;&lt;br /&gt;17: Benjamin Winkler Reviews WE IN MY TRANS by j/j hastain&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;John Daniel &amp; Co --2&lt;/strong&gt;&lt;br /&gt;5: Lynn Strongin reviews SHOT WITH EROS: NEW AND SELECTED POEMS  by Glenna Luschei&lt;br /&gt;2: Kyoko Asana reviews SHOT WITH EROS: NEW AND SELECTED POEMS by Glenna Luschei&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Junction Press --2&lt;/strong&gt;&lt;br /&gt;17: Patrick James Dunagan &amp; Ava Koohbor Review THE TELLER OF TALES: STORIES FROM FERODWSI’S SHAHNAHMEN, Translated by Richard Jeffrey Newman&lt;br /&gt;6: Eileen Tabios engages WALKING THEORY by Stephen Vincent &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Kansas City Art Institute --1&lt;/span&gt;&lt;br /&gt;13: Jim McCrary reviews SPRUNG FORMAL MAGAZINE&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Katalanche Press --1&lt;/strong&gt;&lt;br /&gt;3: Allen Bramhall reviews FILM POEMS by Mark Lamoreaux &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Kaya Productions --3&lt;/strong&gt;&lt;br /&gt;11: Linda Nguyen Reviews BRIDGEABLE SHORES: SELECTED POEMS (1969-2001) by Luis Cabalquinto&lt;br /&gt;9: Abigail Licad reviews THE ANCHORED ANGEL: SELECTED WRITINGS BY JOSE GARCIA VILLA Ed. by Eileen Tabios&lt;br /&gt;7: Beatriz Tabios engages BRIDGEABLE SHORES: SELECTED POEMS (1969-2001) by Luis Cabalquinto&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Kelsey Street Press --3&lt;/strong&gt;&lt;br /&gt;6: Brenda Iijima reviews CONCORDANCE by Mei-mei Berssenbruge with art by Kiki Smith; John Bloomberg-Rissman reviews INSTAN by Cecilia Vicuna &lt;br /&gt;3: David Goldstein reviews SYMBIOSIS by Barbara Guest and Laurie Reid&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Kilmog Press (New Zealand) --1&lt;/strong&gt;&lt;br /&gt;15: Eileen Tabios engages AT TROTSKY'S FUNERAL by Mark Young &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Kite Tail Press --2&lt;/strong&gt;&lt;br /&gt;5: Eileen Tabios engages FIRST ADVENTURES OF COL AND SEM by Dan Waber&lt;br /&gt;4: Eileen Tabios engages BOYS, A-Z: A PRIMER by Dan Waber &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Knopf --1&lt;/strong&gt;&lt;br /&gt;16: John Herbert Cunningham reviews WALLACE STEVENS: SELECTED POEMS edited, and with an introduction by, John N. Serio &lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;La Alameda Press --4&lt;/strong&gt;&lt;br /&gt;17: Bill Scalia Reviews BEAT THING by David Meltzer&lt;br /&gt;15: Peg Duthie engages SPRING HAS COME: SPANISH LYRICAL POETRY FROM THE SONGBOOKS OF THE RENAISSANCE by Alvaro Cardona-Hine &lt;br /&gt;9: Patrick James Dunagan reviews HOME AMONG THE SWINGING STARS: COLLECTED POEMS OF JAIME DE ANGULO edited by Stefan Hyner with an essay by Andrew Schelling&lt;br /&gt;8: Paul Klinger reviews LETTERS TO EARLY STREET by Albert Flynn DeSilver &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;La Mano Izquierda (Canada) --1&lt;/strong&gt;&lt;br /&gt;8: Ernesto Priego reviews ESTE BIENESTAR, TIBIO/THIS WELL-BEING, WARM, POEMS IN TRANSLATION by Argel Corpus&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Lamehouse Press --1&lt;/strong&gt;&lt;br /&gt;11: Pamela Hart Reviews THIS IS WHY I HURT YOU by Kate Greenstreet&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Laughing Ouch Cube Publications --3&lt;/strong&gt;&lt;br /&gt;17: Eileen Tabios engages RADIATOR by NF Huth&lt;br /&gt;15: Eileen Tabios engages 2ND NOTICE OF MODIFICATIONS TO TEXT OF PROPOSED REGULATIONS by John Bloomberg-Rissman; Richard Lopez reviews 2ND NOTICE OF MODIFICATIONS TO TEXT OF PROPOSED REGULATIONS by John Bloomberg-Rissman  &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Leafe Press (England) --9&lt;/strong&gt;&lt;br /&gt;17: Eileen Tabios engages RADIATOR by NF Huth&lt;br /&gt;15: Eileen Tabios engages 2ND NOTICE OF MODIFICATIONS TO TEXT OF PROPOSED REGULATIONS by John Bloomberg-Rissman; Richard Lopez reviews 2ND NOTICE OF MODIFICATIONS TO TEXT OF PROPOSED REGULATIONS by John Bloomberg-Rissman  &lt;br /&gt;11: Tom Beckett Reviews WORLD0 and NO SOUNDS OF MY OWN MAKING, both by John Bloomberg-Rissman &lt;br /&gt;9: Christopher Mulrooney reviews THE BEGINNING AND END OF THE SNOW by Yves Bonnefoy, Trans. by Alan Baker&lt;br /&gt;8: Ernesto Priego reviews WORLD0 by John Bloomberg-Rissman; Ernesto Priego reviews NO SOUNDS OF MY OWN MAKING by John Bloomberg-Rissman&lt;br /&gt;6: John Bloomberg-Rissman reviews A STRANGE ARRANGEMENT: NEW AND SELECTED POEMS by C.J. Allen &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Les Figues Press --2&lt;/strong&gt;&lt;br /&gt;16: Eileen Tabios engages THE NEW POETICS by Mathew Timmons &lt;br /&gt;15: Allen Bramhall reviews NOT BLESSED by Harold Abramowitz &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Leviathan Press --1&lt;/strong&gt;&lt;br /&gt;8: John Bloomberg-Rissman reviews A SPY IN THE HOUSE OF YEARS by Giles Goodland&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Litmus Press --10&lt;/strong&gt;&lt;br /&gt;17: Logan Fry Reviews PORTRAIT OF COLON DASH PARENTHESIS by Jeffrey Jullich; Patrick James Dunagan Reviews HOW PHENOMENA APPEAR TO UNFOLD by Leslie Scalapino&lt;br /&gt;14: Eileen Tabios engages TIME OF SKY / CASTLES IN THE AIR by Ayane Kawata, Translated by Sawako Nakayasu; 14: Tom Beckett reviews BHARAT JIVA by kari edwards and &lt;del&gt;kari edwards:&lt;/del&gt; NO GENDER (Reflections on the Life and Work of kari edwards), Edited by Julian Brolaski, erica kaufman &amp; E. Tracy Grinnell; Eileen Tabios engages BHARAT JIVA by kari edwards and &lt;del&gt;kari edwards:&lt;/del&gt; NO GENDER (Reflections on the Life and Work of kari edwards), Edited by Julian Brolaski, erica kaufman &amp; E. Tracy Grinnell&lt;br /&gt;13: Jim McCrary reviews HYPERGLOSSIA by Stacy Szymaszek&lt;br /&gt;11: John Bloomberg-Rissman Reviews ANIMATE, INANIMATE AIMS by Brenda Iijima&lt;br /&gt;6: William Allegrezza reviews EMPTIED OF ALL SHIPS by Stacy Szymaszek &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Lost Horse Press --1&lt;/strong&gt;&lt;br /&gt;4: Lynn Strongin reviews NECESSARY ANGELS by Carolyn Maisel &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Luddite Kingdom Press --1&lt;/strong&gt;&lt;br /&gt;12: Richard Lopez reviews ALL ROADS...BUT THIS ONE by Jon Cone,  Claudie Grinnell, klipshutz and Albert Sgambati  &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Lulu Press --3&lt;/strong&gt;&lt;br /&gt;17: Tom Hibbard AIN’T GOT ALL NIGHT by Buck Downs&lt;br /&gt;12: Jeff Harrison reviews  NOSERING CELLPHONE by Lanny Quarles &lt;br /&gt;10: Jeffrey Side reviews WHERE THE THREE RIVERS MEET by Aine MacAodha&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Lunar Chandelier --1&lt;/strong&gt;&lt;br /&gt;16: Allen Edwin Butt reviews PETALS, EMBLEMS by Lynn Behrendt &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Make Now --1&lt;/strong&gt;&lt;br /&gt;17: Eileen Tabios Engages INFO RATION by Stan Apps&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Manic D Press --1&lt;/strong&gt;&lt;br /&gt;4: Barbara Jane Reyes reviews GUTTED by Justin Chin &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Many Penny Press --1&lt;/strong&gt;&lt;br /&gt;9: Nicholas Manning reviews TEXT LOSES TIME by Nico Vassilakis&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Marick --1&lt;/span&gt;&lt;br /&gt;13: Eileen Tabios engages WATER THE MOON by Fiona Sze-Lorraine&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Marsh Hawk Press --28&lt;/strong&gt;&lt;br /&gt;17: Philip Troy Reviews THE FEELING IS ACTUAL by Paolo Javier; William Allegrezza Reviews FORTY-NINE GUARANTEED WAYS TO ESCAPE DEATH by Sandy McIntosh&lt;br /&gt;15: Marianne Villanueva reviews ERNESTA, IN THE STYLE OF FLAMENCO by Sandy McIntosh; Hadas Yatom-Schwartz engages “Nathan, in the Ancient Language”, a poem in ERNESTA, IN THE STYLE OF THE FLAMENCO by Sandy McIntosh  &lt;br /&gt;12: Steven Karl reviews CLARITY AND OTHER POEMS by Thomas Fink &lt;br /&gt;11: Jon Curley Reviews A WOMAN'S GUIDE TO MOUNTAIN CLIMBING by Jane Augustine &lt;br /&gt;10: Eric Hoffman reviews PASSING OVER by Norman Finkelstein; Francie Noyes reviews BLIND DATE WITH CAVAFY by Steve Fellner &lt;br /&gt;9: Burt Kimmelman engages 77 BEAST and MIRAGE: A POEM IN 22 SECTIONS, both by Basil King&lt;br /&gt;8: Burt Kimmelman reviews PASSING OVER by Norman Finkelstein; Burt Kimmelman reviews 49 GUARANTEED WAYS TO ESCAPE DEATH by Sandy McIntosh; Laurel Johnson reviews PASSING OVER by Norman Finkelstein&lt;br /&gt;7: Laurel Johnson reviews THE ELEPHANT HOUSE by Claudia Carlson&lt;br /&gt;6: Celia Homesley reviews ORIGINAL GREEN by Patricia Carlin; William A. Sylvester reviews SOMEHOW by Burt Kimmelman; Laurel Johnson reviews WHITHER NONSTOPPING by Harriet Zinnes&lt;br /&gt;5: Julie R. Enszer reviews BALANCING ACTS by Rochelle Ratner&lt;br /&gt;4: Laurel Johnson reviews UNDER THE WANDERER'S STAR by Sigman Byrd; Fionna Doney Simmonds reviews THE AFTER-DEATH HISTORY OF MY MOTHER by Sandy McIntosh; Fionna Doney Simmonds reviews THE GOOD CITY by Sharon Olinka; Laurel Johnson reviews BREAKING THE FEVER by Mary Mackey; Julie R. Enszer reviews NATURAL DEFENSES by Susan Terris &lt;br /&gt;3: Carlos Hiraldo reviews WATERMARK by Jacquelyn Pope &lt;br /&gt;2: Laurel Johnson reviews ONE THOUSAND YEARS by Corinne Robins; William Allegrezza reviews SOMEHOW by Burt Kimmelman&lt;br /&gt;1: Barry Dordick reviews AFTER TAXES by Thomas Fink; William Allegrezza reviews SKINNY EIGHTH AVENUE by Stephen Paul Miller&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Mayapple Press --1&lt;/strong&gt;&lt;br /&gt;12: Helen Losse reviews FORMS OF INTERCESSION by Jayne Pupek  &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;McSweeney’s Books --1&lt;/strong&gt;&lt;br /&gt;7: Kristin Berkey-Abbott reviews THE MCSWEENEY BOOK OF POETS PICKING POETS edited by Dominic Lumford&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Meritage Press --54&lt;/strong&gt;&lt;br /&gt;17: G. Justin Hulog Reviews ARCHIPELAGO DUST by Karen Llagas; Allen Bramhall Reviews FRAGILE REPLACEMENTS by William Allegrezza&lt;br /&gt;16: Nicholas T. Spatafora reviews THE CHAINED HAY(NA)KU PROJECT curated by Ivy Alvarez, John Bloomberg-Rissman, Ernesto Priego and Eileen Tabios; Nicholas T. Spatafora reviews DAYS POEM, Volume I and Volume II by Allen Bramhall; Jeff Harrison engages COMPLICATIONS by Garrett Caples   &lt;br /&gt;15: Jon Curley reviews AUTOPSY TURVY by Thomas Fink and Maya Diablo Mason; Aileen Ibardaloza reviews THE CHAINED HAY(NA)KU PROJECT, Curated by Ivy Alvarez, John Bloomberg-Rissman, Ernesto Priego &amp; Eileen Tabios and THE HAY(NA)KU ANTHOLOGY, VOL. II, Edited by Jean Vengua and Mark Young; Albert B. Casuga reviews TRAJE DE BODA: POEMS by Aileen Ibardaloza; Nicholas T. Spatafora reviews AUTOPSY TURVY by Thomas Fink and Maya Diablo Mason; Jim McCrary reviews THE HAY(NA)KU FOR HAITI SERIES, Edited by Eileen Tabios   &lt;br /&gt;14: Jeff Harrison engages PRAU by Jean Vengua &lt;br /&gt;13: Thomas Fink reviews HOUSECAT KUNG FU: STRANGE POEMS FOR WILD CHILDREN by Geoffrey Gatza&lt;br /&gt;12: Tom Hibbard reviews FRAGILE REPLACEMENTS by William Allegrezza; Jean Vengua engages KALI'S BLADE by Michelle Bautista; Ruth Lepson reviews HOUSECAT KUNG FU by Geoffrey Gatza; Ruth Lepson reviews  (B)ITS by Joel Chace  &lt;br /&gt;11: Monna Wong Reviews MUSEUM OF ABSENCES by Luis H. Francia; Katherine Levy Reviews KALI'S BLADE by Michelle Bautista; Aileen Ibardaloza Engages PINOY POETICS: A COLLECTION OF AUTOBIOGRAPHICAL AND CRITICAL ESSAYS ON FILIPINO AND FILIPINO-AMERICAN POETICS, Edited by Nick Carbo; Brett Duchon Reviews COMPLICATIONS by Garrett Caples; Brett Duchon Reviews PRAU by Jean Vengua   &lt;br /&gt;10: Leny M. Strobel engages PRAU by Jean Vengua; Jim McCrary reviews from THE TRADITIONS by Juliana Spahr&lt;br /&gt;9: John Bloomberg-Rissman reviews PRAU by Jean Vengua: Anny Ballardini reviews DAYS POEM, VOL I and II by Allen Bramhall; Brian Clements engages 100 MORE JOKES FROM THE BOOK OF THE DEAD by John Yau and Archie Rand&lt;br /&gt;8: Thomas Fink reviews FRAGILE REPLACEMENTS by William Allegrezza; Jeff Harrison reviews DAYS POEM, VOL I and II by Allen Bramhall; Ernesto Priego reviews UNPROTECTED TEXTS by Tom Beckett; Ernesto Priego reviews STEPS: A NOTEBOOK by Tom Beckett &lt;br /&gt;7: John Bloomberg-Rissman reviews NOT EVEN DOGS by Ernesto Priego; Julie R. Enszer reviews KALI’S BLADE by Michelle Bautista&lt;br /&gt;5: William Allegrezza reviews KALI'S BLADE by Michelle Bautista; John Bloomberg-Rissman reviews UNPROTECTED TEXTS: SELECTED POEMS 1978-2006 by Tom Beckett; Mario E. Mireles reviews NOT EVEN DOGS by Ernesto Priego&lt;br /&gt;4: Nicholas Manning reviews UNPROTECTED TEXTS: SELECTED POEMS 1978-2006 by Tom Beckett; Fionna Doney Simmonds reviews UNPROTECTED TEXTS: SELECTED POEMS 1978-2006 by Tom Beckett; Fionna Doney Simmonds reviews THE OBEDIENT DOOR by Sean Finney; Leny M. Strobel reviews NOT EVEN DOGS by Ernesto Priego; Fionna Doney Simmonds reviews OPERA: POEMS 1981 - 2002 by Barry Schwabsky; Michelle Bautista reviews OPERA: POEMS 1981 - 2002 by Barry Schwabsky; Beatriz Tabios reviews UNPROTECTED TEXTS by Tom Beckett; Rhett Pascual reviews MUSEUM OF ABSENCES by Luis H. Francia &lt;br /&gt;3: Allen Bramhall reviews NOT EVEN DOGS by Ernesto Priego &lt;br /&gt;2: Ernesto Priego reviews [WAYS] by Barry Schwabsky &amp; Hong Seung-Lye; Laurel Johnson reviews OPERA: POEMS 1981-2002 by Barry Schwabsky; Rochita Loenen-Ruiz reviews PINOY POETICS, Ed. Nick Carbo; Barbara Jane Reyes reviews MUSEUM OF ABSENCES by Luis H. Francia&lt;br /&gt;1: Yvonne Hortillo reviews THE FIRST HAY(NA)KU ANTHOLOGY, Eds. Jean Vengua &amp; Mark Young; Abigail Licad reviews PINOY POETICS: A COLLECTION OF AUTOBIOGRAPHICAL AND CRITICAL WRITINGS ON FILIPINO AND FILIPINO-AMERICAN POETICS, Ed. Nick Carbo; Laurel Johnson reviews THE OBEDIENT DOOR by Sean Finney&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Michael Friedman --1&lt;/strong&gt;&lt;br /&gt;10: Patrick James Dunagan reviews SHINY, No. 14, 2008, edited by Michael Friedman&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Milkweed Editions --1&lt;/strong&gt;&lt;br /&gt;1: Michael A. Wells reviews ATLAS by Katrina Vandenberg&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MIT Press --2&lt;/strong&gt;&lt;br /&gt;[11]: John Cunningham Reviews CAUGHT BY THE TAIL: FRANCIS PICABIA AND DADA IN PARIS by George Baker and I AM A BEAUTIFUL MONSTER: POETRY, PROSE AND PROVOCATIONS by Francis Picabia, translated by Marc Lowenthal&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;mitzvah chaps --4&lt;/strong&gt;&lt;br /&gt;14: Jim McCrary reviews GUTTER CATHOLIC LOVE SONG by Joseph Wood &lt;br /&gt;13: Jim McCrary engages A MAN ABOUT TOWN by Robert J. Baumann; Jim McCrary reviews WELL MEANING WHITE GIRL by Alli Warren&lt;br /&gt;10: Jim McCrary reviews ART IS WAR by Anne Boyer&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Modern English Tanka Press --1&lt;/strong&gt;&lt;br /&gt;7: Carlos Hiraldo reviews THE SALESMAN'S SHOES by James Roderick Burns&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Modern Metrics --1&lt;/strong&gt;&lt;br /&gt;3: Julie R. Enszer reviews THE COUNTESS OF FLATBROKE by Mary Meriam&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Moria Poetry --9&lt;/strong&gt;&lt;br /&gt;17: Tom Beckett Engages AUTOBIOGRAPHY OF MY GENDER by j/j hastain &lt;br /&gt;14: Tom Hibbard reviews NIGHTBIRDS by Garin Cycholl &lt;br /&gt;9: Jeff Harrison reviews OPENING AND CLOSING NUMBERS by Anny Ballardini&lt;br /&gt;6: Tim Peterson reviews NO APPOINTMENT NECESSARY by Thomas Fink &lt;br /&gt;4: Eileen Tabios reviews NO APPOINTMENT NECESSARY by Thomas Fink &lt;br /&gt;3: Ivy Alvarez reviews AMERICAN MASTER by Raymond L. Bianchi; Allen Bramhall reviews OPENING AND CLOSING NUMBERS by Anny Ballardini&lt;br /&gt;2: Laurel Johnson reviews from SERIES MAGRITTE by Mark Young; Tom Beckett reviews THE VICIOUS BUNNY TRANSLATIONS by William Allegrezza&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;morning star, platform projects, BALTIC Centre for Contemporary Art, Yorkshire Sculpture Park, PACE, Creative Partnerships (U.K.) --1&lt;/strong&gt;&lt;br /&gt;12: John Bloomberg-Rissman reviews MESOSTIC HERBARIUM edited by Alec Finlay &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Moschatel Press (U.K.) --1&lt;/strong&gt;&lt;br /&gt;12: John Bloomberg-Rissman reviews THE THREADBARE COAT by Thomas A Clark&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;National Poetry Foundation --1&lt;/strong&gt;&lt;br /&gt;12: John Herbert Cunningham reviews ABOUT NOW: COLLECTED POEMS OF JOANNE KYGER&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NeoPepper Press --1&lt;/strong&gt;&lt;br /&gt;10: Derek Motion reviews ORIGAMI SHIPWRECK by Craig Perez and Katy Acheson&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;never-never books (Wales) --2&lt;/strong&gt;&lt;br /&gt;6: Derek Motion reviews PEEL ME A ZIBIBBO by Pam Brown &lt;br /&gt;5: Ivy Alvarez reviews MY LIGHTWEIGHT INTENTIONS by Pam Brown&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;New Directions --3&lt;/strong&gt;&lt;br /&gt;15: John Herbert Cunningham reviews COLLECTED POEMS by Dylan Thomas &lt;br /&gt;12: John Herbert Cunningham reviews CONEY ISLAND OF THE MIND: 50th ANNIVERSARY EDITION by Lawrence Ferlinghetti &lt;br /&gt;3: Crag Hill reviews EYE AGAINST EYE by Forrest Gander &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;New Issues in Prose &amp; Poetry --1&lt;/strong&gt;&lt;br /&gt;7: Patrick James Dunagan reviews A FIDDLE PULLED FROM THE THROAT OF A SPARROW by Noah Eli Gordon&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;New Issues Press --3&lt;/strong&gt;&lt;br /&gt;14: Marianne Villanueva reviews THE TRANSLATOR’S DIARY by Jon Pineda&lt;br /&gt;11: Karen Rigby Reviews THEORIES OF FALLING by Sandra Beasley&lt;br /&gt;10: Karen Rigby reviews THE BOYS I BORROW by Heather Sellers&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;New Michigan Press --2&lt;/strong&gt;&lt;br /&gt;14: Eileen Tabios engages CREATION MYTHS by Mathias Svalina &lt;br /&gt;9: Juliet Cook engages FEIGN by Kristy Bowen&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;New Rivers Press --2&lt;/strong&gt;&lt;br /&gt;9: Lisa Bowers reviews TERRAIN TRACKS by Purvi Shah&lt;br /&gt;7: Julie R. Enszer reviews QUARRY by Rochelle Ratner&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;New Star (Vancouver) --2&lt;/strong&gt;&lt;br /&gt;15: T.C. Marshall reviews VANCOUVER: A POEM by George Stanley and IN THE MILLENIUM by Barry McKinnon &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;New Writers Press (Dublin, Ireland) --1&lt;/strong&gt;&lt;br /&gt;9: Stephen Vincent reviews WHAT'S IN STORE by Trevor Joyce&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Nightboat Books --1&lt;/strong&gt;&lt;br /&gt;16: Harry Thorne reviews THE ECO LANGUAGE READER edited by Brenda Iijima &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Noonday Press --1&lt;/strong&gt;&lt;br /&gt;6: Addie Tsai reviews COLLECTED POEMS 1948-1984 by Derek Walcott&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Northfork Press --1&lt;/strong&gt;&lt;br /&gt;16: Simon Perchik reviews THE DISCOURSE LETTERS by Anselm Parlatore &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;W.W. Norton &amp; Co --3&lt;/strong&gt;&lt;br /&gt;16: Aileen Ibardaloza engages THE NORTON ANTHOLOGY OF LITERATURE BY WOMEN: THE TRADITIONS IN ENGLISH, Third Edition, volume 2, Edited by Sandra M. Gilbert and Susan Gubar &lt;br /&gt;9: Shanna Compton reviews DANCE DANCE REVOLUTION by Cathy Park Hong&lt;br /&gt;5: Mario E. Mireles reviews Matsuo Basho’s “The Narrow Road of the Interior” in THE NORTON ANTHOLOGY OF WORLD MASTERPIECES, Edited by Maynard Mack&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Northwestern University Press --3&lt;/strong&gt;&lt;br /&gt;12: John Herbert Cunningham reviews CONTEMPORARY POETICS edited by Louis Armand; PRIOR TO MEANING: THE PROTOSEMANTIC AND POETICS by Steve McCaffery; and PATAPHYSICS: THE POETICS OF AN IMAGINARY SCIENCE by Christian Bök&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;No Tell Books --16&lt;/strong&gt;&lt;br /&gt;15: Rebecca Loudon reviews GOD DAMSEL by Reb Livingston &lt;br /&gt;13: John Bloomberg-Rissman reviews NAVIGATE, AMELIA EARHART’S LETTERS HOME and CADAVER DOGS, both by Rebecca Loudon &lt;br /&gt;12: Nic Sebastian reviews HARLOT by Jill Alexander Essbaum; Nicola Trumbull reviews NEVER CRY WOOF by Shafer Hall; Tom Beckett engages CADAVER DOGS by Rebecca Loudon  &lt;br /&gt;11: Steven Karl Reviews SHY GREEN FIELDS by Hugh Behm-Steinberg&lt;br /&gt;10: Nathan Logan reviews NEVER CRY WOOF by Shafer Hall&lt;br /&gt;9: Tom Beckett reviews HARLOT by Jill Alexander Essbaum; Karen Rigby reviews THE BEDSIDE GUIDE TO NO TELL MOTEL, SECOND FLOOR Edited by Reb Livingston and Molly Arden; Nathan Logan reviews THE BEDSIDE GUIDE TO NO TELL MOTEL Edited by Reb Livingston and Molly Arden&lt;br /&gt;8: Eileen Tabios engages WANTON TEXTILES by Reb Livingston &amp; Ravi Shankar&lt;br /&gt;5: Jeannine Hall Gailey reviews NAVIGATE, AMELIA EARHART'S LETTERS HOME by Rebecca Loudon; William Allegrezza reviews ELAPSING SPEEDWAY ORGANISM by Bruce Covey &lt;br /&gt;4: Susana Gardner reviews THE BEDSIDE GUIDE TO NO TELL MOTEL Edited by Reb Livingston and Molly Arden&lt;br /&gt;2: William Allegrezza reviews THE BEDSIDE GUIDE TO NO TELL MOTEL, Eds. Molly Arden &amp; Reb Livingston&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;O Books --5&lt;/strong&gt;&lt;br /&gt;10: John Bloomberg-Rissman reviews HORACE: POEMS by Tim Atkins and COVERS by Susan Landers&lt;br /&gt;7: Alysha Wood reviews TRESPASSES by Padcha Tuntha-obas&lt;br /&gt;5: Craig Santos Perez reviews 60 LV BO(E)MBS, both by Paolo Javier&lt;br /&gt;2: Thomas Fink reviews HOME ON THE RANGE (THE NIGHT SKY WITH STARS IN MY MOUTH) by Tenney Nathanson&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Octopus Books --2&lt;/strong&gt;&lt;br /&gt;13: Virginia Konchan reviews TUNED DROVES by Eric Baus&lt;br /&gt;8: Lars Palm reviews DOCUMENT by Ana Bozicevic-Bowling&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ohio University Press --1&lt;/strong&gt;&lt;br /&gt;11: John Cunningham Reviews BLANK VERSE: A GUIDE TO ITS HISTORY AND USE by Robert B. Shaw &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Old Gold --1&lt;/strong&gt;&lt;br /&gt;5: Guillermo Parra reviews ABSINTHIAN JOURNAL by Micah Ballard &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Old Gringo Press --1&lt;/strong&gt;&lt;br /&gt;5: Ivy Alvarez reviews OH MISS MARY by Jim McCrary&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Omnidawn Press --3&lt;/strong&gt;&lt;br /&gt;17: Rob McLennan Reviews THREE NOVELS by Elizabeth Robinson&lt;br /&gt;15: John Herbert Cunningham reviews PENURY by Myung Mi Kim &lt;br /&gt;14: John Herbert Cunningham reviews THE ILLUMINATIONS  by Arthur Rimbaud, translated by Donald Revell &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Openned Press (London) --1&lt;/strong&gt;&lt;br /&gt;17: John Bloomberg-Rissman Reviews THE COMMONS by Sean Bonney&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Otis Books/Seismicity Editions --1&lt;/strong&gt;&lt;br /&gt;4: Nicholas Manning reviews VAUDEVILLE by Allyssa Wolf &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Otoliths (Australia) --28&lt;/strong&gt;&lt;br /&gt;17: Thomas Fink Reviews PARTS AND OTHER PIECES by Tom Beckett; Tom Hibbard Reviews UNABLE TO FULLY CALIFORNIA by Larry Sawyer; Tom Beckett Engages THE ULTERIOR EDEN by j/j hastain; Eileen Tabios Engages THE ULTERIOR EDEN: A SERIES OF GENUFLECTIONS, RUMINATIONS AND GYROSCOPES by j/j hastain &lt;br /&gt;16: Eileen Tabios engages NOVALESS (ELEMENTS TOWARDS A METAPHYSICS) by Nicholas Manning &lt;br /&gt;15: Peg Duthie engages THE AMAZING ADVENTURES OF GRAVITY AND GRACE by Ernesto Priego &lt;br /&gt;14: Thomas Fink reviews GENJI MONOGATARI by Mark Young; Eileen Tabios engages GENJI MONOGATARI by Mark Young  &lt;br /&gt;13: Jeff Harrison reviews GHOST DANCE IN 33 MOVEMENTS by Anny Ballardini&lt;br /&gt;12: Thomas Fink reviews  237 MORE REASONS TO HAVE SEX by Denise Duhamel &amp; Sandy McIntosh; Kristin Berkey-Abbott reviews 237 MORE REASONS TO HAVE SEX by Denise Duhamel &amp; Sandy McIntosh; Tom Hibbard reviews  ENDGAMES by Márton Koppány; William Allegrezza reviews DIPTYCHS: VISUAL POEMS by Nico Vassilakis; John M. Bennett reviews LONGFELLOW MEMORANDA by Geof Huth; John M. Bennett reviews FROM THE ANNUAL RECORDS OF THE CLOUD APPRECIATION SOCIETY edited by Márton Koppány and Nico Vassilakis; Nathan Logan reviews THAT TINY INSANE VOLUPTUOUSNESS by Elisa Gabbert &amp; Kathleen Rooney; Steve Tills reviews  THIS POEM/WHATSPEAKS?/ADAY by Tom Beckett    &lt;br /&gt;11: Eileen Tabios engages RED by Marilyn R. Rosenberg&lt;br /&gt;10: Nicholas Manning reviews THIS POEM/WHAT SPEAKS?/A DAY by Tom Beckett; William Allegrezza reviews IT’S ALL A MOVIE by Alex Gildzen; Eileen Tabios engages ENDGAMES by Márton Koppány&lt;br /&gt;8: Lars Palm reviews OPERA BUFA by Adam Fieled; Larissa Shmailo reviews E-X-C-H-A-N-G-E  V-A-L-U-E-S: THE FIRST XI INTERVIEWS, curated by Tom Beckett&lt;br /&gt;6: Eileen Tabios engages WHAT'S THE MATTER by Jordan Stempleman; Fionna Donney Simmonds reviews THE TAR PIT DIATOMS by Sandra Simonds&lt;br /&gt;5: Eileen Tabios engages THE ALLEGREZZA FICCIONES by Mark Young&lt;br /&gt;3: Ernesto Priego reviews THE ACHING VICINITIES by Jean Vengua&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Otter Press --1&lt;/strong&gt;&lt;br /&gt;12: Jeff Harrison reviews  INCONGRUITIES by Séamas Cain&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Outside Voices --1&lt;/strong&gt;&lt;br /&gt;4: Susana Gardner reviews ORGANIC FURNITURE CELLAR by Jessica Smith &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Overlook Press/Peter Mayer Publishers --1&lt;/strong&gt;&lt;br /&gt;12: James Stotts Engages  TODAY I WROTE NOTHING: THE SELECTED WRITINGS OF DANIIL KHARMS, Edited and Translated by Matvei Yankelevich  &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Oxford University Press (Canada) --1&lt;/strong&gt;&lt;br /&gt;8: Rochelle Ratner engages THE JOURNAL OF SUSANNA MOODIE by Margaret Atwood&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Palm Press --2&lt;/strong&gt;&lt;br /&gt;13: Crg Hill reviews LANDSCAPES OF DISSENT: GUERRILLA POETRY &amp; PUBLIC SPACE by Jules Boykoff and Kaia Sand&lt;br /&gt;10: Tyrone Williams reviews THE STRAITS by Kristin Palm&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Pavement Saw Press --1&lt;/strong&gt;&lt;br /&gt;17: Micah Cavaleri Reviews ACOUSTIC EXPERIENCE by Noah Eli Gordon&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Pearl Editions --1&lt;/strong&gt;&lt;br /&gt;17: Fiona Sze-Lorrain reviews SEE HOW WE ALMOST FLY by Alison Luterman&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Parlor Press --1&lt;/strong&gt;&lt;br /&gt;10: Pamela Hart reviews CHILD IN THE ROAD by Cindy Savett&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Parnassus Press (Eindhoven) --1&lt;/strong&gt;&lt;br /&gt;12: John Bloomberg-Rissman reviews THE MOUNTAINS OF HOLLAND by Thomas A Clark &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Pavement Saw Press --2&lt;/strong&gt;&lt;br /&gt;14: Tom Hibbard reviews BLUE MOUNT TO 161 &lt;br /&gt;4: Dion Farquhar reviews INCESSANT SEEDS by Sheila Murphy &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Pendo Verlag (Munich &amp; Zurich) --1&lt;/strong&gt;&lt;br /&gt;14: Richard Kostelanetz reviews POESIE DER ENTSCHLEUNIGUNG: EIN LESEBUCH by Robert Lax, Ed. Sigrid Hauff &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Penguin --3&lt;/strong&gt;&lt;br /&gt;9: Brian Clements engages PARADISO DIASPORA and BORROWED LOVE POEMS, both by John Yau&lt;br /&gt;4: Jim McCrary reviews BOOK OF SKETCHES by Jack Kerouac &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Persea Books --2&lt;/strong&gt;&lt;br /&gt;6: Theresa Tensuan reviews UPROCK HEADSPIN SCRAMBLE AND DIVE and AMERICAN KUNDIMAN, both by Patrick Rosal&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Persistencia Press --1&lt;/strong&gt;&lt;br /&gt;2: Jon Leon reviews WAITING FOR THE RAPTURE by Kirby Olson&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Peter Lang Publishing --1&lt;/strong&gt;&lt;br /&gt;14: John Herbert Cunningham reviews HYPODERMIC LIGHT: THE POETRY OF PHILIP LAMANTIA AND THE QUESTION OF SURREALISM by Steven Frattali &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Philippine American Writers, Inc --1&lt;/strong&gt;&lt;br /&gt;11: Patria Rivera Reviews FIELD OF MIRRORS: AN ANTHOLOGY OF PHILIPPINE AMERICAN WRITERS, Edited by Edwin Lozada &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Phrygian Press --1&lt;/strong&gt;&lt;br /&gt;12: Richard Lopez reviews T(HERE) by Jonathan Hayes   &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Pighog (England) --1&lt;/strong&gt;&lt;br /&gt;1: Fionna Doney Simmonds reviews A SOLITARY PINE TREE IN SUSSEX by Tim Beech&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Plan B Press --1&lt;/strong&gt;&lt;br /&gt;11: Eric Gelsinger Reviews WHEN I COME HERE by Ryan Eckes&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Poetry Flash --1&lt;/strong&gt;&lt;br /&gt;16: T.C. Marshall reviews WORLDBOOK: 1925—A POEM by James Maughn &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Poetry Foundation --1&lt;/strong&gt;&lt;br /&gt;16: Michael Boughn engages the article "THE HERO AND THE GUNSLINGER: DID ROBERT CREELEY AND ED DORN LOSE THEIR WAY IN MIDDLE AGE?" by Aram Saroyan&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Poets Corner Press --1&lt;/strong&gt;&lt;br /&gt;9: Eileen Tabios engages CLEAVING by Dion Farquhar&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;P.O.L. (France) --1&lt;/strong&gt;&lt;br /&gt;8: Barry Schwabsky reviews GLOIRE DES FORMES PRECEDE DE LE DOUBLE CORPOS DES IMAGES by Jean Fremon&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Polity Press --1&lt;/strong&gt;&lt;br /&gt;12: John Herbert Cunningham reviews GAYATRI SPIVAK: ETHICS, SUBALTERITY AND THE CRITIQUE OF POSTCOLONIAL REASON by Stephen Morton&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Portable Press at Yo-Yo Labs --3&lt;/strong&gt;&lt;br /&gt;16: Harry Thorne reviews THE ECO LANGUAGE READER edited by Brenda Iijima &lt;br /&gt;11: Karen An-Hwei Lee Reviews MENTAL COMMITMENT ROBOTS by Sueyeun Juliette Lee&lt;br /&gt;7: Alysha Wood reviews A(A)UGUST by Akilah Oliver, with collages by Brenda Iijima&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Post-Apollo Press --2&lt;/strong&gt;&lt;br /&gt;17: Eileen Tabios Engages THERE ARE PEOPLE WHO THINK THAT PAINTERS SHOULDN’T TALK: A GUSTONBOOK by Patrick James Dunagan&lt;br /&gt;16: Andrew Durbin reviews THE DIHEDRONS GAZELLE-DIHEDRALS ZOOM by Leslie Scalapino &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Presa :S: Press --5&lt;/strong&gt;&lt;br /&gt;5: Lynn Strongin reviews SEED PODS by Glenna Luschei; Hugh Fox reviews SEEDPODS by Glenna Luschei &lt;br /&gt;4: Thomas Fink reviews INSIDE THE OUTSIDE: AN ANTHOLOGY OF AVANT-GARDE AMERICAN POETS, Edited by Roseanne Ritzema; Diane Lockward reviews SEEDPODS by Glenna Luschei; Lynn Strongin reviews SEEDPODS by Glenna Luschei&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Pressed Wafer --1&lt;/strong&gt;&lt;br /&gt;17: Patrick James Dunagan Reviews THE PUBLIC GARDENS: POEMS AND HISTORY by Linda Norton &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PressPress (Australia) --1&lt;/strong&gt;&lt;br /&gt;8: Ivy Alvarez reviews MOONSHINE by MML Bliss&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Princeton University Press --1&lt;/strong&gt;&lt;br /&gt;4: Lynn Strongin reviews AN APOLOGY FOR LOVING THE OLD HYMNS by Jordan Smith &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;The Private Press (England) --1&lt;/strong&gt;&lt;br /&gt;6: Lisa Factora-Borders reviews A SLICE OF CHERRY PIE Edited by Ivy Alvarez &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Public Access --1&lt;/strong&gt;&lt;br /&gt;8: Eileen Tabios engages PUBLIC ACCESS #1, Edited by Nicholas Grider &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PUB LUSH--1&lt;/strong&gt;&lt;br /&gt;8: Eileen Tabios engages BELOVED INTEGER by Michelle Naka Pierce&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Puncher &amp; Wattman (Sydney, Australia) --1&lt;/strong&gt;&lt;br /&gt;17: Pam Brown Reviews SLY MONGOOSE  by Ken Bolton&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PUSH --1&lt;/strong&gt;&lt;br /&gt;14: Eileen Tabios engages EASY EDEN by Micah Ballard and Patrick James Dunagan &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Queer Mojo --1&lt;/strong&gt;&lt;br /&gt;17: Tom Beckett Engages OUR BODIES . . . ARE BEAUTY INDUCERS by j/j hastain &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RADIANT PSI --1&lt;/strong&gt;&lt;br /&gt;14: Eileen Tabios engages THE OTHER BLUEBOOK: ON THE HIGH SEAS OF DISCOVERY by Reme Grefalda &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ragged Sky Press --1&lt;/strong&gt;&lt;br /&gt;15: Peg Duthie engages EATING HER WEDDING DRESS: A COLLECTION OF CLOTHING POEMS, Edited by Vasiliki Katsarou, Ruth O’Toole, and Ellen Foos &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Rain Mountain Press --1&lt;/strong&gt;&lt;br /&gt;12: Christopher Mulrooney reviews THE NEW YORK POSTCARD SONNETS by Philip Dacey   &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Random House --1&lt;/strong&gt;&lt;br /&gt;7: Jennifer Bartlett reviews THE SECOND CHILD by Deborah Garrison&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Ravenna Press: --6&lt;/strong&gt;&lt;br /&gt;17: Neil Leadbeater Reviews A HERON IN BUENOS AIRES by Luis Benítez&lt;br /&gt;12: Michael Caylo-Baradi reviews HUMAN CATHEDRALS by John Sweet   &lt;br /&gt;7: Kristin Berkey-Abbott reviews PUNK POEMS by John Burgess&lt;br /&gt;6: Eileen Tabios engages LITTLE WAR MACHINE by M Sarki &lt;br /&gt;5: Anne Haines reviews RADISH KING by Rebecca Loudon; Eileen Tabios reviews THE PLANT WATERER AND OTHER THINGS IN COMMON by Kathryn Rantala&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Reaktion Books (U.K.) --1&lt;/strong&gt;&lt;br /&gt;14: John Herbert Cunningham reviews CHARLES BAUDELAIRE  by Rosemary Lloyd &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Reality Street (U.K.) --1&lt;/strong&gt;&lt;br /&gt;12: John Bloomberg-Rissman reviews THE REALITY STREET BOOK OF SONNETS edited by Jeff Hilson&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Really Old Gringo Press --1&lt;/strong&gt;&lt;br /&gt;5: Richard Lopez reviews OH MISS MARY by Jim McCrary&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Red Ant Press --2&lt;/strong&gt;&lt;br /&gt;5: Guillermo Parra reviews BETTINA COFFIN by Micah Ballard; Guillermo Parra reviews DEATH RACE V.S.O.P. by Micah Ballard (co-written with Cedar Sigo and Will Yackulic)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Red Jasper (Ireland) --1&lt;/strong&gt;&lt;br /&gt;17: Jeff Harrison Engages THE DANGEROUS ISLANDS (A NOVEL) by Séamas Cain&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Red Morning Press --4&lt;/strong&gt;&lt;br /&gt;6: Ernesto Priego reviews MORTAL by Ivy Alvarez; Jeannine Hall Gailey reviews MORTAL by Ivy Alvarez &lt;br /&gt;5: Anne Haines MORTAL by Ivy Alvarez&lt;br /&gt;4: Elizabeth Kate Switaj reviews THE END OF RUDE HANDLES by Jen Tynes &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Red Mountain Press --1&lt;/strong&gt;&lt;br /&gt;11: Karen An-hwei Lee Reviews BOX OF LIGHT / CAJA DE LUZ by Susan Gardner   &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Red Walls --1&lt;/strong&gt;&lt;br /&gt;17: Eileen Tabios Engages RED WALLS by James Tolan&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Reed and Quill Press --2&lt;/span&gt;&lt;br /&gt;15: Margaret H. Johnson reviews MANHATTAN MAN (AND OTHER POEMS) by Jack Lynch &lt;br /&gt;13: Nicholas T. Spatafora reviews MANHATTAN MAN AND OTHER POEMS by Jack Lynch&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Rescue + Press --1&lt;/strong&gt;&lt;br /&gt;17: Eileen Tabios Engages TO BE HUMAN IS TO BE A CONVERSATION by Andrea Rexilius&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;RL Crow Publications --1&lt;/strong&gt;&lt;br /&gt;14: Patrick James Dunagan reviews FROM THE CCANYON OUTWARDLY by Neeli Cherkovski &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Roof Books --3&lt;/strong&gt;&lt;br /&gt;10: Nicholas Manning reviews PPL IN A DEPOT by Gary Sullivan&lt;br /&gt;8: Eric Hoffman reviews N/O by Ron Silliman&lt;br /&gt;7: Nicholas Manning reviews FOLLY by Nada Gordon&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Rose Metal Press --2&lt;/strong&gt;&lt;br /&gt;15: Kristina Marie Darling reviews TINDERBOX LAWN by Carol Guess &lt;br /&gt;12: Kathryn Stevenson reviews TINDERBOX LAWN by Carol Guess   &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sacrifice Press --3&lt;/strong&gt;&lt;br /&gt;17: Genevieve Kaplan Reviews KITCHEN TIDBITS  by Amanda Laughtland&lt;br /&gt;16: Eileen Tabios engages X (ANGEL CITY) by Joseph Lease&lt;br /&gt;15: Peg Duthie engages 32 SNAPSHOTS OF MARSEILLES by Guy Bennett &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Salimbayan Books (South Africa) --1&lt;/strong&gt;&lt;br /&gt;2: Yvonne Hortillo reviews OCHRE TONES by Marjorie Evasco&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Salt Publishing (England) --14&lt;/strong&gt;&lt;br /&gt;17: Allen Bramhall Reviews CITIZEN CAIN by Ben Friedlander&lt;br /&gt;16: Jim McCrary reviews PITCH – DRAFTS 77-95 by Rachel Blau DuPlessis &lt;br /&gt;14: Harry Thorne reviews BOOK MADE OF FOREST by Jared Stanley &lt;br /&gt;12: John Bloomberg-Rissman reviews NOT EVERYTHING REMOTELY by Alan Halsey and GHOST &amp; OTHER SONNETS by Geraldine Monk &lt;br /&gt;11: Kristina Marie Darling Reviews TORQUES: DRAFTS 58-76 by Rachel Blau DuPlessis &lt;br /&gt;10: Nicholas Manning reviews BEAUTIFUL, UNFINISHED: PARABLE/SONG/CANTO/POEM by M.T.C. Cronin &lt;br /&gt;8: Pam Brown engages URBAN MYTHS: 210 POEMS by John Tranter; Pam Brown engages  BLUE GRASS by Peter Minter; John Bloomberg-Rissman reviews CAPITAL by Giles Goodland&lt;br /&gt;7: Eileen Tabios engages BROKEN/OPEN by Jill Jones&lt;br /&gt;6: John Bloomberg-Rissman reviews GUESTS OF SPACE by Anselm Hollo &lt;br /&gt;2: Barry Schwabsky reviews MERCURY by Simon Smith; John Bloomberg-Rissman reviews DADADA by Catherine Daly&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sand Paper Press --1&lt;/strong&gt;&lt;br /&gt;17: T.C. Marshall Reviews THE NEW TOURISM by Harry Mathews&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Saturnalia Books --9&lt;/strong&gt;&lt;br /&gt;17: Kristin Berkey-Abbot Reviews FAULKNER’S ROSARY by Sarah Vap&lt;br /&gt;14: John Bloomberg-Rissman reviews GURLESQUE: THE NEW GRRLY, GROTESQUE, BURLESQUE POETICS co-edited by Lara Glenum and Arielle Greenberg&lt;br /&gt;13: Amanda Reynolds reviews TO THE BONE by Sebastian Agudelo; Kristin Berkey-Abbott reviews LETTERS TO POETS: CONVERSATIONS ABOUT POETICS, POLITICS, AND COMMUNITY, Eds. Jennifer Firestone and Dana Teen Lomax&lt;br /&gt;10: Francie Noyes reviews MIDNIGHTS, poetry by Jane Miller &amp; artwork by Beverly Pepper&lt;br /&gt;9: Jessica Bozek engages DUMMY FIRE by Sarah Vap; Brian Clements engages ING GRISH by John Yau, with illustrations by Thomas Nozkowski&lt;br /&gt;7: Christopher Mulrooney reviews STIGMATA ERRATA ETCETERA by Bill Knott, with collages by Star Black &lt;br /&gt;3: Jeffrey Cyphers Wright reviews ING GRISH by John Yau and Thomas Nozkowski&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Scantily Clad Press --1&lt;/strong&gt;&lt;br /&gt;16: Micah Cavalieri reviews SCENIC FENCES | HOUSES INNUMERABLE by Aby Kaupang &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;The Scarecrow Press --1&lt;/strong&gt;&lt;br /&gt;7: Julie R. Enszer reviews PRACTICING TO BE A WOMAN by Rochelle Ratner&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Scienter Press --1&lt;/strong&gt;&lt;br /&gt;16: Peg Duthie engages IGNOBLE TRUTHS by Gail White &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Scribners --1&lt;/strong&gt;&lt;br /&gt;9: Thomas Fink reviews WHEN A WOMAN LOVES A MAN by David Lehman&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Segue Books --1&lt;/strong&gt;&lt;br /&gt;4: Julie R. Enszer reviews MARBLE GODDESSES WITH TECHNICOLOR SKINS by Corinne Robins &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Self-published --5&lt;/strong&gt;&lt;br /&gt;12: Eileen Tabios engages OBSOLETE--AN ALPHABET OF POEMS INSPIRED BY DEAD WORDS by Katie Haegele, with design by Noah Beytin; Aileen Ibardaloza reviews THISTLES by Jack Cassinetto  &lt;br /&gt;(self-published, Jenkintown, PA, 2008) &lt;br /&gt;8: Aileen Ibardaloza engages “LAKBAY-KAMAY” by Father Albert Alejo (or “Paring Bert”)&lt;br /&gt;7: Craig Santos Perez reviews ANYWHERE AVENUE by Oscar Bermeo&lt;br /&gt;2: Eileen Tabios engages RUSTLE OF BAMBOO LEAVES: SELECTED HAIKU AND OTHER POEMS by Victor P. Gendrano&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Seven Stories Press --1&lt;/strong&gt;&lt;br /&gt;1: Tom Beckett reviews FAKE HOUSE by Linh Dinh&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Shearsman Books (England) --13&lt;/strong&gt;&lt;br /&gt;17: Tom Beckett Reviews THE NAME OF THIS INTERSECTION IS FROST by Maryrose Larkin; Jim McCrary Engages MARROWING and THE NAME OF THIS INTERSECTION IS FROST, both by Maryrose Larkin; Logan Fry Reviews IN THE COMMON DREAM OF GEORGE OPPEN by Joseph Bradshaw; Micah Cavaleri Reviews KYOTOLOGIC by Anne Gorrick&lt;br /&gt;16: Marianne Villanueva reviews SONNETS by Camille Martin&lt;br /&gt;15: Genevieve Kaplan reviews THE MS OF M Y KIN by Janet Holmes; Allen Bramhall reviews I-FORMATION BOOK 1 by Anne Gorrick; Lynn Behrendt reviews I-FORMATION BOOK 1 by Anne Gorrick; Eileen Tabios engages Lynn Behrendt's review of Anne Gorrick's I-Formation    &lt;br /&gt;13: Eileen Tabios engages ANALFABETO / AN ALPHABET by Ellen Baxt&lt;br /&gt;11: Eileen Tabios Engages TORCHWOOD by Jill Magi&lt;br /&gt;10: Eileen Tabios engages FORGET READING by Anthony Hawley&lt;br /&gt;7: Michelle Detorie reviews BIRDS AND FANCIES by Elizabeth Treadwell&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sheep Meadow --1&lt;/strong&gt;&lt;br /&gt;9: Brian Clements engages SOMETIMES by John Yau&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Simon &amp; Schuster (Margaret K. McKelderry Books) --1&lt;/strong&gt;&lt;br /&gt;9: Eileen Tabios engages BEHIND THE WHEEL: POEMS ABOUT DRIVING by Janet S. Wong&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Singing Horse Press --1&lt;/strong&gt;&lt;br /&gt;11: Eileen Tabios Engages DEMENTIA BLOG by Susan M. Schultz&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sisyphus Press --1&lt;/strong&gt;&lt;br /&gt;5: Ivy Alvarez reviews THE NAME POEMS by Jeffrey Cyphers Wright&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Skanky Possum --1&lt;/strong&gt;&lt;br /&gt;9: Burt Kimmelman engages LEARNING TO DRAW / A HISTORY: TWIN TOWERS by Basil King&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Slack Buddah Press --1&lt;/strong&gt;&lt;br /&gt;12: Eric Gelsinger reviews TIME MACHINE by Ric Royer&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Slapering Hol Press --3&lt;/strong&gt;&lt;br /&gt;16: Jerry Brunoe reviews A THIRST THAT'S PARTLY MINE by Liz Ahl &lt;br /&gt;9: Eileen Tabios engages THE HEART THAT LIES OUTSIDE THE BODY by Stephanie Lenox&lt;br /&gt;6: Julie R. Enszer reviews FALLING INTO VELAZQUEZ by Mary Kaiser &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Slope Editions --1&lt;/strong&gt;&lt;br /&gt;1: Jennifer Bartlett reviews LIKE THE WIND LOVES A WINDOW by Andrea Baker&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Small Press Traffic --2&lt;/strong&gt;&lt;br /&gt;7: Patrick James Dunagan reviews TRAFFIC: A PUBLICATION OF SMALL PRESS TRAFFIC, ISSUES 1 and 2, 2005-07, Edited by Elizabeth Treadwell&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Snag Press --2&lt;/strong&gt;&lt;br /&gt;5: Guillermo Parra reviews SCENES FROM THE SARAGOSSA MANUSCRIPT by Micah Ballard &lt;br /&gt;3: Ivy Alvarez reviews SCENES FROM THE SARAGOSSA MANUSCRIPT by Micah Ballard&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Soapbox Press (New Zealand) --1&lt;/strong&gt;&lt;br /&gt;12: Eileen Tabios engages LUNCH POEMS by Mark Young &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Soft Skull Press --6&lt;/strong&gt;&lt;br /&gt;12: Nathan Logan reviews THE AMPUTEE´S GUIDE TO SEX by Jillian Weise&lt;br /&gt;10: Michael Layne Heath reviews WORDS IN YOUR FACE: A GUIDED TOUR THROUGH 20 YEARS OF THE NEW YORK CITY POETRY SLAM by Cristin O’Keefe Aptowicz&lt;br /&gt;9: Nathan Logan reviews WORDS IN YOUR FACE: A GUIDED TOUR THROUGH TWENTY YEARS OF THE NEW YORK POETRY SLAM by Cristin O’Keefe Aptowicz; Kristi Castro reviews SOMETHING BRIGHT, THEN HOLES by Maggie Nelson&lt;br /&gt;6: Sandy McIntosh reviews SAINTS OF HYSTERIA, A HALF-CENTURY OF COLLABORATIVE AMERICAN POETRY, Edited by Denise Duhamel, Maureen Seaton, and David Trinidad &lt;br /&gt;2: Julie R. Enszer reviews WAKE-UP CALLS: 66 MORNING POEMS by Wanda Phipps&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Solo Press --1&lt;/strong&gt;&lt;br /&gt;5: Ivy Alvarez reviews DOVEY &amp; ME by Lynn Strongin&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sona Books --1&lt;/strong&gt;&lt;br /&gt;9: Eileen Tabios engages ZAMBOANGUENA by Corrine Fitzpatrick&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sourcebooks Inc. --2&lt;/strong&gt;&lt;br /&gt;8: Patrick James Dunagan reviews WRITING FROM THE INSIDE OUT by Sanford Lyne&lt;br /&gt;6: Eileen Tabios reviews POETRY DAILY ESSENTIALS 2007 Edited by Diane Boller and Don Selby&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Southern Illinois University Press --1&lt;/strong&gt;&lt;br /&gt;7: Craig Santos Perez reviews NAMES ABOVE HOUSES by Oliver de la Paz&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Spooky Girlfriend --1&lt;/strong&gt;&lt;br /&gt;17: Jim McCrary Reviews MY COMMON HEART by Anne Boyer &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Spuyten Duyvil --10&lt;/strong&gt;&lt;br /&gt;17: Tom Beckett Engages PRURIENT OMNIBUS ANARCHIC by j/j hastain &lt;br /&gt;14: Delia Tramontina reviews MANHATTEN by Sarah Rosenthal &lt;br /&gt;9: Burt Kimmelman engages WARP SPASM, THE POET and IDENTITY, all by Basil King&lt;br /&gt;8: Burt Kimmelman reviews POWERS: TRACKVOLUME 3 by Norman Finkelstein; Burt Kimmelman reviews COLUMNS: TRACKVOLUME 2 by Norman Finkelstein; Burt Kimmelman reviews TRACK by Norman Finkelstein&lt;br /&gt;4: John Bloomberg-Rissman reviews WARP SPASM by Basil King &lt;br /&gt;1: Eileen Tabios engages TRANSITORY by Jane Augustine&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Station Hill of Barrytown --2&lt;/strong&gt;&lt;br /&gt;17: Patrick James Dunagan reviews STREET METE: VERTICAL ELEGIES 6 by Sam Truit&lt;br /&gt;15: Patrick James Dunagan reviews UNTAM’D WING: RIFFS ON ROMANTIC POETRY  by Jeffrey C. Robinson &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Stato di Fuga --1&lt;/strong&gt;&lt;br /&gt;16: Bill Scalia reviews THE PACKAGE INSERT OF SORROWS by Angela Genusa &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Steel Toe Books --2&lt;/strong&gt;&lt;br /&gt;15: Kathryn Stevenson reviews MONEY FOR SUNSETS by Elizabeth J. Colen &lt;br /&gt;6: Kristin Berkey-Abbott reviews BECOMING THE VILLAINESS by Jeannine Hall Gailey &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;StoneGarden.net Publishing --1&lt;/strong&gt;&lt;br /&gt;17: Eileen Tabios engages BLUE COLLAR POET by G. Emil Reutter&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Stonehenge Books (Mexico) --1&lt;/strong&gt;&lt;br /&gt;15: Michael Pollock engages "El Dorado" by Edgar Allan Poe, Spanish translation by Mario Murgia in EL CURVO Y OTROS POEMAS by Edgar Allan Poe, Edicion bilingue with Traduccion del proyecto Helbardot and Ilustraciones de Gustavo Abascal &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Stop Press (Britain) --2&lt;/strong&gt;&lt;br /&gt;9: Burt Kimmelman engages THE COMPLETE MINIATURES and DEVOTIONS, WITH SELECTIONS FROM A PAINTERS BESTIARY AND 14 DRAWINGS FROM INTENTIONS, both by Basil King&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Street Press --3&lt;/strong&gt;&lt;br /&gt;16: Simon Perchik reviews CREATURELY DRIFT, NEW AND SELECTED POEMS by Allen Planz,  THAT NOD TOWARD LOVE, NEW POEMS by Graham Everett, and SILVER FISH, POEMS by Ray Freed   &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Street Sweeper Press --1&lt;/strong&gt;&lt;br /&gt;14: Peg Duthie engages REFUSING DESPAIR: SELECTED POEMS AND JOURNAL WRITINGS by Teresa Anderson &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Subpress --1&lt;/strong&gt;&lt;br /&gt;1: Leny M. Strobel reviews ALCHEMIES OF DISTANCE by Carolina Sinavaina-Gabbard&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Sun and Moon Press --2&lt;/strong&gt;&lt;br /&gt;11: Wendy Cohen Reviews HOW TO DO THINGS WITH WORDS by Joan Retallack; Wendy Cohen Reviews POLYVERSE by Lee Ann Brown &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;SUPERBLAST! --1&lt;/span&gt;&lt;br /&gt;13: John Bloomberg-Rissman reviews SUPER 8 by Richard Lopez and Jonathan Hayes &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;T'boli Press: --2&lt;/strong&gt;&lt;br /&gt;5: Marjorie Light reviews A BOOK OF HER OWN: WORDS AND IMAGES TO HONOR THE BABAYLAN by Leny M. Strobel&lt;br /&gt;4: Vanessa Kenyon reviews A BOOK OF HER OWN: WORDS AND IMAGES TO HONOR THE BABAYLAN by Leny M. Strobel &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Talisman House--7&lt;/strong&gt;&lt;br /&gt;16: Jim Tolan reviews AS IF FREE by Burt Kimmelman &lt;br /&gt;15: Eric Hoffman reviews ESCHATON by Michael Heller; Patrick James Dunagan reviews COLLECTED POEMS / GUSTAF SOBIN, Edited by Esther Sobin, Andrew Joron, Andrew Zawacki, and Ed Foster  &lt;br /&gt;14: William Allegrezza reviews AS IF FREE by Burt Kimmelman &lt;br /&gt;13: Jon Curley reviews TERRA LUCIDA by Joseph Donahue; Jon Curley reviews TRUE CRIME by Donna de la Perriére&lt;br /&gt;6: James Owens reviews BORN IN UTOPIA: AN ANTHOLOGY OF MODERN AND CONTEMPORARY ROMANIAN POETRY, Edited by Carmen Firan and Paul Doru Mugur with Edward Foster &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Tangent --1&lt;/strong&gt;&lt;br /&gt;12: Nicole Mauro reviews [LAPSED INSEL WEARY] by Susana Gardner&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Tarpaulin Sky Press --1&lt;/strong&gt;&lt;br /&gt;7: Teresa Carmody reviews [ONE LOVE AFFAIR]* by Jenny Boully (Tarpaulin Sky Press, 2006)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tebot Bach --1&lt;/strong&gt;&lt;br /&gt;12: Kristina Marie Darling reviews THE HOUSE IN THE HEART by Willie James King &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Teeny Tiny --2&lt;/strong&gt;&lt;br /&gt;17: Eileen Tabios Engages TEENY TINY #13, Edited by Amanda Laughtland&lt;br /&gt;8: Eileen Tabios engages FREE by Amanda Laughtland&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Textile Editions --2&lt;/strong&gt;&lt;br /&gt;17: Megan Burns Reviews LUCKY by Mairéad Byrne and A REDUCTION by Jimmy Lo&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Texture Press --1&lt;/strong&gt;&lt;br /&gt;12: Thomas Fink reviews HISTORY OF THE COMMON SCALE by Edward Foster &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;theenk books --2&lt;/span&gt;&lt;br /&gt;15: Allen Bramhall reviews OPULENCE by Stephen Ellis &lt;br /&gt;13: Jim McCrary reviews RUGH STUFF by Steve Tills&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Thomas Nelson Inc. --1&lt;/strong&gt;&lt;br /&gt;8: Aileen Ibardaloza engages "Psalm 120" in BOOK OF PSALMS, THE NELSON STUDY BIBLE&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Thorngate Road --1&lt;/strong&gt;&lt;br /&gt;5: Anne Haines reviews LIVING THINGS by Charles Jensen&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Three Rivers Press --1&lt;/strong&gt;&lt;br /&gt;11: Aileen Ibardaloza Engages POEMCRAZY: FREEING YOUR LIFE WITH WORDS by Susan Goldsmith Wooldridge&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Tia Chucha Press --2&lt;/strong&gt;&lt;br /&gt;3: Janet Hamill reviews FEMME DU MONDE by Patricia Spears Jones &lt;br /&gt;3: Cynthia Arrieu-King reviews SECRET ASIAN MAN by Nick Carbo&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tiger Moon Productions (India) --1&lt;/strong&gt;&lt;br /&gt;14: Patrick James Dunagan reviews THE PLEROMA by Vincent Ferrini &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tim Wright --1&lt;/strong&gt;&lt;br /&gt;15: Richard Lopez reviews SOME SONNETS, Edited by Tim Wright &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Tinfish Press --3&lt;/strong&gt;&lt;br /&gt;3: Craig Perez reviews PACIFIC POSTMODERN by Rob Wilson &lt;br /&gt;2: Rochita Loenen-Ruiz reviews POETA EN SAN FRANCISCO by Barbara Jane Reyes&lt;br /&gt;1: Leny M. Strobel reviews ALCHEMIES OF DISTANCE by Carolina Sinavaina-Gabbard&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tin House Books --1&lt;/strong&gt;&lt;br /&gt;12: Elizabeth Kate Switaj reviews SATELLITE CONVULSIONS: POEMS FROM TIN HOUSE, Edited by Brenda Shaugnessy and CJ Evans &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Toadlily Press --3&lt;/strong&gt;&lt;br /&gt;15: Kristi Castro reviews EDGE BY EDGE, collection of poetry chaps by Gladys Justin Carr, Heidi Hart, Emma Bolden, and Vivian Teter &lt;br /&gt;4: Julie R. Enszer reviews THE FIFTH VOICE by Pamela Hart, Allen Strous, Victoria Givotovsky and Noah Kucij &lt;br /&gt;2: Julie R. Enszer reviews DESIRE PATH by Myrna Goodman, Maxine Silverman, Meredith Silverman &amp; Jennifer Wallace (with a note on the book's publishing format by Sandy McIntosh)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Transgressor (Australia)--1&lt;/strong&gt;&lt;br /&gt;16: Eileen Tabios engages 100 SCENES by Tim Gaze&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Transmission Press --4&lt;/strong&gt;&lt;br /&gt;17:  John Bloomberg-Rissman Reviews 908-1078 by Brandon Brown &lt;br /&gt;12: Eileen Tabios engages OPEN NIGHT by Aaron Lowinger   &lt;br /&gt;11: Eric Gelsinger Reviews OPEN NIGHT by Aaron Lowinger&lt;br /&gt;10: Eileen Tabios engages ORGY IN THE BEEF CLOSET by Michael Koshkin&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Trembling Pillow Press --2&lt;/strong&gt;&lt;br /&gt;17: T.C. Marshall Reviews ETHICS OF SLEEP by Bernadette Mayer&lt;br /&gt;5: William Allegrezza reviews I OF THE STORM by Bill Lavender&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tupelo Press --5&lt;/strong&gt;&lt;br /&gt;16: Peg Duthie engages THE BOOK OF WHISPERING IN THE PROJECTION BOOK by Joshua Marie Wilkinson &lt;br /&gt;15: Moira Richards reviews THEN, SOMETHING by Patricia Fargnoli &lt;br /&gt;11: Emily Schorr Lesnick Reviews ARDOR by Karen An-Hwei Lee   &lt;br /&gt;2: Cati Porter reviews LOCKET by Catherine Daly; John Bloomberg-Rissman reviews LOCKET by Catherine Daly &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Turning Point --1&lt;/strong&gt;&lt;br /&gt;15: Moira Richards reviews A IS FOR ANNE by Penelope Scambly Schott &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Turtle Point Press --1&lt;/strong&gt;&lt;br /&gt;4: Craig Perez reviews I HAVE NOT BEEN ABLE TO GET THROUGH TO EVERYONE by Anna Moschovakis &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Ugly Duckling Presse --41&lt;/strong&gt;&lt;br /&gt;17: T.C. Marshall Reviews TO LIGHT OUT by Karen Weiser; Patrick James Dunagan Reviews “NEITHER WIT NOR GOLD” by Ammiel Alcalay; Eileen Tabios Engages 60 TEXTOS by Sarah Riggs &lt;br /&gt;16: Genevieve Kaplan reviews VENTRAKL by Christian Hawkey; John Bloomberg-Rissman reviews NOTES ON CONCEPTUALISMS by Vanessa Place and Robert Fitterman; Eileen Tabios engages THE HISTORY OF VIOLETS by Marosa Di Giorgio, Trans. By Jeannine Marie Pitas; Andrew Durbin reviews THIS TIME WE ARE BOTH by Clark Coolidge; Eileen Tabios engages DOG EAR by Erica Baum &lt;br /&gt;15: Eric Dickey reviews AS IT TURNED OUT by Dmitry Golynko, Edited by Eugene Ostashevsky and Translated by Eugene Ostashevsky and Rebecca Bella with Simona Schneider; Harry Thorne reviews NEIGHBOR by Rachel Levitsky; Genevieve Kaplan reviews NETS by Jen Bervin  &lt;br /&gt;13: Denise Dooley reviews CLASSIFICATION OF A SPIT STAIN by Ellie Ga; Virginia Konchan reviews ZERO READERSHIP, AN EPIC by Filip Marinovich; Jim McCrary reviews GET THE FUCK BACK INTO THAT BURNING PLANE by Lawrence Griffin&lt;br /&gt;12: Denise Dooley reviews THE DRUG OF ART: SELECTED POEMS by IVAN BLATNY, Edited by Veronika Tuckerová; Angela Genusa reviews BARF MANIFESTO by Dodie Bellamy; James Stotts engages  INSTANTS by Philip Metres       &lt;br /&gt;11: James Stotts Reviews ITERATURE by Eugene Ostashevsky; Denise Dooley Reviews UNBECOMING BEHAVIOR by Kate Colby; Patrick James Dunagan Reviews ONE OF A KIND by Jack Micheline&lt;br /&gt;10: James Stotts reviews ENTER MORRIS IMPOSTERNAK, PURSUED BY IRONIES by Eugene Ostashevsky; Christopher Mulrooney engages THE DEVELOPMENT OF AERIAL MILITARISM AND THE DEMOBILIZATION OF EUROPEAN GROUND FORCES, FORTRESSES, AND NAVAL FLEES by Paul Scheerbart, trans. by M. Kasper; John Bloomberg-Rissman reviews FLOWERS OF BAD: A FALSE TRANSLATION OF CHARLES BAUDELAIRE’S LES FLEURS DU MAL by David Cameron; Ryan Daley reviews ... AND THEN Engages FLOWERS OF BAD: A FALSE TRANSLATION OF CHARLES BAUDELAIRE’S LES FLEURS DU MAL by David Cameron&lt;br /&gt;9: Patrick James Dunagan reviews THE FINAL NITE &amp; OTHER POEMS: COMPLETE NOTES FROM A CHARLES GAYLE NOTEBOOK 1987-2006 by Steve Dalachinsky; Ivy Alvarez reviews &lt;br /&gt;AFIELD by Anthony Hawley&lt;br /&gt;8: Patrick James Dunagan reviews COMPLETE MINIMAL POEMS by Aram Saroyan&lt;br /&gt;7: Jessica Bozek reviews AFTER YOU, DEAREST LANGUAGE by Marisol Limon Martinez; Nicholas Grider reviews NETS by Jen Bervin ;Christopher Mulrooney reviews OSIP MANDELSTAM: NEW TRANSLATIONS edited by Ilya Bernstein; Nicholas Grider reviews THE STATES, Vols. 1 and 2 by Craig Foltz&lt;br /&gt;6: Alexander Dickow reviews FLOWERS OF BAD: A FALSE TRANSLATION OF CHARLES BAUDELAIRE’S LES FLEURS DU MAL by David Cameron &lt;br /&gt;5: Guillermo Parra reviews Micah Ballard’s poems in 6x6 #5; Guillermo Parra reviews EVANGELINE DOWNS by Micah Ballard; Julie R. Enszer reviews OSIP MANDELSTAM: NEW TRANSLATIONS, Ed. by Ilya Bernstein &lt;br /&gt;4: David-Baptiste Chirot reviews SAINT GHETTO OF THE LOANS by Gabriel Pomerand; Craig Perez reviews DO NOT AWAKEN THEM WITH HAMMERS by Lidija Dimkovska &lt;br /&gt;2: Corinne Robins reviews A PANIC THAT CAN STILL COME UPON ME by Peter Gizzi &lt;br /&gt;1: Thomas Fink reviews BIRD &amp; FOREST by Brent Cunningham&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;UMI Research Press --1&lt;/strong&gt;&lt;br /&gt;7: Joe LeClerc reviews THE ENEMY SELF: POETRY &amp; CRITICISM OF LAURA RIDING edited by Barbara Adams&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Unbelievable Alligator --3&lt;/strong&gt;&lt;br /&gt;10: Ryan Daley reviews ... AND THEN Engages FLOWERS OF BAD: A FALSE TRANSLATION OF CHARLES BAUDELAIRE’S LES FLEURS DU MAL by David Cameron&lt;br /&gt;6: Alexander Dickow reviews FLOWERS OF BAD: A FALSE TRANSLATION OF CHARLES BAUDELAIRE’S LES FLEURS DU MAL by David Cameron &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ungovernable Press --2&lt;/strong&gt;&lt;br /&gt;15: Allen Bramhall reviews SITUATIONS by Laura Carter; Michael Caylo-Baradi reviews MISSPELL by Lars Palm  &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;United Artists --1&lt;/strong&gt;&lt;br /&gt;17: Patrick James Dunagan Reviews CLEARVIEW by Ted Greenwald &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;University of Akron Press --1&lt;/strong&gt;&lt;br /&gt;15: Eileen Tabios engages REQUIEM FOR THE ORCHARD by Oliver de la Paz &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;University of Arizona Press --1&lt;/strong&gt;&lt;br /&gt;7: Craig Santos Perez reviews THE WIND SHIFTS: NEW LATINO POETRY edited by Francisco Aragon&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;University of California Press --5&lt;/strong&gt;&lt;br /&gt;16: John Herbert Cunningham reviews THE SELECTED POEMS OF TED BERRIGAN edited by Alice Notley, Anselm Berrigan and Edmund Berrigan &lt;br /&gt;14: John Herbert Cunningham reviews SELECTIONS by André Breton, edited and with an introduction by Mark Polizzotti &lt;br /&gt;12: John Bloomberg-Rissman reviews POEMS FOR THE MILLENIUM VOLUME THREE edited by Jerome Rothenberg and Jeffrey C Robinson&lt;br /&gt;4: Jim McCrary reviews ON EARTH: LAST POEMS AND AN ESSAY by Robert Creeley &lt;br /&gt;3: Thomas Fink reviews I LOVE ARTISTS: NEW AND SELECTED POEMS by Mei-mei Berssenbrugge &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;University of Chicago Press --1&lt;/strong&gt;&lt;br /&gt;15: John Herbert Cunningham reviews SELECTED POEMS OF GARCILASO DE LA VEGA, Edited and translated by John Dent-Young &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;University of Georgia Press --1&lt;/strong&gt;&lt;br /&gt;8: Burt Kimmelman reviews RESTLESS MESSENGERS by Norman Finkelstein&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;University of Illinois Press --1&lt;/span&gt;&lt;br /&gt;13: Jeroen Nieusland reviews POETRY AND CULTURAL STUDIES: A READER , Eds. Maria Damon and Ira Livingston &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;University of Iowa Press --4&lt;/strong&gt;&lt;br /&gt;15: Genevieve Kaplan reviews POETS ON TEACHING: A SOURCEBOOK, Edited by Joshua Marie Wilkinson &lt;br /&gt;14: Meredith Caliman reviews POETRY OF THE LAW: FROM CHAUCER TO THE PRESENT, co-edited by David Kader and Michael Stanford; Patrick James Dunagan reviews LEAVES OF GRASS, 1860: THE 150th ANNIVERSARY FACSIMILE EDITION by Walt Whitman, ed. by Jason Stacy  &lt;br /&gt;12: Fiona Sze-Lorrain reviews  INVERSE SKY by John Isles&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;University of Michigan --1&lt;/strong&gt;&lt;br /&gt;9: Brian Clements engages THE PASSIONATE SPECTATOR: ESSAYS ON ART AND POETRY by John Yau&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Mary Burritt Christiansen Poetry Series / University of New Mexico Press --9&lt;/strong&gt;&lt;br /&gt;17: T.C. Marshall Reviews EXPLORATIONS IN NAVAJO POETRY AND POETICS by Anthony K. Webster and THE PRINCIPLE OF MEASURE IN COMPOSITION BY FIELD: PROJECTIVE VERSE &lt;br /&gt;14: Eileen Tabios engages SIMON J. ORTIZ; A POETIC LEGACY OF INDIGENOUS CONTINUANCE, co-edited by Susan Berry Brill de Ramirez and Evelina Zuni Lucero &lt;br /&gt;12: John M. Bennett reviews SUCURSAL DE ESTRELLA: POEMARIOS INICIALES Y FINALES by Alvaro Cardona Hine; Kristin Berkey-Abbott reviews A BIGGER BOAT: THE UNLIKELY SUCCESS OF THE ALBUQUERQUE POETRY SLAM SCENE edited by Susan McAllister, Don McIver, Mikaela Renz, and Daniel S. Solis&lt;br /&gt;11: James Stotts Reviews IN COMPANY: AN ANTHOLOGY OF NEW MEXICO POETS AFTER 1960, Edited by Lee Bartlett, V.B. Price and Dianne Edenfield Edwards&lt;br /&gt;10: Denise Dooley reviews THE RIVER IS WIDE / EL RIO ES ANCHO: TWENTY MEXICAN POETS Edited and Translated by Marlon L. Fick; Patrick James Dunagan reviews DERIVATIVE OF THE MOVING IMAGE by Jennifer Bartlett&lt;br /&gt;9: Christopher Mulrooney reviews SELECTED POEMS OF GABRIELA MISTRAL, Trans. by Ursula K. Le Guin&lt;br /&gt;6: Eileen Tabios—and Denise Levertov—review IN A DYBBUK’S RAINCOAT: COLLECTED POEMS BY BERT MEYERS Edited by Morton Marcus and Daniel Meyers &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;University of Texas Press --2&lt;/strong&gt;&lt;br /&gt;14: John Herbert Cunningham reviews MARTINIQUE: SNAKE CHARMER by André Breton, translated by David W. Seaman with introduction by Franklin Rosemont &lt;br /&gt;12: Garrett Caples reviews MARTINIQUE: SNAKE CHARMER by André Breton&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;University of the Philippines (Philippines) --5&lt;/strong&gt;&lt;br /&gt;13: Patrick Rosal reviews THE LONG LOST STARTLE by Joel Toledo&lt;br /&gt;11: Monna Wong reviews MUSEUM OF ABSENCES by Luis H. Francia&lt;br /&gt;3: Rhett Pascual reviews MUSEUM OF ABSENCES by Luis H. Francia &lt;br /&gt;2: Barbara Jane Reyes reviews MUSEUM OF ABSENCES by Luis H. Francia&lt;br /&gt;1: Yvonne Hortillo reviews MUSEUM OF ABSENCES by Luis H. Francia&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Univ. of the Philippines Visayas Creative Writing Workshop and the National Commission on Culture and Arts (Philippines) --1&lt;/strong&gt;&lt;br /&gt;10: Prosy Abarquez-Delacruz reviews AN MAUPAY HA MGA WARAY UF IBA PA NGA MGA SIDAY (Waray poems with English translations) by Voltaire Oyzon&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;University of Utah Press --3&lt;/strong&gt;&lt;br /&gt;11: Michael Caylo-Baradi Reviews PERSUASIONS OF FALL by Ann Lauinger&lt;br /&gt;7: Rochita Loenen-Ruiz reviews THE GODS WE WORSHIP LIVE NEXT DOOR by Bino Realuyo&lt;br /&gt;5: Rebecca Mabanglo-Mayor reviews THE GODS WE WORSHIP LIVE NEXT DOOR by Bino Realuyo&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Unlikely --1&lt;/strong&gt;&lt;br /&gt;5: Mary Jo Malo reviews BLOOD AND SALSA / PAINTING RUST by Jonathan Penton&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Veer Books (U.K.) --5&lt;/strong&gt;&lt;br /&gt;16: Steven Johannes Fowler reviews CLERICAL WORK by Wayne Clements; Steven Johannes Fowler reviews IN THE ASSARTS by Jeff Hilson  &lt;br /&gt;12: John Bloomberg-Rissman reviews THE LION MAN &amp; OTHERS by Bill Griffiths, BAUDELAIRE IN ENGLISH by Sean Bonney, and DCLP (DISTRICT &amp; CENTRAL LINE PROJECT) by Estaphin (Stephen Mooney)  &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Vintage Books --1&lt;/strong&gt;&lt;br /&gt;16: Jim McCrary reviews DAY OUT OF DAYS (STORIES) by Sam Shepard &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Warner Books --1&lt;/strong&gt;&lt;br /&gt;6: Eileen Tabios reviews THE JUROR by George Dawes Green &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Wave Books --2&lt;/strong&gt;&lt;br /&gt;14: Fiona Sze-Lorrain reviews NEW EXERCISES  by Franck André Jamme, Translated from the French by Charles Borkhuis &lt;br /&gt;7: Nicholas Manning reviews POEM FOR THE END OF TIME AND OTHER POEMS by Noelle Kocot&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Washington Writers Publishing House --2&lt;/strong&gt;&lt;br /&gt;7: Eileen Tabios engages THE STEAM SEQUENCE by Carly Sachs&lt;br /&gt;4: Fionna Doney Simmonds reviews GAGARIN STREET by Piotr Gwiazda &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Wave Books --3&lt;/strong&gt;&lt;br /&gt;14: Crag Hill engages TAKE IT by Joshua Beckman &lt;br /&gt;12: Rebecca Guyon reviews MOONGARDEN by Anthony McCann &lt;br /&gt;11: Steven Karl Reviews STATE OF THE UNION--50 POLITICAL POEMS, Edited by Joshua Beckman &amp; Matthew Zapruder&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Wesleyan University Press --5&lt;/strong&gt;&lt;br /&gt;14: John Herbert Cunningham reviews THE FLOWERS OF EVIL by Charles Baudelaire, translated by Keith Waldrop &lt;br /&gt;12: John Herbert Cunningham reviews THE COLLECTED POEMS OF PHILIP WHALEN BY PHILIP WHALEN, Edited by Michael Rothenberg &lt;br /&gt;11: Fiona Sze-Lorrain Reviews WOMEN POETS ON MENTORSHIP: EFFORTS &amp; AFFECTIONS, Edited by Arielle Greenberg &amp; Rachel Zucker&lt;br /&gt;9: Jon Cone reviews LITTLE BOAT by Jean Valentine&lt;br /&gt;4: William Allegrezza reviews METEORIC FLOWERS by Elizabeth Willis &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;West End Press --4&lt;/strong&gt;&lt;br /&gt;14: Eileen Tabios engages INSIDES SHE SWALLOWED by Sasha Pimentel Chacon; Peg Duthie engages REFUSING DESPAIR: SELECTED POEMS AND JOURNAL WRITINGS by Teresa Anderson &lt;br /&gt;11: Reed Boskey Reviews WHAT THE FORTUNE TELLER DIDN'T SAY by Shirley Geok-lin Lim &lt;br /&gt;9: Laurel Johnson reviews INDIAN TRAINS by Erika T. Wurth&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;West House Books (U.K.) --2&lt;/strong&gt;&lt;br /&gt;12: John Bloomberg-Rissman reviews THE TEXT OF SHELLEY'S DEATH by Alan Halsey and IT MEANS NOTHING TO ME by Geraldine Monk &amp; David Annwn &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;What Are Records? --1&lt;/strong&gt;&lt;br /&gt;8: Aileen Ibardaloza engages OUT BEYOND IDEAS, CD by David Wilcox and Nance Pettit &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Wheelhouse --2&lt;/strong&gt;&lt;br /&gt;14: Julie T. Ewald reviews TONGUE LIKE A STINGER by Juliet Cook; Julie T. Ewald reviews MAKE BELIEVE by Thom Donovan&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Whirlwind Press --1&lt;/strong&gt;&lt;br /&gt;1: Ann E. Michael reviews OPEN FIRE by Aaren Yeatts Perry &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;White Pine Press --2&lt;/strong&gt;&lt;br /&gt;17: Bill Scalia Reviews WHAT THE RAVEN SAID by Robert Alexander&lt;br /&gt;15: John Bloomberg-Rissman reviews ADAMANTINE by Shin Yu Pai &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Wider Screenings--1&lt;/strong&gt;&lt;br /&gt;16: Eileen Tabios engages 100 SCENES by Tim Gaze&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Wilfrid Laureir University Press (Canada) --1&lt;/strong&gt;&lt;br /&gt;4: Lynn Strongin reviews SPEAKING OF POWER: THE POETRY OF DI BRANDT, Edited by Tanis MacDonald&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Windowpane Press --2&lt;/strong&gt;&lt;br /&gt;13: John Bloomberg-Rissman reviews HALLUCINATING CALIFORNIA by Richard Lopez and Jonathan Hayes&lt;br /&gt;11: Eileen Tabios Engages HALLUCINATING CALIFORNIA by Richard Lopez and Jonathan Hayes&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Wingbow Press --1&lt;/strong&gt;&lt;br /&gt;8: Rochelle Ratner engages LOBA by Diane di Prima&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Wings Press --1&lt;/strong&gt;&lt;br /&gt;2: William Allegrezza reviews DRIVE: THE FIRST QUARTET by Lorna Dee Cervantes&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Winnow Press --1&lt;/strong&gt;&lt;br /&gt;5: Allen Bramhall reviews DOWN SPOOKY by Shanna Compton&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Wisdom Publications --1&lt;/strong&gt;&lt;br /&gt;17: Jean Vengua Reviews THE WISDOM ANTHOLOGY OF NORTH AMERICAN BUDDHIST POETRY, Editor Andrew Schelling &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Wordpress --1&lt;/strong&gt;&lt;br /&gt;16: Peg Duthie engages THE GODDESS OF GOODBYE by James R. Whitley &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;WordTech Editions --2&lt;/strong&gt;&lt;br /&gt;7: Julie R. Enszer Reviews THE PARAGON by Kathrine Varnes&lt;br /&gt;1: Rochita Loenen Ruiz reviews TRILL AND MORDENT by Luisa A. Igloria&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;xPress(ed) (Finland) --5&lt;/strong&gt;&lt;br /&gt;16: Nicholas T. Spatafora reviews THE CHAINED HAY(NA)KU PROJECT curated by Ivy Alvarez, John Bloomberg-Rissman, Ernesto Priego and Eileen Tabios &lt;br /&gt;15: Aileen Ibardaloza reviews THE CHAINED HAY(NA)KU PROJECT, Curated by Ivy Alvarez, John Bloomberg-Rissman, Ernesto Priego &amp; Eileen Tabios and THE HAY(NA)KU ANTHOLOGY, VOL. II, Edited by Jean Vengua and Mark Young &lt;br /&gt;4: Nicholas Downing reviews EPISODES by Mark Young &lt;br /&gt;1: Heather Nagami reviews UNNECESSARY ROUGHNESS by Shin Yu Pai&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;YBK Publishers --1&lt;/strong&gt;&lt;br /&gt;5: J. LeClerc reviews BOWERY WOMEN: POEMS, Ed. by Marjorie Tesser &amp; Bob Holman&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;James Yeary --1&lt;/strong&gt;&lt;br /&gt;17: Jim McCrary Reviews ISSUE 8, Newsletter from James Yeary &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ypolita press --6&lt;/strong&gt;&lt;br /&gt;17: Genevieve Kaplan Reviews FROM HERE: POEMS  by Zoë Skoulding and images by Simonetta Moro; Tom Beckett Engages RESTITUTIONS FOR A NEWER BOUNTIFUL VERB by j/j hastain &lt;br /&gt;15: Peg Duthie engages "GOTHENBURG" FROM THREE GEOGAOPHIES: A MILKMAID'S GRIMOIRE by Arielle Guy &lt;br /&gt;14: Eileen Tabios engages EASTER SUNDAY by Barbara Jane Reyes&lt;br /&gt;13: Eileen Tabios engages HI HIGHER HYPERBOLE by Nicholas Manning&lt;br /&gt;9: Ryan Daley reviews THE FRANK POEMS by CAConrad&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Zasterle (Canary Islands, Spain) --1&lt;/strong&gt;&lt;br /&gt;12: Eileen Tabios engages PLAGIARISM/OUTSOURCE by Tan Lin   &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Zeitgeist Press --1&lt;/strong&gt;&lt;br /&gt;2: Julie R. Enszer reviews THE UNDERWATER HOSPITAL by Jan Steckel&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Zoland --1&lt;/strong&gt;&lt;br /&gt;9: Brian Clements engages THE UNITED STATES OF JASPER JOHNS by John Yau&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;OTHER PROJECTS:&lt;br /&gt;&lt;br /&gt;Poetry Blog&lt;/strong&gt;&lt;br /&gt;7: Nicholas Grider reviews INSECT TUTELAGE BLOG by Sawako Nakayasu&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;br /&gt;Poetry Broadside&lt;/span&gt;&lt;br /&gt;13: Jim McCrary reviews SOME SPECULATIONS AROUND GEORGE OPPENS PAROUSIA by Rob Halpern (broadside, location unknown)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Poetry CD&lt;/strong&gt;&lt;br /&gt;2: Mary Jo Malo reviews “PHENOMENA OF INTERFERENCE” by Steve Dalachinsky &amp; Matthew Shipp (Mastered &amp; produced by Assif Tsahar, recorded at Tonic 7/23/2005. Released 2005) &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Poetry Videos: 4 (produced in Germany)&lt;/strong&gt;&lt;br /&gt; 1: Jesse Glass reviews 4 VIDEOS by Ralph Lichtensteiger: “Homing Crows” Ishikawa Jozan; “Sudden Shower” Ishikawa Jozan; “Dancing Ears” Ned Rorem; and “Trace of the Formless” Plotinus.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;********************&lt;br /&gt;&lt;br /&gt;FROM OFFLINE TO ONLINE: REPRINTED REVIEWS&lt;br /&gt;  &lt;br /&gt;ahadada (Japan and Canada) --1&lt;/strong&gt;&lt;br /&gt; 4: Joyelle McSweeney reviews "THE TIME AT THE END OF THIS WRITING" by Paolo Javier&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ahsahta Press--1&lt;/strong&gt;&lt;br /&gt; 1: Rusty Morrison reviews THE AREA OF SOUND CALLED THE SUBTONE by Noah Eli Gordon&lt;br /&gt;&lt;br /&gt;  &lt;br /&gt;&lt;strong&gt;Alice James Books --1&lt;/strong&gt;&lt;br /&gt; 5: Alfred A. Yuson reviews MATADORA by Sarah Gambito &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;AMERICAN POET --1&lt;/strong&gt;&lt;br /&gt;16: Richard Kostelanetz reviews "RE: PRINT: POEMS FROM TEN EXCITING NEW BOOKS," an article in &lt;em&gt;AMERICAN POET&lt;/em&gt;, Fall 2009&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Anvil Publishing (Philippines) --1&lt;/strong&gt;&lt;br /&gt;14: Wilfredo Pascua Sanchez reviews POEMS SINGKWENTA’Y CINCO by Alfred A. Yuson &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Apogee Press --1&lt;/strong&gt;&lt;br /&gt; 1: Anna Eyre reviews VERSO by Pattie McCarthy&lt;br /&gt;  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Arsenal Pulp Press (Vancouver, Canada) --1&lt;/strong&gt;&lt;br /&gt;17: Paul Lai Reviews AUTOMATON BIOGRAPHIES  by Larissa Lai&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Atelos --1&lt;/strong&gt;&lt;br /&gt; 5: Andrew Joron reviews ULTRAVIOLETA by Laura Moriarty&lt;br /&gt;  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ateneo de Manila University, Office of Research and Publication (Philippines) --1&lt;/strong&gt;&lt;br /&gt;5: Alfred A. Yuson reviews FAULTY ELECTRICAL WIRING: POEMS by Ruel S. de Vera&lt;br /&gt;  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Black Sparrow--1&lt;/strong&gt;&lt;br /&gt; 2: Eileen Tabios reviews FORBIDDEN ENTRIES by John Yau&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BlazeVOX Books --1&lt;/strong&gt;&lt;br /&gt;14: Erika Moya reviews SLAVES TO DO THESE THINGS by Amy King &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Blue Begonia Press --1&lt;/strong&gt;&lt;br /&gt; 1: Laurel Johnson reviews KIOT: SELECTED EARLY POEMS 1963-1977 by Charles Potts&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bookmark (Philippines) --1&lt;/strong&gt;&lt;br /&gt;9: Alfred A. Yuson engages PASSAGES: POEMS 1983-2006 by Edgar B. Maranan&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BOA Editions --1&lt;/strong&gt;&lt;br /&gt; 3: Sandy McIntosh engages LIVING IS WHAT I WANTED: LAST POEMS by David Ignatow&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Chax Press --2&lt;/strong&gt;&lt;br /&gt; 6: Joyelle McSweeney reviews CHANTRY by Elizabeth Treadwell&lt;br /&gt; 3: Dana Teen Lomax reviews A READING SPICER AND 18 SONNETS by Beverly Dahlen&lt;br /&gt;  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;City Lights--1&lt;/strong&gt;&lt;br /&gt; 4: David Buuck reviews IN THE HEART OF THE HEART OF ANOTHER COUNTRY by Etel Adnan&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Coffee House Press --3&lt;/strong&gt;&lt;br /&gt;15: Lisa Bower reviews &lt;em&gt;SKIRT FULL OF BLACK &lt;/em&gt;by Sun Yung Shin &lt;br /&gt;9: Andrew Joron reviews BROKEN WORLD by Joseph Lease&lt;br /&gt;7: Catherine Wagner reviews MARGARET AND DUSTY by Alice Notley&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cuneiform Press --1&lt;/strong&gt;&lt;br /&gt;9: Murat Nemet-Nejat reviews SUDDEN ADDRESS, SELECTED LECTURES 1981-2006 by Bill Berkson&lt;br /&gt;&lt;br /&gt;&lt;br /&gt; &lt;strong&gt;De La Salle University Press (Philippines) --1&lt;/strong&gt;&lt;br /&gt; 5: Alfred A. Yuson reviews BELIEVE &amp; BETRAY: NEW AND COLLECTED POEMS by Cirilo F. Bautista&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Edge Books --1&lt;/strong&gt;&lt;br /&gt;9: Susana Gardner reviews ONCE UPON A NEOLIBERAL ROCKET BADGE by Jules Boykoff&lt;br /&gt;  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Farrar, Straus and Giroux --1&lt;/strong&gt;&lt;br /&gt;10: Francie Noyes reviews AVERNO by Louise Gluck&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;First Intensity Press --1&lt;/strong&gt;&lt;br /&gt; 3: Steve Potter reviews OXBOW KAZOO by John Olson&lt;br /&gt;  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Greenwillow Books (HarperCollins) --1&lt;/strong&gt;&lt;br /&gt; 7: Catherine Wagner reviews 19 VARIETIES OF GAZELLE: POEMS OF THE MIDDLE EAST by Naomi Shihab Nye&lt;br /&gt;  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;i.e. Press --1&lt;/strong&gt;&lt;br /&gt;9: Judith Roitman reviews THE BOOK OF OCEAN by Maryrose Larkin&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Junction Press --1&lt;/strong&gt;&lt;br /&gt; 3: Sandy Mcintosh engages SELECTED SHORTER POEMS by Armand Schwerner&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Kearny Street Workshop --1&lt;/strong&gt;&lt;br /&gt; 2: Barbara Jane Reyes reviews OCTOBER LIGHT by Jeff Tagami&lt;br /&gt;  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Marsh Hawk Press --1&lt;/strong&gt;&lt;br /&gt; 6: Thomas Fink reviews THE AFTER-DEATH HISTORY OF MY MOTHER by Sandy McIntosh&lt;br /&gt;&lt;br /&gt;  &lt;br /&gt;&lt;strong&gt;Meritage Press --6&lt;/strong&gt;&lt;br /&gt;13: Martin Edmonds reviews PELICAN DREAMING: POEMS 1959-2009 by Mark Young&lt;br /&gt;12: John Olson reviews COMPLICATIONS by Garrett Caples&lt;br /&gt;10: Allen Gaborro reviews PRAU by Jean Vengua and STAGE PRESENCE edited by Theodore S. Gonzalves; Juaniyo Arcellana reviews PINOY POETICS edited by Nick Carbo&lt;br /&gt; 1: Yvonne Hortillo reviews MUSEUM OF ABSENCES by Luis H. Francia&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Modjaji Books, (Athlone, South Africa) --1&lt;/strong&gt;&lt;br /&gt;16: Moira Richards reviews BURNT OFFERING by Joan Metelerkamp &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;New Issues Press --1&lt;/strong&gt;&lt;br /&gt; 5: Britta Ameel reviews ALASKAPHRENIA by Christine Hume&lt;br /&gt; 2: Anna Eyre reviews PURR by Mary Ann Samyn&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;New Rivers Press --1&lt;/strong&gt;&lt;br /&gt; 2: Yvonne Hortillo reviews REAL KARAOKE PEOPLE: POEMS AND PROSE by Ed Bok Lee&lt;br /&gt;  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Nightwood Editions --1&lt;/strong&gt;&lt;br /&gt;3: Timothy Yu reviews ANTHROPY by Ray Hsu&lt;br /&gt;  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;nine muses books --1&lt;/strong&gt;&lt;br /&gt;8: Judith Roitman reviews INVERSE by Maryrose Larkin&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;O Books --3&lt;/strong&gt;&lt;br /&gt; 6: Joyelle McSweeney reviews LILYFOIL + 3 by Elizabeth Treadwell&lt;br /&gt; 4: Joyelle McSweeney reviews *60 LV BO(E)MBS* by Paolo Javier&lt;br /&gt;1: Allen Gaborro reviews *60 LV BO(E)MBS* by Paolo Javier&lt;br /&gt;  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Penguin --4&lt;/strong&gt;&lt;br /&gt;11: Allen Gaborro Reviews DOVEGLION: COLLECTED POEMS by JOSE GARCIA VILLA, Ed. John Edwin Cowen &lt;br /&gt; 7: Catherine Wagner reviews DISOBEDIENCE by Alice Notley; Catherine Wagner reviews MYSTERIES OF SMALL HOUSES by Alice Notley&lt;br /&gt; 3: Allen Gaborro reviews NOLI ME TANGERE by Jose Rizal, Translated by Harold Augenbraum&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Pleasure Boat Studio --1&lt;/strong&gt;&lt;br /&gt;8: Scott Glassman reviews SIGHT PROGRESS by Zhang Er, Translation from Chinese by Rachel Levitsky with the author&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Saturnalia Books --1&lt;/strong&gt;&lt;br /&gt; 1: Steffi Drews reviews THE BABIES by Sabrina Orah Mark&lt;br /&gt;  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Self-Published --2&lt;/strong&gt;&lt;br /&gt; 3: Mark Lamoreaux reviews STEAM by Sandra Simonds&lt;br /&gt; 1: Steve Potter reviews CONCRETE MOVES by Nico Vassilakis &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Silverfish Review Press --1&lt;/strong&gt;&lt;br /&gt;15: Eric Dickey reviews LIGHT FROM A BULLET HOLE: POEMS NEW AND SELECTED, 1950–2008 by Ralph Salisbury&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Slope Editions --1&lt;/strong&gt;&lt;br /&gt; 4: Steffi Drewes reviews LIKE WIND LOVES A WINDOW by Andrea Baker&lt;br /&gt;  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Soft Skull Press --1&lt;/strong&gt;&lt;br /&gt; 1: Steve Potter reviews TREMBLE &amp; SHINE by Todd Colby&lt;br /&gt;  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Spankstra Press --1&lt;/strong&gt;&lt;br /&gt; 1: Laura Stamps reviews MEMPHIS JACK by Harvey Goldner&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Subpress --1&lt;/strong&gt;&lt;br /&gt; 5: Sharon Mesmer reviews OPPOSABLE THUMB by Joe Elliot&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;substancebooks (Capetown, South Africa) --1&lt;/strong&gt;&lt;br /&gt;16: Moira Richards reviews CARRYING THE FIRE by Joan Metelerkamp &lt;br /&gt;  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Talisman Press --1&lt;/strong&gt;&lt;br /&gt; 7: Catherine Wagner reviews SELECTED POEMS by Alice Notley&lt;br /&gt;  &lt;br /&gt; &lt;br /&gt;&lt;strong&gt;T'Boli Publishing --1&lt;/strong&gt;&lt;br /&gt; 1: Allen Gaborro reviews A BOOK OF HER OWN: WORDS AND IMAGES TO HONOR THE BABAYLAN by Leny Mendoza Strobel&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The National Poetry Foundation --1&lt;/strong&gt;&lt;br /&gt; 3: Sandy McIntosh engages THE TABLETS by Armand Schwerner &lt;br /&gt;  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tinfish --1&lt;/strong&gt;&lt;br /&gt; 6: Craig Perez reviews COMPOSITE. DIPLOMACY. by Padcha Tuntha-obas&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tupelo Press --1&lt;/strong&gt;&lt;br /&gt;9: Alfred A. Yuson engages AT THE DRIVE-IN VOLCANO by Aimee Nezhukumatathil&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ugly Duckling Press --2&lt;/strong&gt;&lt;br /&gt;11: Patrick James Dunagan Reviews EVANGELINE DOWNS by Micah Ballard&lt;br /&gt;7: Catherine Wagner reviews CATALOGUE OF COMEDIC NOVELTIES: SELECTED POEMS BY LEV RUBINSTEIN, Translated by Philip Metres and Tatiana Tulchinsky &lt;br /&gt;  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;University of Illinois Press --1&lt;/strong&gt;&lt;br /&gt; 2: Timothy Yu reviews ASIAN AMERICAN POETRY: THE NEXT GENERATION, Edited by Victoria Chang&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;University of North Texas Press --1&lt;/span&gt;&lt;br /&gt;13: Troy Jollimore reviews OHIO VIOLENCE by Alison Stine&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;University of Santo Tomas (UST) Publishing House (Philippines) --2&lt;/strong&gt;&lt;br /&gt;5: Alfred A. Yuson reviews A FEAST OF ORIGINS by Dinah Roma; Alfred A. Yuson reviews ELSE IT WAS PURELY GIRLS by Angelo Suarez&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;University of the Philippines Press (Philippines) --1&lt;/strong&gt;&lt;br /&gt; 1: Yvonne Hortillo reviews MUSEUM OF ABSENCES by Luis H. Francia&lt;br /&gt;  &lt;br /&gt;  &lt;br /&gt;&lt;strong&gt;University Press of Florida --1&lt;/strong&gt;&lt;br /&gt; 7: Catherine Wagner reviews EMAILS FROM SCHEHERAZAD by Mohja Kahf&lt;br /&gt;  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Wave Books --1&lt;/strong&gt;&lt;br /&gt; 4: Elizabeth Treadwell reviews POEM FOR THE END OF TIME AND OTHER POEMS by Noelle Kocot&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Wesleyan University --2&lt;/strong&gt;&lt;br /&gt;4: Christine Hamm reviews PIECES OF AIR IN THE EPIC by Brenda Hillman&lt;br /&gt;2: Juliana Spahr reviews BORN TO SLOW HORSES by Kamau Brathwaite&lt;br /&gt;&lt;br /&gt;  &lt;br /&gt;&lt;strong&gt;Winnow Press --1&lt;/strong&gt;&lt;br /&gt; 2: Joshua Corey reviews DOWN SPOOKY by Shanna Compton&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;xLibris --1&lt;/strong&gt;&lt;br /&gt;9: Alfred A. Yuson engages SORROWS OF THE CHAMELEON by Ella Wagemakers&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;xPress(ed) --2&lt;/strong&gt;&lt;br /&gt; 6: Eileen Tabios engages  CORNUCOPIA by Jukka-Pekka Kervinen&lt;br /&gt; 5: Eileen Tabios engages OBEYED DILEMMA by Jukka-Pekka Kervinen&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;OTHER PROJECTS:&lt;br /&gt;&lt;strong&gt;Visual Poetry Exhibits&lt;/strong&gt;&lt;br /&gt;11: Angelo Suarez reviews TO COME&lt;br /&gt;&lt;br /&gt;Poetry Performance Troupe&lt;/strong&gt;&lt;br /&gt;3: Allen Gaborro reviews the 8TH WONDER&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/21281143-7072761216847284817?l=grarchives.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grarchives.blogspot.com/feeds/7072761216847284817/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=21281143&amp;postID=7072761216847284817&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21281143/posts/default/7072761216847284817'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21281143/posts/default/7072761216847284817'/><link rel='alternate' type='text/html' href='http://grarchives.blogspot.com/2007/11/publishers-reviewed-by-galatea.html' title='PUBLISHERS REVIEWED BY GALATEA RESURRECTS'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-21281143.post-3721650188539731451</id><published>2011-04-02T23:02:00.000-07:00</published><updated>2011-04-05T20:49:00.327-07:00</updated><title type='text'>GR' S PUBLISHER PRIZE</title><content type='html'>With the issue of &lt;em&gt;Galatea Resurrects #11 &lt;/em&gt;(December 2008), we inaugurated the &lt;strong&gt;Galatea Resurrects Publisher Prize&lt;/strong&gt;.  This Prize is awarded to honor poetry presses that &lt;em&gt;GR &lt;/em&gt;wishes to support by raising attention to their books.  To wit:&lt;br /&gt;&lt;br /&gt;After each issue is released, &lt;em&gt;GR &lt;/em&gt;usually offers reviewers "compensation" by offering a gift of 1-2 books.  Recipients of the Publisher Prize have their catalogues available to reviewers (who've reviewed more than once for &lt;em&gt;GR&lt;/em&gt;) so that reviewers, if they wish, can choose one of their books. Chosen books are purchased through a grant from that secret but benevolent society, Oenophiles For Poetry. To date, the recipients of the GR Publisher Prize are:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GR #15:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://www.lulu.com/groups/betterpoemhomes"&gt;&lt;strong&gt;Better Homes Through Better Poems Lulu Storefront&lt;/strong&gt;&lt;/a&gt;, Curated by Reb Livingston to represent micropress and independent poetry publishers and based in the internet&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GR #14:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://www.carayanpress.com/"&gt;&lt;strong&gt;Carayan Press&lt;/strong&gt;&lt;/a&gt;, Ed. Edwin Lozada and based in San Francisco&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GR #13:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://moriapoetry.com/ebooks.html"&gt;&lt;strong&gt;Moria Books&lt;/strong&gt;&lt;/a&gt;, Ed. William Allegrezza and based in Chicago&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GR #12:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://www.bloofbooks.com/store.html"&gt;&lt;strong&gt;Bloof Books&lt;/strong&gt;&lt;/a&gt;, Ed. Shanna Compton and based in Central New Jersey&lt;br /&gt;&lt;a href="http://marshhawkpress.org"&gt;&lt;strong&gt;Marsh Hawk Press&lt;/strong&gt;&lt;/a&gt;, a collective of wise poets and based in New York&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GR #11:&lt;/strong&gt; &lt;br /&gt;&lt;a href="http://stores.lulu.com/l_m_young"&gt;&lt;strong&gt;Otoliths Books&lt;/strong&gt;&lt;/a&gt;, Ed. &lt;a href="http://mhcyoung.blogspot.com"&gt;&lt;strong&gt;Mark Young &lt;/strong&gt;&lt;/a&gt;and based in Rockhampton, Australia &lt;br /&gt;&lt;a href="http://www.notellbooks.org/"&gt;&lt;strong&gt;No Tell Books&lt;/strong&gt;&lt;/a&gt;, Ed. &lt;a href="http://cacklingjackal.blogspot.com"&gt;&lt;strong&gt;Reb Livingston &lt;/strong&gt;&lt;/a&gt;and based in Virginia&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/21281143-3721650188539731451?l=grarchives.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://grarchives.blogspot.com/feeds/3721650188539731451/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=21281143&amp;postID=3721650188539731451&amp;isPopup=true' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/21281143/posts/default/3721650188539731451'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/21281143/posts/default/3721650188539731451'/><link rel='alternate' type='text/html' href='http://grarchives.blogspot.com/2009/01/gr-s-publisher-prize.html' title='GR&apos; S PUBLISHER PRIZE'/><author><name>EILEEN</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>
